Black Mask - August 1940 // Cover by Rafael DeSoto
Source
Lint Roller? I Barely Know Her

if i look back, i am lost
art blog(derogatory)
Misplaced Lens Cap

Origami Around

JBB: An Artblog!

No title available
Xuebing Du
Sade Olutola
Peter Solarz

tannertan36
No title available
TVSTRANGERTHINGS
todays bird
taylor price
trying on a metaphor
YOU ARE THE REASON

@theartofmadeline

Love Begins

Andulka

seen from United States

seen from United States
seen from T1
seen from United States

seen from Malaysia
seen from United Kingdom
seen from United States

seen from United States
seen from United States

seen from Germany

seen from United States
seen from United States
seen from Germany
seen from Romania

seen from United States
seen from Sweden
seen from United Kingdom
seen from United States
seen from Germany

seen from United States
@likeapouringrainingmind
Black Mask - August 1940 // Cover by Rafael DeSoto
Source
Poet James Schuyler to painter John Button (Spring 1956)
[id: black text on white background. it reads:
Dear John,
I don’t know why I have to tell you this today (but I do) — perhaps it’s because when I look out into the fog all I can see is the hairs of your adorable chest. I’m terribly in love with you, and have been for such a long time, ever since the first time Frank took me to your apartment. I looked around at your beautiful paintings and suddenly everything I’d ever felt about you turned into a diamond or a rose or something — anyway I went striding up and down while Frank played Poulenc and felt exactly like the Ugly Duckling the day he found he was a swan.
Then you came home and I didn’t think I could ever look at you or to you again, all I could do was giggle and snort and twitch. But I’ve looked at you a lot since then, and there isn’t anybody else in the world I want to look at; or want, for that matter.
It seems to me that I’ve been so GOOD that I couldn’t have myself more. I don’t see why I couldn’t have been born a robber baron type instead of a fool.
Now I’m going down and set 57th Street on fire to keep you warm.
This is all nonsense. I love being in love with you, it makes even unhappiness seem no bigger than a pin, even at the times when I wish so violently that I could give my heart to science and be rid of it.
With all my love,
Jimmy
/end id]
beach rats (2017)
Palm Trees and Power Lines, 2022 (dir. Jamie Dack)
Great Freedom (Große Freiheit) 2022 | dir. Sebastian Meise
…close your eyes escape this town for a little while
okay, but, like, I feel like we need to emphasize more on how important it is to have a partner you can just talk to. I was telling this to someone the other day, but Hollywood and media focuses so much on sexual tension and explosive passion in a relationship, and while those are completely valid and understandable things for certain, not all, people to desire (even I myself do), I feel like there’s barely enough light casted onto the value of being able to converse with your partner and relish in their company even in the most neutral discussion. I can barely count how many films, particularly romance ones, have emphasized on the importance and value of being able to speak to a partner like they are your close friend, and being able to absolutely adore their company, and engage in conversation with them about anything and everything, even if it isn’t romantic. Lexi and Fez, Aristotle and Dante, Marianne and Heloise, Jesse and Celine, Connell and Marianne. so many people adore these couples because they showcase such a human, genuine connection through conversation. Lexi and Fez discussing God and the backlash of social media. Aristotle and Dante’s talks on finding identity and how life feels better when the shoes are kicked off. Marianne and Heloise debating over what it meant when Orpheus turned around, and the release found within music. Celine speaking to Jesse about how the media is controlling our minds and how she thinks she really loves someone when she can detect every detail of them, Jesse speaking to Celine about when he saw his deceased grandmother in the sprinkle of a hose and the things he remembers his parents having said to him. Connell and Marianne sitting under the summer sun, eating ice cream, discussing the differences in their class and how money can be simultaneously corrupt and indescribably appealing. all of these couples have made me realize how while passionate kisses under the rain and loud proclamations of your love for someone are valuable for certain people, it is also inexpressibly important to find someone who you can linger in the passenger seat for just to hear what they thought about the movie you watched last night. someone who you take your time putting your shoes on for just to hear about the physical sensation they got when the second last line of your favourite song reverberated through their headphones.
Daisy Edgar-Jones and Paul Mescal dressed as Fleabag and the Hot Priest for Halloween.
FOOD IN MOVIES
CHOCOLAT (2000) dir. Lasse Hallström
je, tu, il, elle (1974)
directed by: chantal akerman
Je Tu Il Elle | 1974
Chantal Akerman / Je, tu, il, elle (1974) ☁
Rusty James, Rumble Fish :: Coppola, 1986
flower crowns in film 🌿🌼🌷