
⁂

Kiana Khansmith
Xuebing Du

titsay
Jules of Nature
he wasn't even looking at me and he found me

★
cherry valley forever

祝日 / Permanent Vacation
"I'm Dorothy Gale from Kansas"
occasionally subtle

#extradirty
No title available

Janaina Medeiros
will byers stan first human second
Alisa U Zemlji Chuda

Love Begins
ojovivo
hello vonnie
Peter Solarz

seen from United States

seen from United States
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seen from Indonesia

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seen from China
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@kuplakupla
Wow, called out HARD. 😆
I think what I love about the Murderbot Diaries
(aside from, you know Murderbot who I love and cherish)
It that it’s a very grim-dark distopian corporate hellscape setting, told through the perspective of someone who has seen some of the worst that world has to offer, who’s existence is part of the worst that world has to offer, and yet-
And yet it’s so full of hope.
Everywhere you look, there’s underground shipping routes to get refugees out from contract labour, there’s universities forging documents to get abandoned colonies out from corporate ownership, there’s people buying a secunit so the company don’t realise it’s hacked itself and has free will. A Tlacy employee smuggles out copies of the files to give them back to their owners, a human officer on HaveRatton station opens the security barrier to let Ayda Mensah escape. There’s a planet that took the promise of somewhere safe to live, of food and medical care, and kept that promise for generations.
And for all it can’t even see the hope yet, can’t even really believe it might be there yet (because trauma will fuck you up), Secunit keeps being that hope for other people.
Not just the lives it saves, not just all the times it shows up out of nowhere like a social anxious guardian angel with energy weapons in it’s arms and several lifetimes worth of soap operas in it’s storage.
When it talks to Dr Volescu all the way up the side of the crater, to keep him moving. When it sticks with the scientists on RaviHyral. When Tapan sneaks onto it’s sleeping mat, because she’s scared, and it ups it’s body temperature to keep her warm. When it keeps Amena safe from a predatory partner, when it tells her to go rest. When it hacks the Comfort Unit’s governor module. When it-version-2.0 gives Three the codes to hack itself.
Imagine being on RaviHyral. Imagine meeting a security consultant who you shouldn’t be able to afford, who goes above and beyond and doesn’t even check the payment card at the end, who tells you that sometimes people do things to you that you can’t do anything about, that all you can do is learn to live with them, who’s clearly been through some shit but came out of it with so much compassion. Imagine the hope in that.
That feeling when you were the first person to suggest that one of the students was the traitor and you were treated like you were crazy but now you've been proven right-which was actually the last thing you wanted-and you try to point out to the rest of the students that they're the victims here but they say it's all in the past even though they literally just found out five minutes ago and you just really really want your best friend to come back and parent his own damn kids so you can finally get some fucking sleep
musical vs manga: Extra scene: Present Mic giving Aizawa lunch for his trip to the forest training
OK you know what, if we're gonna talk about Bake Off then fuck it, let's do this.
It used to be this wholesome, lovely show! We used to watch it for the bakers! And the learning! And the light banter and occasional bit of coy innuendo! What happened?
Channel 4 happened. When they bought the show they made a number of changes, most of them Not Good™️. Not just in the sense of them resulting in a lot of 😬 and 🫠 moments, but in the sense of how they changed the show's purpose, atmosphere, and brand.
Look, I know most people are just like, "whatever, it's just a baking show," and yeah, sure. But it's one of the UK's most successful TV exports, and where it once shifted the tone of reality competition to being wholesome and supportive of contestants, it's since moved towards creating tension at the contestants' cost. So aside from the fact that most people watching it signed up to watch a nice show, it has also shifted the goalposts of what that even means. And that, lovelies and gentlefolk, is some bullshit.
I decided to break my rant analysis into four main parts: theme weeks, the hosts, the judges, and the bakers. Let's get to it!
Theme Weeks:
If you watch Bake Off, you know the show's always had a specific theme for each week. The staples that come up in most seasons are:
cake
biscuit
bread
pudding/dessert
pastry
patisserie
Less common but consistent are things like caramel and chocolate week.
