lakrey

cologne based artist Lars Kreyssig

[lakrey]

New Wesite

please find from now on all updates of my work at: 

www.larskreyssig.com

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Finished my latest #drawing. “Becher House No 11” as a part of my series “Translating the Becher Houses” - a personal homage to the #German conceptual artists and photographers Bernd and Hilla Becher and their photo series Framework Houses. — Lars Kreyssig

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Sculpture 2018/2019 I 25x15x12cm

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A couple of thousand dots. For more of my work, check

313 Followers, 108 Following, 245 Posts - See Instagram photos and videos from @larskreyssig

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architectural drawing 2018

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Line-drawing 2018, diagonal. The imperfect perfect.

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Drawing lines. From the series „The imperfect perfect“ Lars Kreyssig 2018

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Circle line drawing, Lars Kreyssig, 2018

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Fine lines. Drawing 70x50cm Lars Kreyssig

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You can find my work now also at ARTPIQ, an online platform for artist. I’m honored to be a part of it. https://artpiq.net/products/lars-kreyssig

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Drawing, Lars Kreyssig, April 2018.

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Two of my photos as shown in the Düsseldorf, Germany exhibition #DieGrosse Kunstaustellung NRW at the Museum Kunstpalast. (Pictures by Tim Herpers). 

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Excited to be part of the Düsseldorf (Germany) exhibition #DieGrosse Kunstausstellung NRW. I’m showing two of my photos from the series ‘Objets fragil’. The show runs from January 28th - February 18th. Opening January 27th at www.smkp.de // www.diegrosse.de

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Line drawing on transparent paper 161217

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Exhibition view ‘Lines which join, divide, meander and delineate’. 

With works by Cologne based artists Kim Collmer and Lars Kreyssig. 

(September 2017) 

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For the exhibition “lines which join, divide, meander and delineate” Cologne based artists Kim Collmer and Lars Kreyßig will present a visual conversation derived from some of their latest work in their first exhibition together. Both working with and on paper, the artists appear to take an opposite approach to a shared interest in creating form through repetition. Many of Kreyßig's drawings depict rigid patterns and surfaces in a meticulous and extensive process, resulting in exacting and precise formal studies. In contrast Collmer’s work seems to fall apart, the marks she makes suggest the fragility of the forms they create, resulting in an openness in the work. Both artists have also employed video and photography, oddly evident in the work as it slyly comments upon digital culture without actually using it. Music artist Tom Ashforth joins them at the opening with an extraordinary performance.

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