Why steal Vax when we can have our own Avalon? I present to you the son of RadioStatic!
A shy, one-eyed child who took the best from both parents and both TV and Radio worlds 📍
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Why steal Vax when we can have our own Avalon? I present to you the son of RadioStatic!
A shy, one-eyed child who took the best from both parents and both TV and Radio worlds 📍
Quick fanart with my dear Queen Bee! 💛🐝
don't know what to draw – draw your favorite characters 🦋
Oh, my beloved sister...
A new poster for "Velvet's Love Potion"! This time with a guest star!
Slogan on poster (implied):
2 Girls, 1 Bottle
I SWEAR I HAVE NOT SEEN A SINGLE PERSON TALK ABOUT THIS SCENE THE WAY I SAW IT AND I’M LOSING MY MIND SO HERE’S MY RANT.
This was THE moment where Valentino’s entire character snapped into focus. NOT because of violence, NOT because of dominance, but because of BOUNDARIES.
Everyone spent the whole first half of the season painting Valentino as “the weak one,” the “scared one,” the one “under Vox’s thumb,” like he was just this pathetic wet cat clinging to his terrifying TV boyfriend, and this episode proved beyond doubt that Valentino was never physically powerless, “too scared to fight back,” or physically beneath Vox. HE COULD HAVE DESTROYED VOX AT ANY TIME. He is terrifying when he wants to be. He rips the man’s HEAD off like he’s removing a stubborn jar lid. This is not someone who is “too weak” to defend himself.
The gag is this: He didn’t. BECAUSE. HE. LOVED. HIM. That was the line he wouldn’t cross. Hurting Vox (seriously) was the one thing he would not do. Until this scene.
Because THIS, AND THIS ALONE, was the thing that finally crossed Valentino’s boundary. Not Vox yelling. Not Vox controlling him. Not Vox being arrogant or cruel or bigoted or insufferably smug. No. Valentino doesn’t freak out over any of that, because that’s just “Vox being Vox.” He’s lived with that for years. He knows that version of Vox. He’s built his life around that version.
What he cannot handle, what cracks him open, is Vox finally admitting, out loud, that he does not care if he lives or dies, essentially saying “I don’t care if I die as long as Alastor goes down with me.”
Do people understand what a HORROR that is for Valentino?
That is the exact moment he realizes: “Oh. You don’t care if YOU survive. You don’t care if WE survive. You would trade your own life—AND MINE, AND VELVETTE’S—just to settle a seven-year grudge.”
THAT is the betrayal. The betrayal is Vox giving up on EXISTENCE. The betrayal is Vox saying “You don’t matter enough to keep me alive.” The betrayal is Vox saying “WE don’t matter enough to keep me alive.”
And THAT is when Valentino stops being gentle. He tries, obviously, he reaches out softly, and it is the softest this man has ever been, and Vox SHOVES HIM AWAY, and that’s it. The moment Vox rejects the olive branch, the moment Vox chooses oblivion over their bond, Valentino flips from heartbroken to survival mode.
Not because he stopped loving him, but because loving him is EXACTLY why he refuses to let Vox kill them all.
So he does the one thing he’s never done before: he hurts him. He yanks his entire head off, violently and decisively, not out of anger, but out of sheer terror that the man he loves is trying to die.
This whole time, he wasn’t restrained because he was weak. He was restrained because he cared.
And the ONLY thing that finally pushed him past that restraint was the realization that Vox would rather annihilate himself—and everyone around him—than let go of the stupid deer vendetta.
This is not “Vox being Vox.” This is Valentino realizing: “Oh. You stopped choosing life. And if you stop choosing life, I have to choose it for you.”
Valentino’s not naïve. He didn’t “miss the red flags.” He walked into the field, collected the flags, waved them around like parade banners, and kissed the man holding them. He knew EXACTLY who Vox was, and he still said yes.
Valentino doesn’t rip Vox’s head off to win. He’s not trying to dominate him. He’s not trying to “put him in his place.” It’s literally the opposite. He takes Vox’s head because he has NO OTHER WAY to keep him alive.
Also let’s talk about the symbolism because YES, IT’S SYMBOLIC.
Vox loses his HEAD. The part he thinks with. The part he plots with. The part he obsesses with. The part that is STUCK on Alastor like a looping broadcast. And Valentino literally rips off the part of Vox that wants to die. Valentino and Velvette are left holding the part of Vox that matters most to them: the part that thinks, schemes, talks, curses, teases, obsessively obsesses over them. The part that defines him as Vox. The body, all the posturing, the brute force, the physical dominance? Not necessary. Gone.
The audacity of this scene is unreal. This is love distilled to pure preservation of the self he cannot lose, and it hits harder than any overtly romantic scene ever could.
Varang, at the beginning of Avatar 4, after Quaritch told her about the concept of "Gender reveal party"
💋 BFF 💋
aaaand here we are!
2025 - done ✔️
2021
2022
2023
2024
D̵͔͂o̵̢̿.̸̤̐
I don't know what to do
̶̥̍w̷̮̑ḫ̷̾a̵̭͝ť̵̡
Thought I was righteously leading our people, but
̸̪̚w̸̺͋ȃ̵̬s̷͙͝
Now I'm faced with the truth
̸̩̚r̵̩̔e̶̥̓q̴̬̐ū̸̩i̴̚͜ŕ̷͓e̵͌͜ḑ̴́
Controversial opinion, but I think it's good to have stories about how people who have done terrible, horrible things can and should try to become better. Especially in societies/under governments that demonize and dehumanize criminals as a whole. Writing off any group of people as irredeemable is wrong and runs the risk of parroting fascist ideals.
And what if I say Hazbin Hotel, then what?
"Everyone needs some meaning in life. And you made me believe that I found mine.
What a life." 🦋
I love your Val HCs! I know Val is unpopular for obvious reasons, but he compels me so much. His mauled antenna, and I don't know if it's still cannon, but the Wiki said he was from the 70s, so a Latino bi man from the 70s would have faced a lot of discrimination. I find tje symbolism interesting in that he's a moth demon that abuses and trapped a spider demon, when usually it would be the other way around. Something about prey becoming the predator. I think he would be a good character to embody the cycle of abuse.
Hii! And I apologize for taking so long to reply 6-6"""
Thank you so much! I have a lot of thoughts and ideas about Valentino. He's truly a multifaceted character (the way VEES sees and knows him and how he interacts with Angel are like night and day), and he can be used to explore a variety of themes (both in canon and in fan fiction).
One of my favorite headcanons/themes is that Valentino himself was actually a victim of abuse and SA in his past life on Earth, so yes, I very much agree with your comment~
Their demonic forms were definitely chosen for a reason, and I think in the third season we will be able to learn more about the relationship between Valentino and Angel.
In the meantime, we can continue to explore characters and create new things as a healthy fanbase (without attacking each other 🙏)
So stay safe❣️
after s2e6
Thanks to Vox, Alastor finally learned an important lesson...
Headcanon: for Valentino, intimacy is about feelings. Because he doesn't care about his body. But he will never allow himself to let others into his heart.
Val can walk around the city naked as much as he wants without embarrassment, filming and starring in videos featuring the most unimaginable kinks. Cause for him, "love" exists only in beautiful, false fairy tales and magazine articles. In reality, love has always been a commodity, a commodity that must be earned.
Therefore, Val is not prepared to allow himself to be vulnerable and again believe that someone like him can love unconditionally. It's easier to convince yourself and others. It's better to lose, never find love, than to trust, and then painfully piece yourself back together, piece by piece, and once again naively believe in something "sublime" and "beautiful."