Then there are the fun episodes! When GBBO was on the BBC, this started out with things tea week, tarts, pies, tray bakes, basically little tangents still focused on emphasizing specific baking skills. In Series 6 (still on the BBC) they had their first nation-focused theme week with French week -- fairly innocuous given that a lot of patisserie is French, France and England share much more culture than either cares to admit [Norman Flag dot gif], and it was a nice change from watching Paul make the bakers do recipes that involved boiling things while talking about how wonderful boiled doughs are (are they, Paul? Are they?).
The show kept mixing it up with innocuous themes like advanced dough and alternative ingredients weeks, European cakes, Victorian week, batter week, and botanical week. And while it was frustrating to watch Paul Hollywood mispronounce things like the Hungarian Dobos Torta and lecture bakers on babka when he clearly knew nothing about it (or about Jewish baking in general, go off Past Me), the show's general attitude was that the judges had their own opinions, which were separate from the immutable facts around the chemistry of baking (more on this later) and shouldn't affect how bakers are judged.
After the show moved to Channel 4, the number of themed weeks increased and more of them focused on specific countries. In 6 seasons on the BBC, there were only two country-focused theme weeks, and in 5 seasons on Channel 4 there have been five. And while they've also had themes like vegan baking, roaring 20s, the 1980s, spice week, etc. the show has really started to go hard on exoticizing other cultures in outright disrespectful and racist ways. There's been Italian and Danish week, German, Japanese (it wasn't, it was East Asian week), and now Mexican week (which doesn't touch on interspersed Jewish bakes that didn't get a theme week, like versions of bagels and babka set as technical challenges that were borderline hate crimes and mansplained by a guy who has no idea how to make either and once wrote in a cookbook that challah was traditionally eaten during Passover). Each time the hosts played up the theme with racist bits and jokes that can be used as evidence in court if your case is "why should shows with scripted content have a professional writing staff."
Which touches on other issues the show has now...
The Hosts:
When GBBO was on the BBC, the show was hosted by ✨Mel Giedroyc✨ and ✨Sue Perkins✨. They encouraged the bakers! They'd hold stuff for them sometimes! They were interested in them! If a baker had a breakdown, they would start singing copyrighted material to render the footage unusable! When the show moved to Channel 4, they left, though I'm not unconvinced that Channel 4 offered them impossible to accept contracts to force them out so they could rebrand the show. They replaced them with Sandy Toksvig and Noel Fielding. Sandy was a lovely host in the vein of Mel and Sue, and she and Noel had a relatively sweet rapport, but she left a few seasons ago and was replaced by Matt Lucas.
Noel Fielding is mostly known for his quirky brand of comedy, a sort of British Zooey Deschanel who's goth from the neck up, an upperclass British gay divorcee from the neck down, and basically an early 60s Beatle re: trousers. Matt Lucas has almost definitely never watched a single episode of GBBO and his most redeeming quality is his thinly veiled contempt for Paul Hollywood.
The two treat the baking tent as their personal playground. Far from the supportive attitude of Mel and Sue, they tend to get in the bakers' way during the most stressful moments, especially when they try to do hilarious "comedy" bits (I can't not put that in quotes) like Noel's talking wooden spoon thing, or Matt talking over Noel to do time calls. During theme weeks like Japanese and Mexican week, they do culture-specific bits that are both racist ("just Juan joke" and "is Mexico a real place?") and unsurprising, given that both Matt and Noel did blackface on their respective sketch shows and absolutely could and should have known better because it was already the current fucking century.
All this to say, there's now a separation between the bakers and the hosts, as if they're on different shows. The hosts are doing their own thing and the bakers are doing GBBO. The show has gotten meaner to the bakers, and the hosts aren't there to support them anymore, they're just there to be comic relief. Because when you refocus your show on stressing the bakers the fuck out, you need a forced laugh I guess ¯\_(ツ)_/¯.
The Judges:
First of all, a sincere congratulations to Paul Hollywood who managed to squeeze I jUsT cAmE bAcK fRoM mExIcO aNd YeT sTiLL pRoNoUnCe PiCo De GaLLo As 'PiKa De KaLLa' and I aM aN eXpErT oN s'MoReS wHiCh aRe MaDe WiTh DiGeStiVe BiScUiTs AcCoRdiNg tO mE, aN eXpErT oN s'MoReS, just two in a giant pile of astoundingly wrong hot takes, into a short enough time span that they all aired within Liz Truss's term as Prime Minister. A true man of accomplishments.
