by Dirty Iron

if i look back, i am lost
NASA
Show & Tell
let's talk about Bridgerton tea, my ask is open
Color Me Curious
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đ
KIROKAZE
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EXPECTATIONS

gracie abrams

romaâ
RMH
Noah Kahan
Cookie Run:Kingdom Official!
Cosmic Funnies
đ©” avery cochrane đ©”
Monterey Bay Aquarium

seen from Singapore

seen from Denmark
seen from Honduras

seen from Malaysia
seen from Vietnam
seen from Argentina
seen from Malaysia
seen from South Africa
seen from Chile
seen from Pakistan
seen from United States
seen from Vietnam
seen from Malaysia
seen from Libya

seen from United States

seen from India
seen from Pakistan

seen from Iraq

seen from Brazil

seen from Argentina
@lotusprince
by Dirty Iron
Miko aka Shrine Maiden in Takenaka Inari Shrine, Kyoto by hwang199
Himeji Castle by Kazuyoshi Nada
Kyoto in Spring by Tetsu
so, I played Yakuza 0...
twitter: @miamiero
Like Someone in Love / ă©ă€ăŻă»ă”ă ăŻăłă»ă€ăłă»ă©ă (2012) dir. Abbas Kiarostami
work by HORITOSHI-I scan from Takagi Akimitsuâs Japanese tattooed ladies vol.1
Takagi Akimitsu was a book publisher that worked with Horiyoshi II to create keibunsha, an organisation devoted to preserving and encouraging the traditional Japanese art of hand-tattooing know as tebori.
Yokai - Japanese Monsters
In the Edo period of sophisticated popular culture (1603-1868), much attention was devoted to Japanâs rich variety of traditional monsters and apparitions, known as yokai. The above yokai are from a work titled Hyakkai Zukan in 1737 by Sawaki Suushi, a relatively unknown artist who studied under master painter Hanabusa Itcho (1702-1772). Hyakkai Zukanâs colorful depictions of Japanâs most notorious creatures inspired and copied by yokai artists for generations.
Ushi-oni (âcow devilâ) is a malevolent sea monster with the head of a bull and the body of a giant spider or crab. It is most often encountered in the coastal waters where it is feared for its vicious attacks on fishermen.
Mikoshi-nyudo is a large, cross-eyed mendicant encountered on mountain passes or on lonely roads at night. He grows taller when you look up at him â and the higher you look, the taller he grows. Look up for too long and you will die, but say âmikoshitaâ (âI see higherâ) and he disappears.
Ouni is a mountain hag with a mouth stretching from ear to ear and a thick coat of long, black hair covering her entire body. She can place raw hemp fiber into her mouth and pull out finished yarn.
Nure-onna (âwet womanâ) is a fast-swimming amphibious creature with the head of a human female and the body of a gigantic snake. She carries a small child, which she uses to attract potential victims. When a well-intentioned person offers to hold the baby, the child attaches itself to the victimâs hands and grows heavy, making it nearly impossible to flee. She uses her long, powerful tongue to suck all the blood from her victimâs body.
Uwan is a disembodied voice that inhabits old, abandoned temples and homes. When a person enters a haunted building, the formless spirit belts out an ear-piercing âUwan!â (hence the name).
Kami-kiri (âhair-cutterâ) are ghostly spirits known for sneaking up on people and cutting all their hair off when they are unknowingly engaged to marry another yokai posing as a human. These hair-cutting attacks are intended to delay or prevent weddings between humans and otherworldly beings, which are typically doomed to failure.
Favorite Artworks - Volume 12
Shimano & Majima by takahashi.
More â Here
Wavey Garms
Japanese Poster: Kobo Abe - The Double of Human Being. Yu Miyazaki. 2009
Ugetsu Kitan (Tonkin House - PC98 - 1992) Â
https://soundcloud.com/six-black-nine/last-destination-aokigahara