
roma★

Andulka

ellievsbear
Lint Roller? I Barely Know Her

shark vs the universe
"I'm Dorothy Gale from Kansas"
RMH
almost home
Show & Tell
🪼
occasionally subtle
taylor price
KIROKAZE

Origami Around
Sweet Seals For You, Always
No title available

Love Begins
Claire Keane
Keni
sheepfilms

seen from United States
seen from United States

seen from Colombia

seen from United States
seen from Thailand

seen from Germany

seen from United States

seen from Netherlands
seen from Vietnam
seen from United States

seen from Türkiye

seen from United States

seen from Singapore

seen from Colombia

seen from United States

seen from France
seen from United States
seen from Azerbaijan
seen from Azerbaijan
seen from Azerbaijan
@late4f8
"Gannet Diving" necklace created by artist Rie Taniguchi
One of the guys I worked with told us a story about how, when they were doing archaeology surveys in the woods they ran into a bigfoot hunter. Bigfoot guy asked if they had seen signs of bigfoot, and he was like "Sorry, nothing like that. We're archaeologists, so we're looking for human stuff." and the bigfoot guy was like "Oh! I saw some Native American cairns on my way out here. I can give you a general location." and when he was like "Yeah dude, that'd be sick. We're actually looking to document those." the bigfoot guy was like "Yeah, they looked pretty cool. I didn't touch them though, because Native Americans built them, not bigfoot."
Remember when joining fandom as a younger person meant lurking for a bit and figuring out the vibe and etiquette instead of coming in on day one and calling people weirdos for liking weirdo shit in the weirdo factory.
They DID that!!!
It took me about 15 seconds in to realize what was happening in this vid, but the second I did, I legit came. This is… I got chills and got so much validation for my theories about tap and pretty much any genre of music here…
Tap is probably one of the dance styles that gets the least amount of credit four how badass it is
Holy hell-
Sorry I don’t get it?
They’re tap dancing, a kind of dancing typically associated with being old-fashioned and kind of silly. Personally, even tap dancing to old music is awesome in my eyes, but this is on a totally new and exciting level
The thing about tap is that it’s so often seen as a fancy, old-fashioned dainty dance that only posh (and generally white) people do in tuxedos but it didn’t used to be the case.
Way back in the early days, it was where black performers in Vaudeville were legendary for it in Jazz and Jive routines. At about 1:37, this is where the Nicholas brothers go off.
It’s such an expressive and joyful kind of dance and matches so well with hip hop beats and rhythm, which is why the modern reworking of it is so awesome.
Im sure a lot of people also watch the op video and they assume that “clap” sound is part of the music just because a LOT of modern music samples that sound and in some music it is just the sound of hands clapping, but no that is a sound being made by all their shoes at once.
one of my favorite syncopated ladies routines
Has the world forgotten Gregory Hines?
I am gritting my teeth at the mere suggestion that tap is primarily associated with dainty white people.
Tap is a distinctive American art form that comes from a blending of African dance traditions with Irish dance traditions. It was developed by Black and white dancers and came up alongside and deeply entwined with jazz.
Certainly the tap that ends up in musical theater often seems old-fashioned and white but that’s a musical theater issue, not a tap issue. That is only one small part of tap, which continues to have a strong African-American tradition.
The Nicholas Brothers, above, are in a clip from the film Stormy Weather, which has an almost entirely African-American cast. Some of the other scenes in the film include Bill “Bojangles” Robinson, one of the greatest tap artists of all time. He was very well-known generally and was in quite a few Shirley Temple movies in his day. (Shirley Temple, herself, was a tap dancer – which I’ll be real is probably contributing to people thinking it’s old-fashioned and white, because it’s easy to forget the Black man dancing alongside her, I guess.)
Here’s Bill Robinson with Cab Calloway in Stormy Weather – he’s performing a variation of his famous “stair dance” in parts of this clip:
https://www.youtube.com/watch?v=VY3fbvBRiaM
Here’s probably the most widely famous version of the “stair dance”, from The Little Colonel:
There’ve been a lot of white tap dancers through the years – see, for example, everyone’s favorite clip of two men torturing a speech therapist:
… but a lot of its most famous practitioners have been Black and it’s weird to me that people don’t know that.
Have a scene from Tap (1989).
Today I’d like to talk a little about Savion Glover, who is one of (if not THE MOST) famous living tap artists. This is from 2002:
and this from 2014-ish:
And if you are saying, well, I never heard of this guy, I guess today you are going to learn about this guy. But I bet you know THIS guy:
Mumble’s dance is choreographed by, and mo-capped from, Savion Glover.
This guy. This guy is SKILLED, ok? He’s in his 50s now; he’s been a professional tapper for over FORTY YEARS – he made his Broadway debut at age 11. He’s in that movie, Tap, that I linked a clip from above. Sometimes his tap seems a little old-fashioned – other times it is like nothing you’ve ever seen before. This is intentional – he’s paying tribute to his teachers and tappers of the past by learning and performing their signature moves, but also he’s got his own style.
It is absolutely worth going through whatever you can find on YouTube. Look for “Bring in da Noise, Bring in da Funk” – he was Tony nominated for the choreo & his performances in this musical. (The MDA telethon performance above is an excerpt – he did these for several years on the telethon.)
