My artwork for the Legend of Korra concert!
One Nice Bug Per Day
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Lint Roller? I Barely Know Her
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Misplaced Lens Cap
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@loki-dokie
My artwork for the Legend of Korra concert!
I HAVE NEVER MADE BROTHERS BEFORE, GOD EXPLAINS. THAT IS HOW I THOUGHT THEY WERE MADE.
at least the colour green exists
the thing about the legend of aang to me is that i think it wasted a lot of its key opportunities to be a better, more engaged movie. aangās struggles were interesting, even if i wish they were given a bit more nuance, a little less overstated, it was still pretty good. but katara and aang truly were the only characters who had anything to do in this movie (katara as a plot device for aang, unfortunately). which sucks, because i think there was one particular opportunity that presented itself for, at the very least, zuko to have some interesting character moments.
tagah comes in and asks aang how he can stomach working alongside someone who exists as the leader of the nation who genocided his people. zuko is a direct descendant of and a product of the empire that fractured the world. and aang does not answer tagahās question in a way that was sufficient for me. he says that zukoās his friend and they all need to work together to make a better world. that does not actually answer the question. this answer works for a twelve year old aang. this aang has matured. this aang has been working to restore the world. this aang has seen more and more of the harm that zukoās family has done.
i just think it wouldāve been an interesting character route to explore if aang really did have some mixed feelings about zukoās role as the fire lord or at least an explicit thought process about how zuko is a victim of his familyās cruelty and legacy, so aang doesnāt hold any of the fire nationās behavior against zuko. or if there couldāve been some kind of dialogue about how the fire nation as an imperial power and the role of fire lord was born out of blood and destruction and how maybe those structures of power need to be deconstructed.
but more than anything, itās baffling to me that tagah and aang have this conversation without actually discussing any of this with zuko. taga couldāve asked the question in front of the group. we couldāve had zuko discuss his complex understanding and relationship with his heritage and role as the fire lord as someone who obviously disagreed with the violence that his father espoused but also loved his father and loves his nation and had so many good memories there and we couldāve talked about the ways in which a fascist power is just a government and the ways in which it is also a group of people.
and then this discussion of if a structure of power was built on a corrupt foundation should it be broken down entirely? you can bring toph into the situation, and we see some of her unique insight being raised as an earth kingdom socialite, because it seems to me that the earth kingdom was originally an imperialist power such as the fire nation would later become. the earth kingdom could be interpreted as a roadmap for what the fire nation could become given time, riddled with corruption and poverty. and we could see that these systems of violence and the benefits that people in power reap from this violence have existed for a long time and then we could discuss if it is even possible to restructure a world so set in its ways?
i just felt really disappointed by the ways that the politics of the movie were handled, since there seemed to be so many interesting and narratively rich parallels between the time period that tagah came from and the time period that aang comes from that couldāve lead to good discourse.
This scene right here. This is the scene that made me go, "Yeah, they kinda wasted your potential, buddy." I know a lot of y'all really like Tagah, and for good reasons. But, in my opinion, he could have been so much more. I can't help but feel like the movie was afraid to fully commit to making him symapthetic And sadly, what they did to him is kind of indicative of a pattern that you see with a couple of (sympathetic) antagonists in Avatar.
Remember Hama, the bloodbender from the Puppetmaster episode in Season 3? As much as I like the episode, one of my biggest issues with how she was written was how it went out of its way to make her tragic, complex, and understandable, and then the moment Katara goes against her, all those qualities go out the window. All the sudden, she has no regrets about torturing the girl Southern Water Tribe that SHE BONDED WITH, and who suffered the same thing she did! And not only that, SHE SADISTICALLY REVEALS IN TORTURING HER! The show clearly wanted to make her a tragic, multilayered and sympathetic antagonist, but it's like it was too afraid to fully commit to it. And sadly, I feel that it does it again with Tagah.
I understand what the film is trying to say about how he's so entrenched in the past that he refuses to acknowledge how things have changed and can change for the better. But wouldn't it have made his conflict with Aang more interesting if we saw some things in the present that show his side of things, which end up reinforcing his clinging to the past? Wouldn't it have been more compelling if he actually tried to be peaceful but became increasingly hardline because the new airbenders face persecution and hardship, which reinforces his views that his original view was right all along? Wouldn't that have been more compelling than just having him get the staff and be all like, "Welp, off to commit war crimes with an MCU sky portal!"
He's not a terribly written character, and it's perfectly okay if you like him. I do too, despite my criticisms! But can't help but feel like he had the potential to be even better than what we got. But again, that's just my opinion. And feel free to share yours.
I can't get over these establishing shots of the Southern Air Temple during Aang's era, and after the 100-year war ended in the movie.
