Acrobats, coloured linocut by Dorrit Black, c1928-29, London.
Art Gallery of New South Wales.
Show & Tell
Sweet Seals For You, Always
EXPECTATIONS
Mike Driver
No title available
will byers stan first human second
Lint Roller? I Barely Know Her
tumblr dot com
Monterey Bay Aquarium
$LAYYYTER

No title available

Kiana Khansmith

Jar Jar Binks Fan Club
NASA
occasionally subtle
Fai_Ryy
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gracie abrams
I'd rather be in outer space 🛸
One Nice Bug Per Day
seen from United States
seen from Ukraine
seen from Saudi Arabia
seen from Germany

seen from Panama
seen from China
seen from Malaysia
seen from United States

seen from Germany

seen from Malaysia

seen from United States
seen from United States
seen from Poland

seen from Costa Rica

seen from Brazil
seen from Netherlands
seen from United States
seen from United Kingdom

seen from Poland

seen from Germany
@majormisunderstanding
Acrobats, coloured linocut by Dorrit Black, c1928-29, London.
Art Gallery of New South Wales.
Still waiting for this…
“Because everything in her home is waterproof, the housewife of 2000 can do her daily cleaning with a hose”
Austin truck
A 40-year-old Joy Division flyer.
North Terrace, Adelaide during the 1970’s.
The Olive Plantation, 1946 Oil on Canvas, by Dorrit Black.
Art Gallery of South Australia.
Poster design by Edward Steichen of Alfred Stieglitz with his camera, c1905.
The Seaside Calls, colour lithograph by Percy Trompf, 1930’s.
Artwork from The Rambler, ‘The Only Australian Penny Comic Weekly’, Woodcut by Norman Lindsay, 1899.
Detail from a 1907 postcard photograph capturing firefighters at a house fire in Berwick, Maine, United States.
A 1939 Ford V8 as part of the Civil Ambulance, staffed by the South Australia Police.
South Australia Police Historical Society.
A Campbell’s Soup Can button distributed at an Andy Warhol exhibition, 1962
1960’s vintage poster by Gerritt Vandersyde for the RSPCA.
Hubert Wilkins as a cameraman for the Gaumont Company during the Canadian Arctic Expedition, 1913.
Headstone detail of a skeleton in a churchyard in Painswick, Gloucestershire.
Photograph by Kenneth Lindley, from his 1965 book Of Graves and Epitaphs.
Detail from a hand-coloured lithograph by Harold Freedman, Bourke Street Looking East from The Second Melbourne Album, 1963.
State Library of Victoria.
An anti-water pollution poster from 1961, by Hans Erni, for the Swiss Society for the Protection of Water.
Kunstgewerbemuseum.