Skadi x Specter
Cosmic Funnies
AnasAbdin
Game of Thrones Daily
Cosimo Galluzzi
KIROKAZE
dirt enthusiast
Three Goblin Art
h

❣ Chile in a Photography ❣

Love Begins
"I'm Dorothy Gale from Kansas"
ojovivo
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oozey mess
Show & Tell

roma★
taylor price
Not today Justin
TVSTRANGERTHINGS
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@lykieu
Skadi x Specter
I miss SaMuel so much
Little Samuels in my folder.
of course i'd like to be writing fun little fics about saria leaving, saria leaving for two whole years and never responding, saria leaving and never texting back, muelsyse so so so hopeful but never demanding, losing hope until it comes back one rainy night as a tremor in a brush of skin. they bump into each other in the middle of a street market where the haze of neon lights and stalls and stations blur into a backlit dream, where it's obviously saria because she can hide behind sunglasses and jackets but she can't hide that frozen ache of an expression, stunned, softened, and muelsyse is ethereal, unchanging, then there's that stupid naive hope and they're watching an age pass by, or a single floating second, and the crowd flows around them like a river bending, so saria says 'hi' in that faint cracked yet gorgeous voice and it sends muelsyse toppling forward into her arms, stupid and naive hope, the voice she's been dreaming of drowning in since—
two years is a long time that they may never truly catch up because saria doesn't want to come home, home is filled with memories, home is fire and heartbreak and ichor, 'come back with me' muelsyse says and it's so damn tempting because she's sweet and charming and fluttering about saria's mind now that she's here and it took so long to forget but they've never been good at forgetting. they're walking through the market like old friends, old lovers, something less, nothing more, saria answers 'i can't' with no real conviction so they walk and walk to delay the inevitable collision, flash of a motorcycle, flash of a cigarette, 'come home' fades into 'don't go, why did you go, why did you leave (without me)' burning into tongues and flesh and suddenly saria is on her back with her eyes darting up along elven heated skin watching the saddest eyes close against her touch, so so so hopeful but knowing it's never going to be the same—
two years on and it's unbearable how nothing has changed
in a new world of bustling crowds and grungy alleyways, horns blowing and fingers scraping across sweat-slick foreheads, dusty with day, repetition and routine, there is a scrambling and thunderous expectation for a normalcy they will never return to. what's to come home to. what could possibly be left in the wake of her upending dream. well, muelsyse wants to say 'me' but she is struggling with the buttons on saria's pants and the shifting of thighs and abs and shoulders, 'me' she would say, if she could ever be demanding but she can't, and it kills her to let everything wash over in waves, desperately clinging in a tide though it never lasts, wonders why she felt the draw to come here in the first place and doesn't think about any silly questions or red trailing strings looped around her heart, valves pumping with the tender ache to be wanted, fingers curling around the one on the other side, the one to call her name in just the right way, just how she misses it, and she misses it so so so very much but they still dance to this very old tune, a broken record skipping, misaligned.
it's swelteringly hot inside and out, mostly inside, mostly outside, opens the window to let the air of sex and perfume out, unsteady in her convictions and oh this is new, a diamond's limits, drags a smoke with shaking fingers, staring through the glass gap and takes in the city lights, round and round and round everything spins in her head yet she remains stoic, shattered, psyche dropping to her feet, muelsyse watches and tries not to be upset, 'do you want me to leave' she asks, covers pulled up over her chest, vulnerable now, distanced, and saria says 'yes. no. i don't know' as if she couldn't know, as if they haven't known for the longest time and now it's all about forgiving (herself) and forgetting (another), but she's tried neither, so muelsyse begins dressing, slow and silent, and saria feels the crush of the cage inside her chest, 'i'm sorry. wait, i'm sorry. i don't know how to do this. i don't know how to keep us (from sinking, because i'm weighted, heavy, achored to a rocket to the moon)' but muelsyse steps close and kisses her lightly, saying 'i need you to be sure. i need you to know (i can't keep us afloat on my own)'
