Hey

I’m Lacey. Pushin 40. Wandering around here on and off for years now… you’re welcome to join me.

[autechres]

John never looked at anybody the way he looked at Paul.

[eastofshane]

ilya as woodstock

(ilya as woodstock (pt. 2)], (shane's version)

[lunchboxoddsox]

[eastofshane]

supporting the shane as snoopy agenda

[ilya as woodstock], [ilya as woodstock pt. 2]

[winstonpaul]

The Man on the Run.

[gabescrayons]

in memory of my childhood fish tank lamp

[thisfeebleheart]

I'll be OK in a second. Hey, hey, hey, hey. We're good here. Your family is here.

[lunchboxoddsox]

i'm not ok i'm not ok literally can't do my life without thinking about these guys

[winstonpaul]

Paul McCartney. Scotland, 1969

[guessimdumb]

Visit Original Link

Glen Campbell - Guess I’m Dumb

I noticed that Singing in the Wire had posted some Glen Campbell so I thought I post the namesake song of this blog.  Brian Wilson wrote and produced this song, and apparently the Beach Boys also recorded it but it was never released.

[tragicalhistorytour]

Paul in Jamaica, 1982

[strwbryfeels]

[angelicabr]

The Beatles in Missouri, 1964

[suppermariobroth]

In Mario Kart 8/Deluxe, the motion of each character is governed by four independent systems: -animation (which action the character is currently performing, e.g. sitting in the seat, throwing an item, posing after a stunt, etc. In older Mario Kart games, this was the only factor) -head tracking (the character's head turns to look at other drivers and items as they pass by) -facial expressions (the character's face changes to show their current mood, e.g. happy after winning or in pain after being hit) -vehicle motion counterbalance (the character subtly shifts in the seat in accordance with the vehicle's movement by bending limbs or changing posture. Hair and other freely moving character parts also fall under this system)

To demonstrate that these systems are actually completely independent of each other, it is possible to turn one of them off and see that the other ones are still being applied to the character. In the footage, Daisy's animations are turned off, leaving her stuck in a T-pose. However, she still looks around, changes expressions, and even bends her arms and legs to balance the bike's movement.

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[lindamcacca]

Paul McCartney at Lower Rananchan recording McCartney II. Scotland.

© Linda McCartney

[johnlennonofficial]

[suppermariobroth]

Segment from a documentary about Medialab, the French animation studio that created the first two seasons of the Donkey Kong Country cartoon, showing the motion capture technology used to animate Donkey Kong. In this segment, Donkey Kong announces that he loves military service before marching away.

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[suresne]

“There is this period of John which is all pre-Beatles, pre-huge fame, pre-drugs – and it is another John completely – that was always there right until the end. He got much sweeter, too, once he settled in New York. Once he was reunited with Yoko, and they had Sean, he became this sweet personalty again then when he was more comfortable with himself. But the acerbic John is the one we know and love, you know, because he was clever with it, so it was very attractive. But, for me, I have more than a slight affection for the John that I knew then, when we were first writing songs, when we would try and do things the old songwriters had done. I slightly regret the way John’s image has formed, and because he died so tragically it has become set in concrete. The acerbic side was there but it was only part of him. He was also such a sweet, lovely man – a really sweet guy.”

— Paul McCartney (via paulmcfruity)