I like this one, because you can watch modern African-American tap alongside modern-traditional Irish dance and you can see that these are related, but distinct, art forms. They share a common ancestor, but they’re also so different. Right around 4 minutes, Colin Dunne (the man in the cover image below) and Savion Glover start dancing together, trading off, and it’s AMAZING.
Sidenote, if anyone ever hears of a revival of “Bring in da Noise, Bring in da Funk,” please tell me, I want to see it liiiiiiive.
Let’s finish off with Glover’s special guest performance at the Stockholm International Tap Dance Festival last year:
Gonna step outside my usual programming a bit because that light pollution take and a lot of the responses to it aggravated me so much.
No, wanting to see the night sky isn't a twee retvrn to ghibli-ass take. It's not a matter of some anprim impulse to dismantle industrial society for ~nature aesthetics~, it's an extremely visible symptom of environmental degradation that gets downplayed because the externality seems trivial to most people: "Oh no, the night sky, what ever will we do without it."
But it actively disrupts light-sensitive circadian rhythms in plants and wildlife, which disrupts foraging patterns, reproductive and hibernation cycles, and contributes to wildlife population declines. It's not the major contributor to those declines, but it's an additional point of stress in an ecosystem already stressed by climate change and other forms of industrial pollution. And so much of it is wholly unnecessary.
I don't think people realize how far-reaching the problem is, either. That light isn't just confined to the places people use. You don't escape it by just taking the bus to the edge of town. That light carries, in some cases for hundreds of kilometers. Death Valley has some of the darkest skies in the US, and yet, the dome of light above Las Vegas is visible on the horizon over 250 km away! Anywhere within 50 km of a major urban center, just about anywhere in the world, never gets darker than a night under a full moon.
And this is very much a recent problem too. Before the switchover to LEDs, it was relatively expensive to light places. That meant actually accounting for the energy use and making sure it was being used where it was needed. That light was also warm-colored, so it didn't travel as far. With the decreased cost of lighting, it became standard to light places like daytime whenever they might be needed. Lighting didn't get safer, it just got more thoughtless.
The reason you see astronomy-types sounding the alarm most loudly is because they're the ones who have been seeing the full effects of light pollution and its encroachment on dark skies. It's a hobby for me too, but it's partly because I am a night owl who grew up in a small town with nothing else to do. I used to be able to clearly see the Milky Way horizon to horizon when I grew up in the mid-00s. The last time I visited about five years ago, I could only see it overhead. The population has fallen by like 10%, but the skies are brighter. I can tell when the college decided to leave the football stadium lights overnight. I can tell where the car dealerships that added overnight display lights are. I can even see when trucks with the fuckass LED light bars are coming over a hill from 5 km away.
I'm all for well-lit, safe, and accessible spaces for people to work and play at night. But there is an impact from lighting, and it can and should be regulated like any other point source pollution. It's a pretty straightforward and materialist assessment. But go off about the big scary anprims are coming for your society so people can see the stars I guess, that's not at all a reactionary response to hearing about a problem
#also a lot of the time the solution to light pollution is so stupidly easy it should be a no brainer to do it#like using more directional shades on streetlights#or different color lights instead of bright white#like#you do not actually have to live in the dark all the time to mitigate this problem!!#this is easier than fixing the ozone and we did that!
Okay, but that's an important point! Don't leave the important point in tags!
Pack of Dogs by John Littleboy
Chris Long (American b.1978), Green Nocturne, Caloosahatchee, 2022, Oil on Wood panel
Rear View, Sunset by Jenny Bloomfield
you are not immune to inventing an arbitrary set of rules that only you have to adhere to
partially-managed mental illness is so fucking funny i'll be sitting around doing my job and suddenly think "wow i hate myself" and immediately get confused because, like, that's not TRUE! i love myself so much. who are you to talk to me like that
stockholm syndrome doesn't exist, except for when you start liking some of the songs that play on your work radio that you would never put in your casual playlists
me when I hear sugar by maroon 5 outside work: it's fine :)
me when I hear sugar by maroon 5 at work: oh hell yeah this is my jaaaammm
hi this drives me crazy
canon is what happens in the text. e.g. merlin tries to poison morgana
a headcanon is a fact that you have personally made up as an elaboration of canon. it is your invention. e.g. i think morgana and gwen had a teenage lesbian situationship before the events of canon. or, i think modern morgana would love evanesence.
an interpretation is how one reads the existing text. it is not an invented fact nor is it a headcanon, it is a reading. e.g. i think merlin tries to poison morgana out of misplaced self-hatred. or, i think that one line was delivered with suppressed malice and shows a nuanced relationship.
fanon is the general fandom’s accepted headcanons and interpretations that elaborate or recontextualize canon. e.g. merlin is a badass waif and morgana is a bitch.
these are all different words with different meanings.