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Today's Document
One Nice Bug Per Day
Cosimo Galluzzi
d e v o n
KIROKAZE
sheepfilms
DEAR READER
dirt enthusiast
Peter Solarz
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH

tannertan36
2025 on Tumblr: Trends That Defined the Year

izzy's playlists!

Love Begins
Show & Tell
almost home
I'd rather be in outer space 🛸

seen from Puerto Rico

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@melssandre
Ladies of the Big House (1931, Marion Gering)
Monica Bellucci by Vanessa von Zitzewitz in Paris, 1999
i bet it feels good as fuck for an ancient mosaic to get restored. like being exfoliated
Ingrid Bergman photographed by Gordon Parks on the set of Stromboli (1950), May 1949.
Manisha Koirala in Akele Hum Akele Tum (1995, Mansoor Khan)
Akele Hum Akele Tum (1995, Mansoor Khan)
The Cranes Are Flying (1957) dir. Mikheil Kalatozov
Wild Search (1989, Ringo Lam)
It's Love I'm After (1937, Archie Mayo)
It's Love I'm After (1937, Archie Mayo)
La chimera Alice Rohrwacher. 2023
Power Station Necropoli della Mattonara, Dir. Porto, 23, 00053 Civitavecchia RM, Italy See in map
See in imdb
Ladies of the Big House (1931, Marion Gering)
Nicholas Hely Hutchinson (British, b. 1955) - Dusk on the Southbank
Charles Gates Sheldon
Women 女人心 (Stanley Kwan, 1985)
I feel like when I say ‘relatable’ what I really mean is ‘resonant.’ I don’t want characters who I feel are like me, I want characters who have emotions so strong I can feel them through the page.
I think this is important because a lot of us forget the power of stories to make us feel things about characters who are not like us, who have experienced things that we never will. The purpose of listening to someone else's story should not necessarily be identification, but understanding.