The nice thing about this heatwave is that you get to feel like Gilgamesh, prince of Uruk and contemplator of the deep, lost and grieving in the sun-lacerated deserts of bronze age Mesopotamia whilst you're getting the shopping from your local Aldi.

❣ Chile in a Photography ❣
trying on a metaphor
Sweet Seals For You, Always
Misplaced Lens Cap
macklin celebrini has autism
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he wasn't even looking at me and he found me
Xuebing Du

roma★

★

gracie abrams
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The Stonewall Inn
cherry valley forever
d e v o n
occasionally subtle
One Nice Bug Per Day
TVSTRANGERTHINGS
PUT YOUR BEARD IN MY MOUTH
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@magicalgirlsasuke
The nice thing about this heatwave is that you get to feel like Gilgamesh, prince of Uruk and contemplator of the deep, lost and grieving in the sun-lacerated deserts of bronze age Mesopotamia whilst you're getting the shopping from your local Aldi.
Supergirl 2026 spoilers!!!
I think it would’ve been super interesting if the film pushed a parallel of Kara and Ruthye both having survivors guilt from the trauma they suffered. I am no writer but I do have ideas.
Like if Ruthye’s revenge quest was both to “end” her grief and anger and also “atonement” for the guilt and shame she thinks to be correct. This all would make Kara’s efforts to keep Ruthye from killing Krem an attempt to both preserve her innocence and help her realize that it is not in fact her fault and there’s nothing to makeup for. Like maybe even throw in a “I am one little life” scene callback. Ruthye indirectly telling Kara that she feels like she should’ve died with them and Kara giving her the same response her father gave her not so long ago.
To me, the most compelling scene in the new Supergirl was when Kara speaks with her father after seeing that he is making her an escape pod. The dialogue is in Kryptonian. And that is the most poignant and elegant dialogue in the film to me. Kara's lines and the emotion put into her saying to him, "I am only one tiny life," and her calm, clear articulation of her vision of herself being allowed to die beside her people and her mother and father was so profound and existential. And when he explains why they need to her live, you know she would agree. The price, the sheer weight, the endless gravity of that is so obvious. I am honestly not used to that depth in these superhero films. Both her desire and that of her parents felt so authentic. That conveyed tragedy and profound love. An impossible situation. A critical, defining experience. That was the heart of her character to me. When she flew up into space to scream in silence, that was a compelling image. That dialogue, though, hit me deep in my soul. This film would have been worth it for that exchange alone for me. I just can't think of anything I've seen that was like that before.
Yesterday I watched Supergirl and I liked it tons, I hope I get to see it again ( •̀ ω •́ )y
shoot me but i think a girl-y, childish cover playing as a literal child, who believes herself to be ruined, experiences what it’s like to be shielded from violence (by a fellow ruined girl) (from CHILD PREDATORS), was excellent actually!
i asked how much longer we would be traveling and my knight said “as long as it takes” which. um. is not a length of time
need
Three Barn Owls at a quatrefoil church window. Photographer: Richard Brooks. Date: July 2009. Shot at a local church in North Norfolk, England.
need a hand?
it may be cringe but i’m free. i want to know what would be the farseer house motto should they be in asoiaf so badly. because it would be the best one in all of medievalesque fantasy history.
Reblog so she lives forever.
i think gotham could’ve saved allen walker
and let the darkness set us free
rip john locke you would’ve loved relating your relationship with jack to the life of pi
Make sure you say "I wonder what they're doing right now..." about your comic relief friends every now and then so the episode can cut to their B plot
can someone please get this girl her dog back