a moment!
Evening sketch 26/09/18.
he wasn't even looking at me and he found me

oozey mess
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap

roma★
One Nice Bug Per Day
Sade Olutola

shark vs the universe
occasionally subtle
No title available

PR's Tumblrdome
h
Lint Roller? I Barely Know Her
d e v o n

@theartofmadeline

Andulka
No title available
Monterey Bay Aquarium
hello vonnie
Today's Document
seen from United States
seen from Indonesia
seen from Croatia

seen from Malaysia
seen from New Zealand
seen from Germany
seen from United States
seen from United States

seen from Morocco
seen from Brazil
seen from United Kingdom

seen from Spain
seen from United States

seen from Austria

seen from Netherlands

seen from Türkiye

seen from Türkiye
seen from United States
seen from Norway
seen from Brazil
@mandimez
a moment!
Evening sketch 26/09/18.
i scream you scream we all
repress memories of our childhood
swim
When the whole squad looks good
i’m at such a ?? time of my life i’m just ???????????????????????? like ????????
c’ e s t t o u t
Kate Moss by Eamonn J McCabe, 1992
| s o u r c e : @itisnotaproblem |
Gideon Mendel’s The Ward
Memories from the heart of the Aids crisis shows true love in a time of terrible tragedy.
These heartbreaking and incredibly moving images show the affection and love shown during the height of the Aids crisis. Photographer Gideon Mendel’s project The Ward began in 1993 when he spent a number of weeks on the Charles Bell wards in London’s Middlesex Hospital. All the patients on the ward were dying with the knowledge that there was no cure for the disease. During this time antiretroviral medications were not available and patients on the ward faced the prospect of an early death.
this made me laugh
Halloween, 2016, Bo Bartlett
bobartlett.com
Room Portraits | Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
lonely girl
Normalize apologizing to children.
When you come back woke
Good for this white girl
There is actually a lot of us serving who feel this way, but aren’t allowed to speak on it while still in!
This last comment tells you everything you need to know, really