PUT YOUR BEARD IN MY MOUTH
izzy's playlists!
No title available
★
Show & Tell
wallacepolsom
h
taylor price
hello vonnie
Lint Roller? I Barely Know Her
Stranger Things
祝日 / Permanent Vacation
$LAYYYTER
⁂
No title available
No title available
KIROKAZE
Sweet Seals For You, Always
Three Goblin Art
Discoholic 🪩
seen from United States
seen from Germany
seen from United States
seen from Belarus
seen from United States
seen from United States
seen from Austria
seen from United Kingdom
seen from United Kingdom
seen from Malaysia
seen from United States
seen from United Kingdom
seen from Austria
seen from United Kingdom
seen from T1
seen from Italy
seen from Brazil
seen from Malaysia
seen from United States
seen from France
@klmkn
Official Trailer for “33″ | DC’s Game a short documentary I’ve been working on this past year highlighting a unique game of basketball originating in Washington, DC. I look forward to sharing the full film with you all in November. 🏀 🏀 🏀 🏀 🏀 🏀
Liquid Analytics by Cosmin Capitanu
3D printed filigree chairs 3D printed by robots | Bartlett students
Explosion Cabinet by Sebastian Errazuriz
Brixel Mirror is a 19 foot wide by 6 foot-tall installation made up of 540 Brixels™, black on one side and mirrored on the other. Brixel Mirror is the first installation built by BREAKFAST to utilize their Brixels technology.
Designer: Breakfast New York
An Undulating Brick Facade Imitates the Free-Flowing Movement of Draped Fabric
COMME DES GARÇONS - model: Adut Akech - photography: Mario Sorrenti - stylingL Alastair McKimm - hair: Recine - makeup: Kanako Takase - i-D Magazine Spring 2018
Light Phone 2
follow us ! spacecraft / design + tech
Flexible lighting structures by werteloberfell
http://www.werteloberfell.com/
Etymologies
Installation artworks by United Visual Artists is a collection of dot-matrix displays that generate ever changing writings algorithmically:
These canvases of geometric shape are illuminated by transitioning text. Algorithmically driven, the text on indistinguishable origin recalculates, reduces and expands, motivated by but not a direct reflection of human instruction. We witness the presence of a co-contributor who while deconstructing the source text, allegorically deconstructs the concept of independent authorship and more importantly, independent readership. This process of deconstruction questions the role of authenticity and the nature of appropriation in the Information Age. Employing the post-structuralist rationale that literary sources lie impregnated with reference, inherently a product of their own authorial context, the text is reduced to pure patterns which in turn, incite the viewer to rebuild order. The words of Roland Barthes resound “the birth of the reader must be at the cost of the death of the Author” as we engage in a process of inference, seeking out logic and poetry, while simultaneously submitting to the complex, mechanical mind. The unique shape of each canvas serves to highlight how our experience is not only shaped by the content, but by the environment in which it is viewed.
Link
