PUT YOUR BEARD IN MY MOUTH

shark vs the universe
cherry valley forever
taylor price
let's talk about Bridgerton tea, my ask is open

izzy's playlists!

ellievsbear
Game of Thrones Daily

#extradirty
One Nice Bug Per Day
d e v o n

No title available
sheepfilms
2025 on Tumblr: Trends That Defined the Year
almost home

gracie abrams
h
No title available
todays bird
No title available

seen from United States
seen from United States
seen from Vietnam

seen from Venezuela

seen from Thailand
seen from Oman

seen from United States

seen from Malaysia
seen from United Kingdom
seen from Brazil

seen from Türkiye
seen from Tunisia
seen from United States
seen from India

seen from Armenia
seen from Iraq

seen from Mauritius
seen from Saudi Arabia
seen from United States
seen from Canada
@marcelwaigand
A photograph of Kit Skellington taken from this publication is featured in a photo series of the latest BAUHAUS NOW #3 Issue. Get the magazine here.
The publication is asking if the London Club Kids still provoke the Post-Brexit society in 2017. Focussing only on the scene of today I interviewed ten protagonists of the current scene during my stays in London and took pictures of them. Later I put my impressions together in this publication.
Today the Post-Brexit society is extremely polarized. After the vote hate crimes against LGBTI-people have gone up to 147% and queer people are more often confronted with homo- and transphobic slurs. On the other hand same sex marriage is allowed and there have never been more queer role models in the public eye as today. From a visual point of view the most provocative group of London's queer underground scene are still the Club Kids. Although their outfits are mainly worn in the nightlife, they still attract the most attention as queer people out on London streets. The publication is looking on what it means to be queer in the United Kingdom today. It asks how Club Kids define their own identity and explores the conflicts in the interaction on London streets between Club Kids and the general public.
All content by me.
64 pages, 29,7 x 21,0 cm Paper: Chromolux, 90g/m2 Print: Digital Print by Wegner GmbH in Stuhr, Germany Edition: 25 copies
Between Liberty & Uniformity — Pre War Utopias Bridging Between Liberalist Reality and Marxist Ideals. 17,5x13,5cm. Risograph-Print. Supervised by Prof. Tania Prill, University of the Arts, Bremen
My 1st Mixtape
Claire Issue Risograph-Print at http://ochdoch.de/ 28 Seiten Magazin, 16cmx29cm HfK Bremen, 2016
The Process Issue Risograph Prints bei Prof. Andrea Rauschenbusch HfK Bremen, 2015
AUS Mode-Magazin
Typografie-Zusammenarbeit zwischen Susan Buckow, Quoc-Van Ninh, Lina Stahnke, Johanna Greiner, Ricardo Alves Ferreira Nunes & Marcel Waigand Idee & Konzept: Susan Buckow, Quoc-Van Ninh Grafische Leitung: Prof. Andrea Rauschenbusch, Claudia Doms
Textem Verlag, HfK Bremen, 2015
STORY Magazine #20 — Objection Issue 24 Seiten newspaper, 52x37,5cm bei Prof. Andrea Rauschenbusch & Pol Perez von Studio Folch, Barcelona, 2014 Die Zeitung erzählt die Geschichte des Films Laurence Anyways von Xavier Dolan.
Werkschau März 2014
Bild 2) Kurzfilm “Entering”, 2013, HfK Bremen Bild 3) Kurzfilm “Episodes”, 2013, HfK Bremen Bild 4) Videodokumentation “Frauenbilder”, 2014, HfK Bremen Bild 5) Installation, 2013, HfK Bremen Bild 6) Hausarbeit “Das Frauenbild im Expressionismus”, 2013 Bild 7) Flyer (Theater Bremen) & Fotoserie, 2014, HfK Bremen
Programm-Flyer Collage & Typografie Theater Bremen HfK Bremen, 2014 bei Prof. Andrea Rauschenbusch
Zeitschrift der Straße Satz, Typografie Illustration: Elburuz Fidan Leitung: Prof. Andrea Rauschenbusch 2014, HfK Bremen
printed photographs 60x45cm — 40 € each — contact: [email protected] 2014, HfK Bremen
Entering Kurzfilm bei Professor Beat Brogle, 2013, HfK Bremen
Stills aus dem Kurzfilm “Entering”, 2013, HfK Bremen, bei Professor Beat Brogle