helpful writing tips and things that inspire me

[luna-azzurra]

10 Traits That Make a Character Secretly Dangerous

❥ Disarming Humor. They’re the life of the party. Everyone’s laughing. No one’s noticing how much they aren’tsaying.

❥ Laser-Sharp Observation. They see everything. Who’s nervous. Who’s lying. Who would be easiest to break. And they don’t miss.

❥ Unsettling Calm. Even in chaos, they stay still. Smiling. Thinking. Calculating.

❥ Weaponized Empathy. They know how to make people trust them. Because they know exactly what people want to hear.

❥ Compartmentalization. They can do something brutal, then eat lunch like nothing happened.

❥ Controlling Niceness. The kind of kindness that’s sharp-edged. You feel guilty for not loving them.

❥ Mirroring Behavior. They become whatever the person in front of them needs. It's not flattery. It’s survival—or manipulation.

❥ Selective Vulnerability. They know how to spill just enough pain to make you drop your guard.

❥ History of “Bad Luck”. Ex-friends, ex-lovers, ex-colleagues… they all left under “unfortunate” circumstances. But the pattern says otherwise.

❥ Unshakeable Confidence in Their Morality. They don’t think they’re the villain. That makes them scarier.

[luna-azzurra]

Subtle Ways a Smart Character Shows They're Smart

✧ They notice what isn’t said. The gap. The silence. The missing piece.

✧ They explain complex things in the simplest words. No ego, just clarity.

✧ They pause before answering, not because they’re unsure, but because they’re calculating what not to say.

✧ They remember names. Tiny details. The kind of stuff people don’t expect anyone to keep.

✧ They don’t correct people when they’re wrong. Unless it matters. Then it’s precise.

✧ They ask smart questions and actually listen to the answers.

✧ They use sarcasm as camouflage, people underestimate snarky geniuses.

[luna-azzurra]

When a Character Is Angry but Doesn’t Know Why

Not all rage is loud. Sometimes it simmers. Sometimes it sneaks in. Especially for characters who aren’t used to feeling things or grew up in environments where anger wasn’t safe to express. So when it starts showing up, they don’t even recognize it as anger. They just feel… off. Wrong. Tense.

✧ They get irritated by things that never used to bother them. The way someone chews. A clock ticking. The sound of their name. They can’t explain it, they just feel raw, like their skin doesn’t fit.

✧ They isolate, but don’t call it that. Suddenly, they’re “too tired” to go out. “Too busy” to reply. But really, they don’t trust themselves to be around people without snapping.

✧ They pick fights over things that don’t matter. Because it’s easier to yell about the dishes than admit they feel powerless, unworthy, or invisible.

✧ They can’t sit still. Pacing. Fidgeting. Restlessness that feels like there’s a wasp trapped under their skin and they can’t get it out.

✧ They joke, but it stings. Sarcasm that cuts a little too deep. “Just teasing” that leaves bruises. Humor becomes a weapon they don’t even realize they’re using.

✧ They blame themselves for feeling bad. Instead of thinking something is wrong, they think I’m wrong for feeling this way. The anger turns inward. Self-criticism sharpens.

✧ They can’t cry, and it scares them. They want to break. To feel something clean. But all they feel is the pressure building, and it doesn’t go anywhere.

✧ They eventually explode, and hate themselves for it. One wrong word and suddenly it’s fire. And after? Shame. Guilt. Confusion. Like, What was that? What’s wrong with me?

✧ Their anger isn’t just anger. It’s grief in disguise. That’s the twist. Most of the time, the anger is covering up a heartbreak they haven’t admitted yet.

✧ They’re not “bad” for being angry. They’re human. Write that. Let them be messy and let them feel without always knowing why.

[luna-azzurra]

Moral Dilemmas That Will Mess Up Your Character

» They witness a crime but helping the victim means exposing a secret that could ruin someone they love.

» They could save someone’s life… but only by hurting someone else.

» They’re offered everything they’ve ever wanted, by the worst person they know.

» They have to lie to protect someone, but the lie costs someone else dearly.

» They can bring justice, but only by breaking a promise.

» They’re given power, but to keep it, they have to become what they hate.

» They have the chance to take revenge, and it would be so easy. So satisfying.

» They’re the only one who knows the truth, but telling it would destroy someone’s faith.

» They could protect the many, by sacrificing the one. And the one matters to them.

» They promised not to get involved, but walking away would haunt them forever.

» They were wrong  and admitting it now will shatter their credibility.

» They’re asked to forgive, and they know the person doesn’t deserve it.

» They have to pick a side, but both sides are flawed. Both will cost them something.

» They want to help, but they’re not sure it’s their place.

» They said they’d never become their parent and now they’re staring in the mirror, wondering if they already have.