In the interest of fairness, I need to preface this with a disclaimer that, due to the fact that I've been watching Bake Off for most of its run, I'm biased. Specifically, I can't stand Paul Hollywood's smarmy, classist, egomaniac ass because he's proven time and again he's more interested in looking smart than actually knowing what he's talking about. Since the show moved to Channel 4, they've changed the occasional handshake Paul would give bakers to the HoLlYwOoD hAnDsHaKe™️. It's gone from being an emphasis of someone's skill to a goal, a reward, and one that emphasizes the judges' place above the bakers.
The judges used to function as teachers, imparting their skills and insights to the bakers. When the show was on the BBC, the voiceover leading to a judging would focus on the bakers' work being finished, saying how it will now be evaluated based on their skill and how well they met the brief. The voiceovers now, on Channel 4, focus on the judging (literally saying something along the lines of, "the bakers will now be judged by Prue and Paul"). There is a clear distinction Channel 4's producers have made, to mark that the show is now about whether or not the judges approve, not whether the brief was understood and executed well. On the BBC, it was irrelevant whether the judges liked a particular flavor, as long as the bake was well-made. Now, the bakers are expected to know the judges tastes and cater to them, which is frankly bullshit. A judge doesn't have to like a flavor to know whether or not it was executed well, ie. is it carrying a bake and was it meant to etc.
The judges have been turned into a brand. Cynically, Channel 4 knows that by building them up and focusing the show more on them, they can exploit their image more for profit. In the process, they've become much more biased and their own biases have come out as well. Most recently in the flaming dumpster fire that was Mexican Week, Paul Hollywood tried to intimidate a baker by telling them he had just gotten back from Mexico (which must have been a fruitful learning trip if he couldn't even learn how to pronounce pico de gallo correctly). Where do I even start with this? Here's an amateur baker from England (the show specifically casts middle and lower middle class bakers for the most part??) who likely can't afford trips to Mexico, who lives in a country with incredibly limited access to Mexican cuisine, who is expected not only to understand the cooking and baking traditions of a completely different culture but to do so well enough to play with it and do something creative with it. On top of which, one of the judges is now using his privilege of traveling halfway around the world as some kind of leverage, as if this were a bar that any amateur British baker could clear.
Prue, meanwhile, has openly asserted her biases against cultural flavors and textures, prioritizing her own personal preferences over them, as if they were in any way relevant to the skills and knowledge necessary to execute the tasks she sets to the bakers. She has also been consistently elitist, criticizing bakers for choices they made that were clearly informed by their experiences within income brackets that are too low and foreign for Prue to comprehend. She once had a go at a baker on a Christmas special because his Christmas dinner themed bake didn't have a turkey, even though it was clear from the stories he shared of his own Christmases that his family likely couldn't afford one. "It's not really Christmas dinner without a turkey," Prue said into the camera angrily while sitting on a chair made of live orphans and telling the ghost of Christmas Future to come back when he had another museum gift shop necklace for her to round out her collection.
The show is no longer about which baker has the best skills. It's become about which mortal can appease the gods of Mount Olympus, ie. the judges.
The Bakers:
Remember when the show was about them? Channel 4 doesn't! Because this is a reality competition show, the bakers are chosen both based on their skills, as well as cast-ability. They're cast as characters, distinct from each other, from different areas, age groups, ethnicities. All of them are amateurs. All of them are middle or lower middle class. They've ranged from college students to supermarket cashiers to prison wardens to scientists.
Something I noticed when the show moved to Channel 4 is that the baker who goes home in the first week is always wildly behind the rest in skills. I have no proof of this other than my eyeballs and deductive reasoning skills, but I think that Channel 4 deliberately casts a ringer each season who they think will be an easy send-off in the first week, just to get the audience's feet wet.