in the morning muelsyse is gone and saria is alone as if nothing ever happened and the air is still thick with brewing rain, soaking her with sweat, shirt sticking to her back, tongue sticking to roof of her mouth where it should have stayed instead of saying stupid idiotic things like 'stay, stay, maybe i'm in love with you' but saying it differently and somehow worse. saria downs her coffee and smashes the mug against the wall of her empty apartment, breathes in the foul stench of oncoming tears, and remembers remembers remembers remembers
“What was the point?”
She has Saria by the throat with just a look, fist closed over her heart, eyes boring into her like sunlight through pointed glass. It burns so often.
Saria stares back into the shadows. She has no answer they want to hear.
They're in the car at a drive-in theatre, watching a film she's never seen, drinking soda she's never heard of, feeling tension she's never felt. She cannot know what has changed, only that it's wedged itself between their seats, stifling the air.
Muelsyse places a single piece of popcorn onto her tongue and lets it melt before taking it into her mouth. Saria looks away abruptly.
“You mean the movie? The plot?”
Muelsyse pauses chewing, a waver in her breath. “Yeah.”
“I think—” Truth be told, Saria hasn't really been thinking at all, hasn't been paying attention. Within the metal confines of her car, every sound is amplified, every movement obvious. Hair strands, clothing creases, hands, hands, hands.
“Right… Makes sense…” Muelsyse answers vaguely to whatever Saria says, eyes glazed over at the giant screen ahead.
Saria thinks she needs a cigarette. Or a drink. She turns up the air-conditioning, hoping it will chill her nerves.
From the corner of her eye, in an adjacent car, she realises there is a couple kissing, no longer interested in the film either. She glances over as the movie lighting changes, flashing and flickering scenes, each time revealing snippets of motion through the blanket of night: silhouettes of an arm, a shoulder, a jawline. Things not even the dark tint of their windows could obscure. Of course not. Then, silence.
The action has subsided on screen and all that remains are two shadows closer than ever. She sees it, almost feels it, when their bodies begin rocking.
“Nice,” Muelsyse comments, crunching on more popcorn. She's peering over Saria's shoulder with a playfulness that's been sorely missed tonight.
Saria doesn't jump, doesn't feel embarrassed, simply turns to take Muelsyse’s hand out of the container, holding it aloft.
It's true.
What was the point of anything?
“Saria—?”
Air unfurls from their lungs in soft breaths. So close. Could be closer. Should be closer. Saria lowers her gaze, ever guarded, and it seems to say, blink slowly.
Saria inspects the hand, stained with traces of butter, and brings it to her lips. She licks a finger, bites a knuckle, tastes the savoury and the sweet. Muelsyse's breath hitches at the sudden contact. Darkness settles, leaving only the dimmest lights to dance about the space, tunnelling their vision. Languid touches keep them occupied when words aren't necessary. Muelsyse only watches, letting Saria kiss her slender wrist. Once. Twice.
Muelsyse sighs softly.
“Mine?” she asks, speaking of a place.
“Yours,” Saria says, speaking of a secret.
Anne de Marcken, from It Lasts Forever and Then It's Over [ID'd]
not an apologizer but a contextualizer. yes the character did that but please understand the Circumstance. yes they had other options but they had to make this choice in a sea of available bad choices. and also it made the narrative more interesting. won't anybody think about the narrative!!!!!
everyone wants frankenstein yuri when it literally already exists
i love you female characters who make selfish choices they know will be bad for everyone. i love you female characters who think they're making the right choice but make things worse. i love you female characters who are making the right choice but noone else understands it.
on identity
ojibwe / noah kahan / richard siken / unknown / elliott smith / oamisoa / cameron awkward-rich
Bell's Hells - Part 1 > Done for Critical Role and most recently featured in their 10th anniversary trading card collector's box.
it comes and goes in waves
Mighty Nein - Part 1 > Done for Critical Role and most recently featured in their 10th anniversary trading card collector's box.
i love characters who could get the absolute Shit kicked out of them and still be fine but as soon as someone touches/handles them gently it’s like “ah. im going to shatter to pieces now thanks”
no context, only bobheart au