» They catch their friend doing something terrible, but they owe them everything.

» They can’t tell if they’re protecting someone, or controlling them.

» They get what they want, but someone else suffers for it.

» They promised to keep a secret, but now someone innocent is getting hurt.

» They fall in love and realize it compromises everything they believe in.

[luna-azzurra]

Emotional Walls Your Character Has Built (And What Might Finally Break Them)

(How your character defends their soft core and what could shatter it) Because protection becomes prison real fast.

✶ Sarcasm as armor. (Break it with someone who laughs gently, not mockingly.) ✶ Hyper-independence. (Break it with someone who shows up even when they’re told not to.) ✶ Stoicism. (Break it with a safe space to fall apart.) ✶ Flirting to avoid intimacy. (Break it with real vulnerability they didn’t see coming.) ✶ Ghosting everyone. (Break it with someone who won’t take silence as an answer.) ✶ Lying for convenience. (Break it with someone who sees through them but stays anyway.) ✶ Avoiding touch. (Break it with accidental, gentle contact that feels like home.) ✶ Oversharing meaningless things to hide real depth. (Break it with someone who asks the second question.) ✶ Overworking. (Break it with forced stillness and the terrifying sound of their own thoughts.) ✶ Pretending not to care. (Break it with a loss they can’t fake their way through.) ✶ Avoiding mirrors. (Break it with a quiet compliment that hits too hard.) ✶ Turning every conversation into a joke. (Break it with someone who doesn’t laugh.) ✶ Being everyone’s helper. (Break it when someone asks what they need, and waits for an answer.) ✶ Constantly saying “I’m fine.” (Break it when they finally scream that they’re not.) ✶ Running. Always running. (Break it with someone who doesn’t chase, but doesn’t leave, either.) ✶ Intellectualizing every feeling. (Break it with raw, messy emotion they can’t logic away.) ✶ Trying to be the strong one. (Break it when someone sees the weight they’re carrying, and offers to help.) ✶ Hiding behind success. (Break it when they succeed and still feel empty.) ✶ Avoiding conflict at all costs. (Break it when silence causes more pain than the truth.) ✶ Focusing on everyone else’s healing but their own. (Break it when they hit emotional burnout.)

[hyperions-fate]

The Israeli state's response to this uprising will be devastating and barbaric. But life as it is now for Palestinians is one of degradation, exile, and murder at the hands of a merciless colonial system. They have chosen to grasp at freedom while they still have a chance, desperate though it may be. Forget the hypocrisy and moral cowardice of those who would deny the Palestinians their lawful right of resistance; the people of Palestine deserve our unwavering support and solidarity.

[windsdaughter]

not to dis Jesus in any way but getting the sins of the world pinned on you and then being physically crucified for it is a pretty common female experience

[luna-azzurra]

Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

[breakfastteatime]

Is it a bad writing habit or a cute quirk??

🤔

[sapphling]

"stabbing as a penetration metaphor is so old and predictable 🙄" oh yeah i forgot that's why everyone thinks that butter on bread is trite and passé and not one of the most fundamentally fulfilling and comforting culinary combinations known to many. You idiot. You fucking rube.

[kitchen-light]

“When I first asked my grandma if I could write and publish about her, she gave me an instruction that has stuck with me over the years and I try to always keep it in mind when I write about family. She said, roughly translated from Korean: “you can write what you want, but let us live a little more beautifully the second time.” I took this as permission with a condition that I would fictionalize where necessary, to protect them and myself. The women I write about are both us and not us. Maintaining that fictionalized barrier is important to me.”

— Jihyun Yun, from “you can write what you want, but let us live a little more beautifully the second time": Jihyun Yun in conversation with Nicole Lachat, published Prairie Schooner, March 9, 2023

[nonetoon]

[lichposting]

I’m really enamored with the dynamic of two characters who work perfectly in tandem, like pacific rim drift compatible level, but they don’t like each other. It’s not even as strong an emotion as hate it’s just a very neutral-negative dislike, but they still act in perfect concert and their individual abilities are fully complementary

[writing-with-sophia]

Poison list

While it's important to approach writing with creativity and imagination, it's crucial to prioritize responsible and ethical storytelling. That being said, if you're looking for information on poisons for the purpose of writing fiction, it's essential to handle the subject matter with care and accuracy. Here is a list of some common poisons that you can use in your stories:

Hemlock: Hemlock is a highly poisonous plant that has been used as a poison in various works of literature. It can cause paralysis and respiratory failure.

Arsenic: Arsenic is a toxic element that has been historically used as a poison. It can be lethal in high doses and can cause symptoms such as vomiting, abdominal pain, and organ failure.

Cyanide: Cyanide is a fast-acting poison that affects the body's ability to use oxygen. It can cause rapid loss of consciousness and cardiac arrest.

