S I L E N C I O

beverly hills

[tatlmaslany]

My brother is still alive, as long as Versace’s alive. I will not allow that man, that nobody, to kill my brother twice.

[alyciajazmin]

I think you’re the most sexy and attractive person I’ve ever met in my entire life. You really think so? I think you’re perfect.

[wongkarwaii-deactivated20201121]

Well, we movie stars get the glory. I guess we have to take the little heartaches that go with it. People think we lead lives of glamour and romance, but we’re really lonely - terribly lonely.

[luthordamnvers]

Excellent installment, Mr. Snodgrass.

[vintagesalt-deactivated20181115]

Sarah Jessica Parker and Robert Downey Jr. || 1980s

[vintagesalt-deactivated20181115]

Bette Davis in Old Acquaintance || 1943

[mostlycharlie]

Lady Bird (2017) dir. Greta Gerwig

[henryscavills]

We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste. - Call Me By Your Name (2017)

[sikanapanele-deactivated2018121]

[henricavyll]

You only have the power to stop things, but not to create.

Sing Street (2016) dir John Carney

[lonelycigs]

― Her (2013)

“The past is just a story we tell ourselves.”

[adrenaline]

THE LITTLE HOURS (2017)

[pruehalliwel]

[notdavidfincher]

- I want you to be the very best version of yourself you can be. 

- What if this is the best version?

Lady Bird (2017), dir. Greta Gerwig

[oldhollywoodcinema]

A Star Is Born (1954)

[sapsuckers]

I remember everything.

[thequietworld]

“…shooting through glass, and windows, and reflections kept making you think about the act of looking and being looked at…you feel the choice of an optical experience.” - Todd Haynes

“Carol, the very best film of the year (if not the decade), is obsessed with the visibility of women, the gazes they cast, and the gazes cast upon them. In Todd Haynes’ unspeakably beautiful adaptation of Patricia Highsmith’s semi-autobiographical novel about a 1950s Manhattan shopgirl (Rooney Mara) who is thunderstruck by a mutual infatuation with a well-to-do housewife (Cate Blanchett), the film illustrates—among other things—how falling in love is an act of looking, while being in love is an act of seeing.” - David Ehrlich