Anyway, like I said, this show used to be about the bakers - about them building skills and learning, and having walked into the tent with a self-taught foundation and understanding of the processes and chemical reactions involved in baking. When the show was on the BBC, the end of each round had some (often brief) moments of tension - will they finish in time? Will they get their bakes on the plate before time is up? Did they forget to add sugar to their batter and only remember at the last minute? In the end, they usually managed to finish and we'd all breathe a sigh of relief and think, yeah! You go, Bakers Who I'm Rooting For!
Now, on Channel 4, the end of round drama has been stretched to be so much longer that they've composed extra music for it. The bakers often seem out of their depth, whether because the instructions for the technical challenge are too vague (bake a lemon meringue pie??? As if anyone in the UK under the age of 60 has had one in the last decade???), or because they were expected to bake something that required a more than a basic foundation they weren't told of. Often it seems like they just aren't given enough time, a tactic used by reality competition shows to manipulate contestants into giving the cameras more dramatic content. On top of all this, the hosts get in their way, instead of helping them plate their bakes. As has been pointed out before, when everyone fails the challenge, the real failure lies with whoever set it.
In conclusion:
The show no longer exists to teach the bakers - and the audience - skills or knowledge. It now manipulates contestants for dramatic effect and prioritizes showing conflict over wholesome content. Channel 4 sees the bakers as social media content they can churn out season after season, and don't care about them because in a few months there'll be a new batch to exploit. Meanwhile, the judges are also out of their depth, co-opting recipes from other cultures and butchering them horrendously, while the camera gives them nothing but status as they hold bakers to the expectation that they learn how to make things very much the wrong way. If you saw any of the tweets about Mexican or Japanese week, or read my post on how Paul Hollywood isn't allowed to go near babka ever again, you'll understand.
So what would fix all this? Scrap the current judges and the hosts altogether. Bring back Mel and Sue, and replace the judges with expert bakers who have a love of their craft and want to share it with others. The draw of GBBO used to be its warmth and comfort - if Channel 4 isn't going to start its own version of Master Chef For Bakers, then it needs to stop trying to find a balance of how it can insert that vibe into GBBO. It can't. That's not a thing. Stop trying.
I've never watched GBBO, but every time somebody tells me about one of their challenges involving Jewish baked goods, I feel like I've been the victim of a low-key hate crime, so this checks.
Loudspeaker VS Eraserhead: The Game
Win back your friend in a turn-based sparring match.
- Aizawa’s attack and Yamada’s voice both deal 10 damage. However, it is possible for either to land a critical hit and deal 30. Keep an eye on your HP.
- Erasure erases Loudspeaker’s quirk for 10 seconds. Move fast while he’s open to attack. During the 10 seconds he can still heal on his turn.
- Healing restores 20HP. It’ll be enough to keep you kicking for another turn or two, but be aware that you can either heal or fight during your turn, not both.
Show that guy what you’re made of here.
A real hero only roars when he’s angry.
Mic starting to regret putting on the entire Shrek series when he babysat.
shinsou making friends with ochako and holding her hands and everyone just thinks that he likes her but no. he just thinks that her hands have cat beans on them.
shinsou: if uraraka is a cat, that means if i become friends with her i get to feel the beans
aizawa: yes that sounds reasonable
Zuko
Zuko: Sokka that plan is abhorrently flawed.
Sokka: your face is abhorrently flawed.
Zuko:
Sokka:
Zuko: dude.
Sokka: WAIT NO YOUR FACE IS PERFECT-
As the World Caves In
Tonight: Loudspeaker goes to karaoke.
Aizawa only wears plain baggy clothes but you can canonically trick him into wearing anything if you tell him that it's for a mission
Example:
I was taking pictures of some leaves and this cat appeared out of nowhere and just walked right into one of my shots….an autumn miracle…
Reblog for an autumn miracle
#this is the beginning of a porno oh my god
…Not sure I could argue the point. :)
Of course it’s only… logical.
oh you missed the best part
her twitter is a goldmine
So one of the funniest things about Maki Itoh is that her gimmick is that she used to be an idol but was fired because her head is “too big.” Most of her wrestling career has been in Japan, where she’s a rude and foul-mouthed heel, but when she wrestles in America she’s a face because by god do we love her.