Heyyy. can i just say. I really really really like your OC Masao? Do you have any info or details you can or want to share about him? I love learning about other peoples oc's! -TCP
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Discoholic 🪩
ojovivo
Sade Olutola
PUT YOUR BEARD IN MY MOUTH

if i look back, i am lost

tannertan36

shark vs the universe
2025 on Tumblr: Trends That Defined the Year

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Sweet Seals For You, Always

❣ Chile in a Photography ❣
official daine visual archive
The Bowery Presents
hello vonnie
Xuebing Du

@theartofmadeline
YOU ARE THE REASON

#extradirty
occasionally subtle
he wasn't even looking at me and he found me

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@laraeux
Heyyy. can i just say. I really really really like your OC Masao? Do you have any info or details you can or want to share about him? I love learning about other peoples oc's! -TCP
Keep reading
TOUKEN RANBU “JODEN MITSURABOSHI KATANAGATARI”
- 序ノ鳴動 (HASHIGAKI NO MEIDOU)
TOUKEN RANBU “JODEN MITSURABOSHI KATANAGATARI”
陣風が如く (Jin Fuu ga Gotoku)
TOUKEN RANBU “JODEN MITSURABOSHI KATANAGATARI”
幾星霜纏ふ刀
was browsing old Sanrio mascot designs and thought it would be fun to draw some of them ♡
MARGINAL#4 anime ED#4 | MARGINAL#4 Mr. StarrySky (FULL)
Aiba Rui (CV: Takahashi Naozumi)
Marginal#4 Kiss Kara Tsukuru Big Bang TV Series ED 5 Song - REAL? UNICORN Jr. (Shouta Aoi, Chiharu Sawashiro and Toshiyuki Someya)
Marginal#4 Kiss Kara Tsukuru Big Bang TV Series ED 6 Song - Kokoro Hitotsu KENN
i feel so bombarded
Marginal #4 Ending 6: “Kokoro Hitotsu (コ・コ・ロ・ヒ・ト・ツ)” by Nomura L
Our first DnD session
DM: You see a dog Barbarian: Can I roll to pet it? DM: Uh… Sure? Barbarian: *rolls a critical miss* DM: You slap the dog
by Ginny Williams
if you’re keeping up with Mob Psycho 100, you may have noticed that some scenes will occasionally shift to a more abstract, “paint-like” art style. you’ve almost definitely noticed this in the ending sequence
what you may not have known is that that’s not just a style– that’s actual paint.
“paint-on-glass” animation is a very uncommon animation technique, in no small part due to the fact that it’s incredibly difficult and labor-intensive. it’s remarkable – and possibly, until now, unheard of – to see it in a big budget animation series like MP100, not only for small scenes but for an entire 90 second sequence– and it’s even more remarkable that it’s all done by one person
Miyo Sato specializes in paint-on-glass animation, having created several short films with it. she created the entirety of MP100′s ending sequence as well as several notable scenes like the appearance of the first spirit in episode 1.
it’s really inspiring to see so many talented artists not only given work to do on a big project like MP100 but given so much freedom with their style and art direction. i really hope the success of this series will inspire other animated projects to be more creative and try new things in regards to art and animation
you can see some of Miyo Sato’s work on her website, as well as her twitter and tumblr
@tppelin
💮 AWT48 💮
I found this way funnier than I should have. Hahaha