It's so damn prettyyyy
one of the things the atla universe writers can never do properly is write about the entire bender vs non bender situation lol. they consistently have plots where non-benders want recognition and justice because they feel like they're being mistreated by the benders, and the writers always make them out to be the villain. i still think in the original show they dealt with this topic fairly well, but the legend of korra and the movie is where it really just falls flat in the face. both the movie and tlok constantly sideline and neglect their non-bending characters, or just not have any (except the ONE token non-bender!), and then try to act like the in canon non-benders are stupid for saying they're being mistreated. like you are LITERALLY proving their point !!!!!!!! for example, the movie essentially making sokka entirely useless (except giving him a flying bicycle for one hype aura moment which inevitably leads nowhere), and then erasing almost ENTIRETY of it's other non-bending cast, just makes me think, hey maybe the denied have a point actually. i understand that it's a movie and they can't bring in every single side character, but was suki not a part of the main gang by the end of the show? was sokka not a leader, a strategist and eventually a politician? why couldn't we hear sokka's thoughts on the denied? i understand that the denied are violent and have disruptive ways of being seen and heard, but isn't their core principle right? are the non-benders not treated worse?
this isn't even a new point that was first mentioned in tlok. you see it in the original show. except they never spell it out for you. you see it in the way sokka feels about himself, you see it in the way toph initially treats sokka and assumes he's useless because he can't bend. the boiling rock episodes aren't just fun, but they're such good examples of sokka, suki and hakoda, (and mai and ty lee!!!!) who are all non-benders, doing most of the heavy lifting to get them out. sokka with his brain, suki with her fearlessness and dedication to her art, and hakoda with his strength. the atla universe always comes so close to addressing this issue with maturity and dignity and then just backtracks when it realises it can't give it too much time because it isn't as cool as bending. it just makes me angry.
Water, her tribes gather strength from the moon and flow with the tides. Earth, a kingdom of unshakable will. Reliable and strong. Fire, a nation capable of great destruction, but also of great warmth. Air, peaceful nomads with the power of a hurricane, but the spirit of a gentle breeze. For generations, the Avatar, the one master of all four elements, kept the nations in balance.
Good morning to my wife, the sexiest earthbender in the world
that look of love never changed even after all these years <33
AvatarĀ Aang:Ā TheĀ LastĀ AirbenderĀ (2026)Ā dir.Ā LaurenĀ Montgomery
My painting of Sonamās temple for Avatar Aang. Much of the work I did on this film was developing the style for the ancient flashback sequences!
Something I genuinely wish was explored more in the ATLA universe/fandom is how Katara is the last waterbender of the Southern Tribe. Like, I understand why it's not spoken about as much as Aang being the last airbender, because he is simply the only airbender left. But Katara is the last link in her entire tribes history of bending.
Sure, the Northern Tribe might have benders, but they have such a different culture/identity around bending compared to the South. We see in Hama's flashbacks that the Southern Tribe had male and female benders at the helm, fighting equally, learning the same things, sharing the same tactics. They weren't left behind as strictly healers or defenseless women given a man's gift, they were strong.
And the thing that separates Katara and Aang's stories being the last benders of their nations is that Aang remembers what it means to be an Air Nomad. There are obviously blind spots because of how young he was, but Aang knows the customs and the culture and spiritual practices. He was able to pass those down to Tenzin and his grandchildren, he was able to start the process of rebuilding what was lost.
But Katara? She was even younger than Aang was when the Southern waterbenders were eradicated. There are Southern practices that are most definetly just... a fractured part of history because she never got to experience them. There are ways of hunting, of building, of navigating the waters, ways of healing, probably even spiritbending, that are simply lost to time.
And maybe her grandmother can clue her into it, memories from a nonbender living aside benders, but it's not the same. She didn't get to hear it from the waterbenders, she didn't get to learn from a Southern waterbender, she doesn't even know what to rebuild because it was never something she was versed in.
That's why The Puppet Master is such a heartbreaking episode. Because Hama could have been the Southern teacher Katara clearly wanted, she could have shown her more, but ended up passing on her legacy of Bloodbending. And on the inverse, I can't even fully call Hama a villain for wanting Katara to know how to bloodbend, because the ache of thinking you were the only one left for so long, the rage against a Nation known for destroying nations, would've driven anyone insane.
We know that Tenzin felt an intense pressure to keep rebuilding Air Nomad culture, but I'm so convinced that Kya probably felt something similar with Southern waterbending.
you're just mad because you're hungry and tired and your legs hurt and you head hurts and you're too hot and you have depression
i love how on Taskmaster at least once a series someone will really thoroughly fumble a task and then it cuts back to them on the stage and greg is like "how do you feel about that" and the contestant goes "if im honest ive been laying awake thinking about that task every night for the past five months" and i believe them 100% every single time
Fazia muito tempo que eu não desenhava o rosto do Wrench