[perriaeyjeve]

[taraxippos]

From what I can tell this is the standard level of sexual dimorphism for booktok romance couples

[taraxippos]

Most interesting thing about this post is people tagging it as like ‘straight people version of yaoi size dynamics’ like. Let’s all stop and think for a second where the “penetrative sexual partner is large, dominant, and masculine; the penetrated sexual partner is small, submissive, and feminine” thing (and the presumption of these roles being a necessity and immutable) might also come from.

[taraxippos]

And now it's "more tall bottoms!" "let the tiny girl PEG the man" let us instead continue this thought exercise and examine why we presume that a sexual relationship must be defined around a penetrator/penetrated dynamic, or that there must by necessity be "A top" or "A bottom" and that these roles cannot be fluid, or that penetrative sex is a necessity in a relationship to begin with, or that penetration is an act of dominance and humiliation and by extension it's a Subversive Feminist Win for the Bigger and/or Masculine party to receive, or that these misogynistic-homophobic ideals can be meaningfully addressed by simply Reversing the dynamic. My final message........goodbye..........

[muse]

[random-brushstrokes]

Hans am Ende - Muckel (1900s)

[metsang]

Ilya S. Glazunov, The Lake of Tears, 1988.

[ultimate-passport]

Morocco 

[lamignonette]

[cheshmenoor]

[sorrrowfull]

[srdcovka]

Worlds of Ursula K. Le Guin (2018) dir. Arwen Curry

[onekindredspirit]

Polaroid

[perriaeyjeve]

[sorrrowfull]

[hometoursandotherstuff]

[energyprison]

honestly having a brother is a lot like just knowing some guy

[deactivated-102479239856294-dea]

cat living in a radio station

[koenji]

"The colors' silence whisper

The wool' s palpitation of blood through the knot´vessels

And the fingers' sweet souls which are trampled"

- from Ahmad Shamlu´s "To the Scarlet Blossom of a Dress"

The Knot series (2011) by Jalal Sepehr (جلال سپهر) is comprised of 13 images taken in the historic city of Yazd. In this series, Sepehr has striven to depict a place in his pictures in between traditional and everyday life.