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Today's Document
trying on a metaphor

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@lourdesdominus
Yang Feiyun, b 1954, Big Plant (大植物), oil on canvas, 1995.
Yang Feiyun is an acclaimed figure painter born in Baoton, Inner Mongolia. His muse is his wife, Peng Peng (芃芃), a fellow artist specialising in still life, whose open face and large eyes make Yang’s loving portraits instantly recognisable.
Am I really so bad? Am I really so frightening? You've talked to me. You've confided in me. Have I tried to hurt you? It isn't me you're afraid of. What you're afraid of is the unknown.
ROBERT REDFORD as MR. DEATH The Twilight Zone — 3.16 "Nothing in the Dark"
Tokyo (1985)
"Then, miraculously, early in the morning, there’s this ray of sunlight appearing on this wall in front of him. And it falls through the little tree in front of the window. There is this play of leaves and sunlight and shadows moving, and he looks at it and stares at it and he starts crying, because he’s never seen anything so beautiful. He probably has seen it, but he hasn’t noticed. Then he realizes that’s the answer to his existential crisis, to become somebody who notices that."
tfw you live in an era when things are increasingly elegiac but there are no more elegies -_-
My Mother of Guadalupe, I give thanks to you for letting my husband Pedro and my son Daniel and Luis to cross the border well. They got to the US and gained some bucks so we can live here in our beautiful and beloved Mexico. Also, I wholeheartedly beg you, with tears in my eyes, to always protect them.
Alicia Hernandez, December 12, 1985
View of Sifnos IV (1966) by Panayiotis Tetsis(1925-2016)
Palestine TV correspondent Salman Al-Bashir throws his press vest and helmet to the ground live on air moments after his colleague Mohammad Abu Hatab was martyred in an IOF airstrike on his home in Khan Younis.
"These are simply symbolic items we wear. They don't protect any journalist. None of this does. We are simply victims live on air, sacrificing our souls one after the other. We go as martyrs only. It is only a matter of time.
Our colleague Mohammed Abu Hattab was here just half an hour ago before he was martyred with many of his family members."
via RNN
Garo (ガロ) / Seirindō (青林堂) / Apr 1981 issue
Mark Rothko, Untitled (Green and Maroon), 1953
Oil on canvas, 91 1/8 x 54 7/8 in.
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS)
Maja Bajevic, ‘Women at Work - Under Construction’ 1999
Mark Rothko, Untitled (Black on Red), 1968
acrylic on paper mounted on Masonite, panel: 24 1/16 x 18 3/16 in.; 61.1188 x 46.1963 cm
Art Museum of the Ministry of foreign Affairs
© Kate Rothko Prizel & Christopher Rothko / ARS, New York
Edvard Munch, Death and the Maiden (Woman and Skeleton), 1894
more
Mark Rothko, Untitled (Red, Orange on Pink), 1968Oil on paper laid down on canvas. 33½ x 25¾ in (85.1 x 65.4 c/m© Kate Rothko Prizel & Christopher Rothko / ARS, New York, by SIAE 2016.
After suffering years with the most neon low res scan of this, which concerned me greatly, it’s nice to see what this painting actually looks like. I hope you guys enjoy it too.
i’m always here