Nightshade: Nightshade plants, such as Belladonna or Deadly Nightshade, contain toxic compounds that can cause hallucinations, respiratory distress, and even death.

Ricin: Ricin is a potent poison derived from the castor bean plant. It can cause organ failure and has been used as a plot device in various fictional works.

Strychnine: Strychnine is a highly toxic alkaloid that affects the nervous system, leading to muscle spasms, convulsions, and respiratory failure.

Snake Venom: Various snake venoms can be used in fiction as deadly poisons. Different snake species have different types of venom, each with its own effects on the body.

Belladonna: Also known as Deadly Nightshade, Belladonna contains tropane alkaloids such as atropine and scopolamine. Ingesting or even touching the plant can lead to symptoms like blurred vision, hallucinations, dizziness, and an increased heart rate.

Digitalis: Digitalis, derived from the foxglove plant, contains cardiac glycosides. It has been historically used to treat heart conditions, but in high doses, it can be toxic. Overdosing on digitalis can cause irregular heart rhythms, nausea, vomiting, and visual disturbances.

Lead: Lead poisoning, often resulting from the ingestion or inhalation of lead-based substances, has been a concern throughout history. Lead is a heavy metal that can affect the nervous system, leading to symptoms such as abdominal pain, cognitive impairment, anemia, and developmental issues, particularly in children.

Mercury: Mercury is a toxic heavy metal that has been used in various forms throughout history. Ingesting or inhaling mercury vapors can lead to mercury poisoning, causing symptoms like neurological impairment, kidney damage, respiratory issues, and gastrointestinal problems.

Aconite: Also known as Wolfsbane or Monkshood, aconite is a highly toxic plant. Its roots and leaves contain aconitine alkaloids, which can affect the heart and nervous system. Ingesting aconite can lead to symptoms like numbness, tingling, paralysis, cardiac arrhythmias, and respiratory failure.

Thallium: Thallium is a toxic heavy metal that can cause severe poisoning. It has been used as a poison due to its tastelessness and ability to mimic other substances. Thallium poisoning can lead to symptoms like hair loss, neurological issues, gastrointestinal disturbances, and damage to the kidneys and liver.

When incorporating poisons into your writing, it is essential to research and accurately portray the effects and symptoms associated with them. Additionally, be mindful of the potential impact your writing may have on readers and the importance of providing appropriate context and warnings if necessary.

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[professional-idiocy]

Quick note that most snake venom doesn't really do much if it's ingested. You would need a lot of it or to have a scratch in your mouth or stomach where it can access the body easier. The venom is meant to be stabbed in the prey through their fascinating syringe like teeth.

But if you like put the venom from a common european viper (Vipera berus) on a dagger and have an assassin stab someone with it... That would work.

The wound will be painful and the cells that came in contact with the venom will start dying. The character stabbed will most likely die of sepsis caused by the cells dying and the tissue necroticing as the venom isn't all that lethal for healthy adult humans, but you should go to a hospital if you do get bit by a spicy friend. Snake venom makes for a bad poison if you dump it in tea, but when it gets stabbed in, then it becomes fun

Also, PSA: Never kill snakes, not even the venomous ones. They control harmful pest populations for you, and are more scared of you than you're of them.

[unboundprompts]

Different Ways to Describe Eye Colors

↳ a masterpost for writing prompts that describe eye colors

Brown Eyes

Blue Eyes

Green Eyes

Hazel Eyes

Unusual Eyes

Gray Eyes

Heterochromia Eyes

Black Eyes

White Eyes

Hazel Green Eyes

Gold/Yellow Eyes

Reddish-Brown Eyes

[jezifster2]

You know. Reading is important. Because I'm like always trying to make every line I write this groundbreaking mindfucking art but like. A book is 90% just saying what happened. "I hugged him around the waist." "The chair was brown and overstuffed." "I woke up alone." Etc etc. Like normal ass lines. I just keep comparing my boring, necessary to set a scene lines, with famous authors' absolute best lines and like.... every line doesn't have to shatter the earth. Sometimes someone just sits in a chair and the lines that wreck you come later, one at a time, here and there. It's alright.

[foxys-fantasy-tales]

This is super common and I wish we were taught when we begin to write that those quoted lines are also in a sea of the same sort of setup we obsess over not being 'good enough'. I saw multiple people drop out of writing courses over this in college. Sure, sometimes you need a better way to describe something prevalent or to pinpoint an emotion, but if EVERYTHING was written in that sort of tone for a whole book it would prove utterly exhausting to read.

[pens-swords-stuff]

Also, if every single line in the book was hard-hitting and mindblowing, then it wouldn't be memorable because it would be drowned out.

The best lines are famous because they stand out.

[ad-wills]