“ The original idea came from an image: the flowers that we sometimes see on the roadside which have been left in remembrance of someone who’s lost their life in that place in a traffic accident. It’s a dramatic image, one that everyone recognises. But it’s also a very mysterious one as you generally don’t see the person who puts the flowers there; you see they’re renewed regularly but never actually see anyone do it or, indeed, know who does it. So, we asked ourselves, what would happen if the family or friends of the person who had lost their life in such a way were to discover that somebody anonymous was leaving flowers at the place of the accident? That was the origin of one of the plots.
The film has two main plots. The one just mentioned comes up later on, and the first one springs from the song “A bouquet of violets”, where a woman receives flowers from an anonymous person. In this film there’s also a woman (Ane), who starts to receive flowers every week but she doesn’t know who the sender is. In both plots we play with the same element: there are some mysterious flowers, there’s someone who’s excited by them, and there’s someone who perceives the flowers as a threat. We liked the game of mirrors between both these plots and how one is the consequence of the other. “ Director José Mari Goenaga
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