I knit. Mostly socks, sometimes other stuff.
I also like Critical Role, Dimension 20 and Worlds Beyond Number and you can see me rambling about that here: CrittingLotta
i dont consider myself a 'fashion guru' by any means but one thing i will say is guys you dont need to know the specific brand an item you like is - you need to know what the item is called. very rarely does a brand matter, but knowing that pair of pants is called 'cargo' vs 'boot cut' or the names of dress styles is going to help you find clothes you like WAAAYYYY faster than brand shopping
this also goes for aesthetic or -core titles. 'y2k tank top' is going to get you resellers and fast fashion brands advertising to people looking to meet a current trend. 'thin strap crop tank top' is going to get you a diverse group of results and not upcharge you to hell and back
additionally, shop second hand when you can, second hand and thrift sites typically organize clothes by the cut and color. theyll be more affordable than a depop seller curating you a style to sell you
here are more terms! these are all from enérie. it is a really good blog that has lots of fashion terminology and it's a good mix of menswear and womenswear! they also have a book as well compiling all their diagrams. you could also look into getting a visual fashion dictionary for terms as well!
completed weaving of the penelope skyphos from chiusi:
the header is tablet-woven linen, with the linen weft for the band used as the warp for the rest of the piece on a warp-weighted loom, which you can see in the photos below (there is also a previous post with more process photos here). the reverse is a negative mirror image of the front, since I wove this as double-weave pickup rather than tapestry:
additional details below the cut:
the bottom and side borders of the finished piece are tablet-woven with a mixture of linen and mercerized cotton. the sides are a classic meander motif, while the bottom border includes the "X" square from the skyphos itself. the bottom border was woven directly onto the piece using the remainder of the warp beneath penelope's feet (tablet draft for anyone interested—I designed it to be twist-neutral and everything). the side borders are sewn on because I didn't set up the side borders when I started the project, but ellen harlizius-klück previously executed a stunning version here that has the side borders woven in, as well as a really helpful video on this technique.
I was originally planning to leave part of the black warp threads unwoven to serve as penelope's warp, the way I did a few years ago with the amasis painter vase:
but I couldn't figure out how to execute it well in this version, especially since I was doing double-weave and not tapestry. perhaps next time! overall, this was a complicated and fun project as a first warp-weighted loom piece. I learned a lot of important lessons—chief among them being to actually calculate warp lengths instead of eyeballing them and to increase the loom weights on the warps for better tension. unfortunately, I also learned I want to build a large warp-weighted loom (the one I have now was made by jennifer marcus at fiber paintings studio and it is lovely, but I would like to weave larger pieces.)
the original pot also features telemachus standing over a grieving penelope (I had room only for his spear), perhaps a reference to the scene in book 1 when he reprimands his mother and orders her back upstairs:
Odysseus was not the only one
who did not come back home again from Troy.
Many were lost. Go in and do your work.
Stick to the loom and distaff. Tell your slaves
to do their chores as well. It is for men
to talk, especially me. I am the master.
οὐ γὰρ Ὀδυσσεὺς οἶος ἀπώλεσε νόστιμον ἦμαρ
ἐν Τροίῃ, πολλοὶ δὲ καὶ ἄλλοι φῶτες ὄλοντο.
ἀλλ᾽ εἰς οἶκον ἰοῦσα τὰ σ᾽ αὐτῆς ἔργα κόμιζε,
ἱστόν τ᾽ ἠλακάτην τε, καὶ ἀμφιπόλοισι κέλευε
ἔργον ἐποίχεσθαι: μῦθος δ᾽ ἄνδρεσσι μελήσει
πᾶσι, μάλιστα δ᾽ ἐμοί: τοῦ γὰρ κράτος ἔστ᾽ ἐνὶ οἴκῳ.
Od. 1.354–359. Emily Wilson translation.
my plan is to eventually create a larger version of this piece that includes telemachus and the meta aspect of unwoven warp threads. it would also be interesting to figure out if I can weave a different image on the back of the cloth, since the reverse of the pot itself depicts eurycleia recognizing odysseus as she washes his feet.
just finished this sweater in the middle of a heatwave (third wave woohoo...) !! probably my most ambitious knit so far, i honestly didnt think i had it in me lol but im so happy with the result despite the many mistakes and impecfection
Pattern is from the 1982 issue of the french magazine 100 idées, my grandmother actually knit it for my aunt back then!
I've been missing for a while because I've been working in some larger projects! This time I finally finished my Cozy Cottage Cardigan design in rainbow (just as pride month ends of course).
This is the first project I used buttons for and it was much simpler than I expected. Hopefully I will finish more of my ongoing work soon!
I will definitely be doing more types of designs in this "no sew" type of style!
Archaeologists uncovered a 1,000-year-old Viking textile production center near Aarhus, revealing large-scale cloth making and trade.
The site sits near Søften in eastern Jutland, about 10 kilometers north of modern Aarhus. Excavations by the Moesgaard Museum show a planned production area instead of a normal farming village. The settlement covered at least 100,000 square meters. Most of the work focused on making textiles, though other forms of handwork also took place there.
Researchers found an area where flax was prepared before workers turned the plant into linen. They also uncovered 82 pit houses, small sunken buildings linked with Viking workshops. Many held spindle whorls and loom weights, showing cloth production took place on a large scale.
Had to get back into tablet weaving because my other fiber hobbies (knitting with big project on my lap like a blanket; sewing always includes ironing) are not fun to do during the heat wave we're currently in
I found this petit point brooch at the thrift store and it's not my style at all, but the hand embroidery is so teeny tiny that for just $3 CAD it was too interesting a crumb of textile history to pass up. The stitches are less than a millimetre!
No idea how old it is. The embroidery is done on a stiff layer of netting which is laid over top of a plain white fabric, and it says "made Austria" on the back.
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