[mollybeenoel]

Source: poeticalphotos

[powerbook145]

@bedbugbiting

[zegalba]

The Viking Age ring with the Arabic inscription

“for Allah” The Birka Ring

Featuring a pink-violet colored stone with an inscription that reads “for Allah” or “to Allah,” the silver ring was found during the 1872-1895 excavations of grave fields at the Viking age trading center of Birka, some 15.5 miles west of Stockholm.

[kii-tty]

[kii-tty]

A beauty in love with books 😍

[petitworld]

[via]

[vintagehomecollection]

Traditional Country Style, 1991

[zegalba]

The beautiful carved marble steps leading down to the gallery at the Hotel National des Arts et Metiers in Paris.

[zegalba]

Janeth Davalos, Collage featuring Time Capsule by Mariko Mori (2019)

[zegalba]

Coco Rocha for Vogue Paris (2006) Photography: Terry Richardson

[thephotoregistry]

Daniel Ribar 

[happyheidi]

“ᴡʜʏ ᴄᴀᴛs ᴘᴀɪɴᴛ: ᴀ ᴛʜᴇᴏʀʏ ᴏғ ғᴇʟɪɴᴇ ᴀᴇsᴛʜᴇᴛɪᴄs”, 1994. x

[nevver]

Wife, Masahisa Fukase

[nontemporary]

2021 10 11 1713.jpg

[pixandum]

10.1.21

Adrift toward a distant star untethered, yet moored. Stay the course, or fall on one's sword?

-sw

[wonderfulambiguity]

Brassaï, Picasso drawing, 1960s

[wonders-of-the-cosmos]

Conjunction: Jupiter and Saturn

Credit: Vladimir Mach

[brooklynmuseum]

Largely rejected by the art world at the time, Carolee Schneemann embraced her self-determined role as the ultimate cat lady, after learning from years of experience that it often takes the art world decades to catch up with transgressive women artists. Schneemann’s series Infinity Kisses began in 1981 and captures her cat Vesper’s morning ritual of giving her a kiss. This series proposes an interspecies intimacy, one that the artist nurtured with generations of cats in her farmhouse in upstate New York. Schneemann extended her career-long exploration of taboo sensuality into a series of blurry images that capture fleeting moments of hedonistic contact with a being she loved. 

Posted by Christian Reeder Carolee Schneemann (American, 1939-2019). Infinity Kisses II, 1990-1998. Chromogenic photograph, Each sheet: 60 × 40 in. (152.4 × 101.6 cm). Brooklyn Museum, Gift of Marc Routh by arrangement with the Remy-Toledo Gallery, 2005.60a-b. © artist or artist’s estate (Photo: Brooklyn Museum)

[nevver]

Ghost world, Jan Erik Waider