very old thing from twitter
Show & Tell
hello vonnie
almost home
sheepfilms
official daine visual archive
YOU ARE THE REASON

Discoholic 🪩

#extradirty
The Bowery Presents
Jules of Nature
tumblr dot com
NASA
Misplaced Lens Cap

pixel skylines

if i look back, i am lost
The Stonewall Inn

Love Begins
Noah Kahan
TVSTRANGERTHINGS
No title available

seen from United States

seen from Argentina
seen from Bangladesh

seen from Netherlands
seen from United States

seen from United Kingdom

seen from United States

seen from Ecuador
seen from United States

seen from United States
seen from Mexico
seen from United States
seen from Netherlands

seen from Argentina

seen from United States

seen from Malaysia

seen from Bangladesh

seen from Türkiye
seen from Malaysia

seen from United States
@limonadecandy
very old thing from twitter
The Siren | A Mermaid
— by John William Waterhouse (1849-1917)
Floof Study of my rescue huskies, Luna and Nova
My models, my muse
1967
Slovenian Castle
makeup by Ana Takahashi
Natasha Lyonne photographed by Kava Gorna
Carl Fischer, Muhammad Ali as Saint Sebastian, 1967
‘(Ali) was deep in thought, mulling the similarities between his own martyrdom and that of the saint he portrayed. “He took his right hand out from behind his back and pointed at each of the arrows,” recalled Lois to Rolling Stone. “Then he’d say the names of the people in this world that were out to get him.” Names of government figures who’d emerged from Ali’s mouth slowly and deliberately: Lyndon Johnson, General Westmoreland, Robert McNamara, and more—one for each of the six wounds.
When the cover hit newsstands, on April 4, 1968, the loaded metaphor wasn’t lost on the American public; readers were shocked and in awe. The same day, Martin Luther King Jr. was assassinated, endowing the image with even deeper significance, and highlighting themes of racial persecution and peaceful protest.’
The Photograph That Made a Martyr out of Muhammad Ali
🌟☀️pogi☀️🌟
naomi, 1993
mom & dad
Ajok Madel, Kayako Higuchi, Georgia Palmer by Maru Teppei for V Magazine July 2023
Ethel Cain photographed by Moni Haworth for The Face Magazine (2022)
(1) Ulla’s Room, 1998; (2) The Desk, 1996; (3) Miss Deena, 1999; (4) “Snow Club” Plays at House Party, 1997; (5) Asia’s Room, 1996 from Chloe Sherman’s Renegades: San Francisco: The 1990s