(via Roasted Beets and Carrots with Feta - Craving Tasty)
The dressing for this dish was delicious, though I didn’t add the herbs. I put it over kumara, carrot, cauliflower, and beetroot and it was so good!
PUT YOUR BEARD IN MY MOUTH

★
$LAYYYTER
Stranger Things

gracie abrams
I'd rather be in outer space 🛸

Kiana Khansmith
Claire Keane
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bliss lane

No title available
cherry valley forever

shark vs the universe
Lint Roller? I Barely Know Her
Show & Tell
Misplaced Lens Cap
tumblr dot com

Origami Around
trying on a metaphor

titsay
seen from Austria
seen from Malaysia

seen from United States
seen from Austria

seen from United States
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seen from Colombia
seen from United States
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seen from United States
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seen from United States
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@lydtheliuser
(via Roasted Beets and Carrots with Feta - Craving Tasty)
The dressing for this dish was delicious, though I didn’t add the herbs. I put it over kumara, carrot, cauliflower, and beetroot and it was so good!
Designer Dima Yarovinsky visualizes the lengthy (and often overwhelming) “terms of service” agreements from popular social apps—including Facebook, Instagram, Snapchat, and Tinder.
Dima Yarovinsky
(via The SBC Apartment Showcases Small Space + Smart Design)
(via Bicycle urbanism. - Isthmus)
(via THE TOKYO TOILET)
Another ground-breaking project from Japan. I love how this exemplifies how architecture is instrumental in influencing human behaviour, from safety perception to the way such facilities are treated, and even to attracting tourists around the globe!
(via joannetinker/home)
(via noritaka minami's '1972/accumulations' captures the individuality of nakagin tower capsules)
One capsule is on exhibition at MoMA in New York for a year from July 2025.
(via sou fujimoto's villa for NOT A HOTEL opens in japan)
Some other photos here too.
On the NOT A HOTEL website
(via Art center that is 'Open for All' - The Korea Herald)
From a Design Experience talk under the topic: Adaptive Reuse - Unlocking opportunities in architecture & urbanism
“The construction industry is increasingly turning to adaptive reuse to minimise its environmental impact, breathing new life into outdated and disused buildings. The premise is simple: why start from scratch when we can transform existing structures to meet contemporary needs? But retrofitting existing structures presents a unique set of challenges.OMA is a world leader in revitalising and transforming existing districts and heritage buildings, creating new projects with fresh purposes and energy.
OMA Managing Partner-Architect David Gianotten shares OMA’s global experience, taking a deep dive into projects that demonstrate how districts and buildings can transcend their pasts to serve contemporary needs, exploring some of the challenges and the concepts of cultural and environmental sustainability along the way.”
I wasn’t convinced of this design until I heard this talk recently; everything about it is intentional, the purpose of keeping the exclusive as transparent and public as possible. Not defaulting to the priviliged nature of theatres but designing one to be as inviting and open as possible. Everything is exposed, from the rooms to the rehearsals to the equipment and mechanics in the building. Truly outstanding.
https://www.oma.com/projects/taipei-performing-arts-center
(via Potato Head Studios by OMA - 谷德设计网)
https://www.oma.com/projects/potato-head-studios
From a Design Experience talk under the topic: Adaptive Reuse - Unlocking opportunities in architecture & urbanism
“The construction industry is increasingly turning to adaptive reuse to minimise its environmental impact, breathing new life into outdated and disused buildings. The premise is simple: why start from scratch when we can transform existing structures to meet contemporary needs? But retrofitting existing structures presents a unique set of challenges.OMA is a world leader in revitalising and transforming existing districts and heritage buildings, creating new projects with fresh purposes and energy.
OMA Managing Partner-Architect David Gianotten shares OMA’s global experience, taking a deep dive into projects that demonstrate how districts and buildings can transcend their pasts to serve contemporary needs, exploring some of the challenges and the concepts of cultural and environmental sustainability along the way.”
The attention to zero-waste in this project is astounding. Most, if not all, the materials including the walls are made from products destined for landfill. They took them out and repurposed them into elements of architecture. A bit of insight into their process here.
Additional information on the night club facility here.
(via Watch Inside The Home Frank Lloyd Wright Designed For His Son | Unique Spaces | Architectural Digest)
(via Eero Saarinen: Biography, Works, Awards)
(via Chiasma#124949 / Associazione Acropoli | ArchDaily)
(via Frameweb | Materiality leads the sensory journey at a Kengo Kuma-designed museum in Seoul)
The entirely transparent façade of a high-end flagship store on Amsterdam’s upmarket shopping street, PC Hooftstraat, uses glas
(via MVRDV - One Green Mile)
(via MVRDV - Tainan Spring)