Everything about that scene is so sensuous! Itâs one of my favorite moments in the whole series so, obviously, Iâve read it a million times and, the more I read it, the less innocent it got.
Of course, Iâve been thinking all this time that it was me and my dirty mind and my wish to see Jon and Arya together in the future (and the knowledge that GRRM had planned it that way fueled my will) but now Iâm thinking that maybe it isnât just me.Â
Letâs deconstruct the whole scene, shall we? (And, Lady Bee, your insight and wisdom would be much appreciated).
Arya was in her room, packing a polished ironwood chest that was bigger than she was. Nymeria was helping. Arya would only have to point, and the wolf would bound across the room, snatch up some wisp of silk in her jaws, and fetch it back. But when she smelled Ghost, she sat down on her haunches and yelped at them.Â
During the whole series Iâve always thought that the direwolves mean something special, that each one of them is a symbol and that they represent something bigger to each Stark. (For example, Ladyâs death could also mean the impending death of Sansaâs innocence. Bran choosing to name his direwolf Summer could mean that, in the future, it will be Bran the one to bring summer back to Westeros. Ghost as a foreshadowing of Jonâs death and possible revival. Nymeria, a conquering queen, a parallel to Aryaâs future, and so on).Â
With that in mind, I think that sentence is very important, specially complemented with this one right here:
They arrived, flushed and breathless, to find Jon seated on the sill, one leg drawn up languidly to his chin. He was watching the action, so absorbed that he seemed unaware of her approach until his white wolf moved to meet them. Nymeria stalked closer on wary feet. Ghost, already larger than his litter mates, smelled her, gave her ear a careful nip, and settled back down.
Ghost and Nymeriaâs familiarity with each other and the stress the author makes on it, the relationship the direwolves have. We donât see this with the other ones, and the mention of that simple action is unnecessary⊠unless, of course, GRRM wants us to think something by it.
Arya glanced behind her, saw Jon, and jumped to her feet. She threw her skinny arms tight around his neck. âI was afraid you were gone,â she said, her breath catching in her throat. âThey wouldnât let me out to say good-bye.â
We see it with the direwolves, now we see it with themselves. The familiarity, the affection, how comfortable they are with physical contact.
âWhat did you do now?â Jon was amused.Â
Arya disentangled herself from him and made a face. âNothing. I was all packed and everything.â She gestured at the huge chest, no more than a third full, and at the clothes that were scattered all over the room. âSepta Mordane says I have to do it all over. My things werenât properly folded, she says. A proper southron lady doesnât just throw her clothes inside her chest like old rags, she says.âÂ
âIs that what you did, little sister?âÂ
âWell, theyâre going to get all messed up anyway,â she said. âWho cares how theyâre folded?âÂ
âSepta Mordane,â Jon told her. âI donât think sheâd like Nymeria helping, either.â The she-wolf regarded him silently with her dark golden eyes. âItâs just as well. I have something for you to take with you, and it has to be packed very carefully.âÂ
Her face lit up. âA present?âÂ
âYou could call it that. Close the door.âÂ
Am I the only one who got like, âOoooh, Jon, what are you doing?â right here? It feels so intimate and private and mysterious. GRRM couldâve built this scene in a hundred different ways, yet he chose this one.Â
Thereâs this present, but we donât know what it is. Since Jon parts way with Robb, the writing builds expectation for this present and the first information we get about it? Itâs forbidden so they have to close the door.
The way this is written itâs everything but innocent.
Wary but excited, Arya checked the hall. âNymeria, here. Guard.â She left the wolf out there to warn of intruders and closed the door. By then Jon had pulled off the rags heâd wrapped it in. He held it out to her.Â
The idea is reinforced. Itâs so secretive, they need someone to guard the door. If the ages were different, older, Iâm sure the readerâs first thought wouldâve been something of sexual nature.
And, Iâm saying it again because I feel itâs very important: thereâs no need for this scene to be written like this, with that sensuous undertone⊠yet it is. And as a writer, I canât help but think this is deliberate.
Aryaâs eyes went wide. Dark eyes, like his. âA sword,â she said in a small, hushed breath.Â
The scabbard was soft grey leather, supple as sin. Jon drew out the blade slowly, so she could see the deep blue sheen of the steel. âThis is no toy,â he told her. âBe careful you donât cut yourself. The edges are sharp enough to shave with.âÂ
Lady Bee made an excellent point on this already.
