[lackofcuriosity]

Edmund J. Sullivan -  Illustrations for Thomas Carlyle´s `The French Revolution´ 

[bonemachinetheoperatorsmanual-d]

[humanoidhistory]

Behold Saturn, with a view toward the north polar hexagon, observed by the Cassini space probe on April 3, 2014 from a distance of 2,176,902 kilometers.

[danismm]

Art Deco Saturn Lamp

[hecatemis]

[ducissatenebrarum]

Catacomb tunnels blocked with the remains of Plague victims

[martyreater]

Jan van Eyck —detail from The Last Judgment (ca. 1435–40)

(twice, below Saint Michael’s wings) … vos maledi[ct]i i[n]ignem [aeternum?] (… ye cursed, into everlasting fire [Matthew 25:41].)

[horrorpunk]

[modernambition]

[occultclassicalart]

AIVAZOVSKY, Ivan (1817-1900)

Among the waves, details 1898 Oil on canvas, 66 x 97 cm Aivazovsky National Art Gallery Ed. and Digital Restoration (part.) Orig.

[grimelords]

Russian President Vladimir Putin sits in the front row of the UN Anti-Cloning assembly with Vice President Putin Vladimir and First Lady Pladamir Vutin

[chrissongzzz]

Holy shit that was intense.

[alistair-button]

Everything you need in one spot

[i-m-snek]

[carnivalgraveyards]

[jamieflemingsimpson]

JAMIE F SIMPSON

We Lose Our Identity When We Forget, 2016

University of Cumbria/The Pharmacy Contemporary Art Space

Memories are a fundamental part of our lives; they change and shape almost every thought and moment in our daily routine. They are fragile, fragmented and unreliable and yet without them we are without identity; we lose our identity when we forget.  

Jamie F Simpson invites visitors into a multi-layered interior of hidden and forgotten structures containing moving images, sounds and site dependent installations.  

Discussing concepts of identity, absence, repetition, time, place and memory, Simpson explores the intrinsic connections between narrative, text and image. Through these bold and provocative notions and concepts he attempts to influence a change in the mind of the viewer by forcing them to imagine their own life and memories as art.    

[fukin]

[contemporaryartdaily]

Shana Moulton at Crèvecoeur

[chaosophia218]

Jean François Champollion - Apep (Apophis), snake-god of the underworld, 1823.