ULTIMATE SHIPPER CHALLENGE: 1/5 First Meetings Bray&Amber, Season 1 Episode 2, The Tribe (1999 - 2003)

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ULTIMATE SHIPPER CHALLENGE: 1/5 First Meetings Bray&Amber, Season 1 Episode 2, The Tribe (1999 - 2003)
ULTIMATE SHIPPER CHALLENGE: 2/5 Hugs Bray&Amber, Season 3 Episode 48, The Tribe (1999 - 2003)
get to know me meme → ☆ FIVE FICTIONAL COUPLES ☆ ☆ [2|5] » Amber & Bray ☆
“Stop talking about leaving!” “Why? Would that be such a bad thing?” “It would. For me.”
THE TRIBE, New Zealand, 1999-2003. S01E43, dir. Julian McSwiney.
ULTIMATE SHIPPER CHALLENGE: 1/20 OTPS Bray&Amber, The Tribe (1999 - 2003) Of all the people in the world, you’re the person I trust and respect the most. When I lost you, my world went grey and flat. When I found you again, all the colours came back. These last few months, it’s been the thought of seeing you, of touching you again, that’s kept me alive. Amber, you are my purpose. And I love you.
MISCHA’S FAVORITES ⮞ TEN ROMANTIC RELATIONSHIPS #02 Amber & Bray (The Tribe, New Zealand, 1999-2003). “I was scared, Amber, I was scared of losing you again. Please, Amber… I don’t know why I’ve doubted you. Of all the people in the world, you’re the person I trust and respect the most. When I lost you, my world went grey and flat. When I found you again, all the colours came back. These last few months, it’s been the thought of seeing you, of touching you again, that’s kept me alive. Amber, you are my purpose. And i love you. And I’m so sorry.”
VOID!BELLAMY in which the people of Bardo make Bellamy hear Clarke’s radio calls in the Anomaly, take him as prisoner, and brainwash him. They use him as a weapon against his family, and Clarke is the only one who is able to bring him back.
…
Clarke brought her fingers up to her cheek, sweeping away the blood that began to drip down to her chin. She knew purple marks were already beginning to bloom around the cut across her face from the heavy metal of the gun that had been used to strike her. Her left side ached where she’d been kicked. Her wrists were sore from when she’d attempted to break her fall. The adrenaline had kicked in and all she could feel was her chest panting with exhaustion, her heartbeat thudding out of her chest, the ringing in her ears from what was surely a concussion.
Yet, the physical agony paled in comparison to her inner turmoil. She took a fraction of a second to collect herself, to keep the burning tears in her eyes at bay, and raised them to face her assaulter. To face Bellamy.
He stood in front of her, eyes vacant and straightforward. The only hint he’d been in a physical fight was the drop of sweat clinging to his forehead. His arms were limp at his sides and he stood tall. The Bellamy she knew would have rushed towards her. He would have reached an arm out to help her up. He would have studied her with kind, deep eyes – the concern for her forming lines in between them. In usual circumstances she would have done anything to erase those lines, to make him happy even for a moment. Now, however, she would do anything to get them back.
There is no Amber. She died in a fire and she’s not coming back.
THE TRIBE. New Zealand, 1999-2003. S03E06, dir. John Reid.
THE TRIBE, 1999-2003, New Zealand. S01E20, dir. John Reid.
“This is your home... for now, at least.”
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the tribe meme: nine group dynamics. [1/9] bray, ebony, lex
“But amongst the people, there’s a small band of freedom fighters who are unafraid to stand up against the tyranny of the Guardian. Bray, the braveheart. Ebony, the fearless. And bravest and most fearless of them all, Lex, the invincible.”
Amber, you are my purpose. And I love you.
#spuffy invented enemies to lovers
“I love what you are, what you do. How you try. I’ve seen your kindness, and your strength. I’ve seen the best and worst of you. And I understand with perfect clarity, exactly what you are. You’re a hell of a woman.”
This is the last thing I wanted. I hadn’t thought about what might happen if I fell for somebody else.
THE TRIBE, 1999-2003, New Zealand. S01E20, dir. John Reid.
THE TRIBE, 1999-2003, New Zealand. S01E45, dir. Laurence Wilson. S02E01, dir. Costa Botes.