NO WAVE

People see rock and roll as, as youth culture,and when youth culture becomes monopolized by big business,what are the youth to do?Do you,do you have any idea?I think we should destroy the bogus capitalist process that is destroying youth culture.

[disconnection-notice-deactivate]

Wild Charms

[thekimonogallery]

Woodblock print design of flowers in ball-shape. Kyoto. Unsodo. 1934.

[danismm]

General Electric Company, Stereo System SC 7300, 1973. USA. Via, Design is Fine.

[danismm]

General Motors Technical Center: Styling Building stairs. Arch. Eero Saarinen. 1952

[colecciones]

Lou Reed at the San Francisco airport in November 1974. Photo by Michael Zagaris.

[littlerockgetaway]

Home party, with my friends

[beeple]

WE WERE GIANTS

[littlerockgetaway]

https://www.youtube.com/watch?v=RecY5iZn6B0&feature=share

[thekateowen]

VULFPECK!!!  Favorite jam band.

Photo by Kate Owen, 2016

[beeple]

NEON ALLOY

[grigiabot]

Alec Soth

[thegentm]

Marlon Brando

[jungleindierock]

Superorganism - Full Performance (Live on KEXP)

Superorganism performing live at the Halle de la Courrouze in Rennes, France, during Trans Musicales 2017. Recorded December 7, 2017.

The four songs performed are Something For Your M.I.N.D. / Everybody Wants To Be Famous / Nobody Cares / Reflections On The Screen.

[zimtrim]

Tom Waits

[cosmic--cunt-blog]

“I’m not a prophet or a stone-age man, just a mortal with potential of a superman.”

[soundsof71]

David Bowie, 1971, by Brian Ward, alt takes for the cover of Hunky Dory

[chadnevett]

After the Incal page 1 by Mœbius

Final Incal page 1 by Ladrönn

[artchipel]

Alex Prager (b.1979, USA)

Alex Prager is a self-taught American photographer and filmmaker who lives and works in Los Angeles. MoMA curator Roxana Marcoci has described Prager’s work as “intentionally loaded,” saying “it reminds me of silent movies – there is something pregnant, about to happen, a mix of desire and angst.”   Inspired by the photography of Weegee and Enrique Metinides, and films such as Metropolis and Un Chien Andalou, Compulsion confirms Prager’s vivid cinematic aesthetic. Unlike her previous work, however, the protagonists remain anonymous and distant. Prager’s new series investigates the complexity of observation within a society inundated by compulsive spectators, as well as the recurrent discourse in photography — that “meaning” is often derived from a multiplicity of gazes. In addition to provocative juxtapositions, Prager manipulates the scenes through her choice of cropping, continually interrogating the truth content within photography — a trope as old as the medium itself. Prager’s altered and manufactured scenes, in conjunction with the evocative eyes remove, the images from their original context and allow them to aquire new associations. (source: Michael Hoppen Gallery)

[more Alex Prager | artist recommended by loic-arnaud]