âGirls donât shave,â Arya said.Â
âMaybe they should. Have you ever seen the septaâs legs?âÂ
I read an analysis about this line in a forum of awoiaf.westeros.org so Iâm quoting:Â
Interesting is also their short exchange about women shaving. Aside that it shows how open are Jon and Arya with each other including bad jokes and deeply personal and awkward topics, I believe it have other layers to it. It could be nod to Arya shaving her head later (first as the Blind Beth IIRC) but it could be also read as a slight sexual undertone. Shaving (aside of shaving head) is connected to sexual maturity. Judging by Cerseiâs second ADwD chapter Westerosi women almost surely do not shave any part of their bodies but in RW in culture GRRM comes from most women do, so do Novrosi women and it would not surprise me if it was a case in Braavos especially among courtesans. (x)
And with that I rest my case about that particular line because I wholeheartedly agree.
She giggled at him. âItâs so skinny.âÂ
âSo are you,â Jon told her. âI had Mikken make this special. The bravos use swords like this in Pentos and Myr and the other Free Cities. It wonât hack a manâs head off, but it can poke him full of holes if youâre fast enough.âÂ
This one could possibly be my more far-fetched thought but Iâm still mentioning it: They are talking about Aryaâs body. So unnecessary, I think, to the narrative but itâs there (and there must be a reason). Plus, a shout-out to Jonâs thoughts about Arya being skinny (including the comparison with Ygritte) throughout the books.
âI can be fast,â Arya said.Â
âYouâll have to work at it every day.â He put the sword in her hands, showed her how to hold it, and stepped back. âHow does it feel? Do you like the balance?âÂ
âI think so,â Arya said.Â
Physical contact. Must mention.
âFirst lesson,â Jon said. âStick them with the pointy end.âÂ
Arya gave him a whap on the arm with the flat of her blade. The blow stung, but Jon found himself grinning like an idiot. âI know which end to use,â Arya said. A doubtful look crossed her face. âSepta Mordane will take it away from me.âÂ
This description feels very romantic, donât you think? âLike an idiotâ itâs a must reaction when talking about romance, itâs a giveaway and itâs almost a clichĂ© in literature. Acting like an idiot itâs directly related to being in love and falling in love and how love makes us lose our judgement.
âNot if she doesnât know you have it,â Jon said.Â
âWho will I practice with?âÂ
âYouâll find someone,â Jon promised her. âKingâs Landing is a true city, a thousand times the size of Winterfell. Until you find a partner, watch how they fight in the yard. Run, and ride, make yourself strong. And whatever you doâŠâÂ
Arya knew what was coming next. They said it together. ââŠdonât⊠tell⊠Sansa!âÂ
Again, reinforcing the idea of the secrecy and how this action is forbidden and, in Lady Beeâs words: âItâs a way to show us how intimately he knows her desires and heâs not only understanding about them, he indulges them. The whole scene is about sharing a secret. They are doing something thatâs not proper [âŠ]â
Jon messed up her hair. âI will miss you, little sister.âÂ
Suddenly she looked like she was going to cry. âI wish you were coming with us.âÂ
âDifferent roads sometimes lead to the same castle. Who knows?â He was feeling better now. He was not going to let himself be sad. âI better go. Iâll spend my first year on the Wall emptying chamber pots if I keep Uncle Ben waiting any longer.âÂ
Arya ran to him for a last hug. âPut down the sword first,â Jon warned her, laughing. She set it aside almost shyly and showered him with kisses.Â
A kiss, the biggest sign of love. Again: The familiarity, the affection, how comfortable they are with physical contact.Â
And, please, this isnât as sisterly as some people want to make it seem. I have a brother (two, actually, but I have my favourite) and I love him to death but I dont âshower him with kissesâ. Not even when I was little and I used to follow him around everywhere. I donât know siblings, not even one pair of siblings, that feels comfortable kissing each otherâs faces. You only do it when your mother tells you to: âSay goodbye to your brother. Oh, come oooooon, give him a kissâ and you are like: âugh, fine.â But, by choice? Nope.
When he turned back at the door, she was holding it again, trying it for balance. âI almost forgot,â he told her. âAll the best swords have names.âÂ
âLike Ice,â she said. She looked at the blade in her hand. âDoes this have a name? Oh, tell me.âÂ
âCanât you guess?â Jon teased. âYour very favorite thing.âÂ
Arya seemed puzzled at first. Then it came to her. She was that quick. They said it together:Â
The memory of her laughter warmed him on the long ride north.Â
I think this one is self-explanatory. Because, please, interesting choice of words.
I quoted the whole scene so more people could join in the analysis and share their thoughts with maybe different lines that I didnât use.Â
I really think this scene, this very, very important scene, is everything but completely innocent.Â