spicey @macdoesem - Tumblr Blog

ryngtail

im pretty sure i met an irl disney villain at my job a few weeks ago.

lmao get drinked sky

working on a new oc dynamic concept

echo-at-the-pond

a collection of the best tags this post has for now

sidewalkotto

i made a tutorial on how to draw beach water or somthing idk

mapurl

A comic about a dream I had about a snake

mapurl

This has been blowing up for the past week for some reason and I am reading the very specific anecdotes people are tagging this with and I would like to state, for the record, that this was 100% a stress dream brought about by someone close to me not getting the vaccine

thefuzzydave

drinkyourjuiceshelby

stupidbeecandle

I lived and worked in a lighthouse at a previous job. There was a thick line painted in a circle around the shack where the fog signal was kept. The line represented how close you could get to the fog signal without experiencing physical harm in the form of eardrums shattering or worse.

Even in the house it was LOUD. Probably the loudest thing I have ever experienced but at a normal, predictable interval. You would begin to time your sentences with little pauses with the rest of the lighthouse crew so you would talk like this while making your………..HORN…………. tea and then carry on talking because you knew when it would go off. It rattled the walls and the dishes in our cabinet.

At least one girl had died there. They kept photos of her everywhere “in honor of her sacrifice” because she had decided to take the winter watch alone and died in a storm where bounders the size of mini vans had been lifted out of the ocean and left scattered across the island, to say nothing of the ice chunks. People weren’t allowed to be alone on the watch after that.

One day a dead moose washed up on shore and it took my entire crew all day but we managed to rig up a line to hang it up to dry because we thought having a moose skeleton in the house would really spice the living room up a bit. It did. Weird shit happens when six of you are left alone, like ALONE ALONE, no cell reception, no wifi, just a radio to contact the real world and not a lot of reason to do that. People don’t go on lighthouse jobs if they want to stay connected, I’ve found.

That said Id do it all again, I really do treasure those days

glowingghosty

evandash

Placing these one after another makes it look like he left got a lighthouse job and came back six months later to update the drive through employee

himejoshikomaeda

this is the fuckin worst image ID i’ve ever seen (i put it in water so you wouldn’t mistake it for a regular post)

freakspotting

why-i-love-comics

Superman: Red & Blue #5 - “Generations” (2021)

by Daniel Warren Johnson

sharp-tender-shock-deactivated2

This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8

headspace-hotel

I hate that my aesthetic sense agrees with this but everything you just said was correct

headspace-hotel

I went back to dig up this post because I was thinking about poetry.

This is one of those non-poem things that are among my favorite poems.

As the OP stated, the use of alliterative consonants is aesthetically just great, especially the placement of the strongest use at the end: “fuck him on the floor.” The use of “chintz” is indeed great word choice.

Because I’m insane, decided to scan the poem:

Not only is the second sentence, indeed, perfect iambic pentameter, the entire poem is perfectly metered, though the first sentence has four iambs rather than five.

There are further things I love about this poem, though: I like the casual connotations of “keep it real” juxtaposed with “chintz.” It causes me to interpret the “chintz” more strongly as meaning something fake, a facade. There is also of course the coarseness of “fuck,” which is a contrast with “chintz” but a different kind of contrast, gutsy and carnal where “chintz” is flimsy and inanimate.

And then there is the storytelling: there is SO MUCH storytelling in just these two lines. To break it down: The speaker is having sex with a married man, in the house he shares with his wife, which is “filled with chintz”—something that here connotes fakeness, in contrast with “keep it real.”

The illicit encounter in the poem takes place within a house filled with facade, the flimsy construction of the wife’s marriage and domestic sphere, but the encounter itself is a taste of something “real.” That’s a story, and it’s just two lines.

This is EIGHTEEN SYLLABLES, y’all. The amount of meaning condensed into these eighteen syllables is stunning, and it is so elegantly done.

From a technical standpoint (and ive taken 300- and 400-level poetry classes so I can say this) this is damn near flawless as a poem.