BOOTS | true detective edit
Today's Document
Claire Keane

@theartofmadeline
trying on a metaphor
Show & Tell
untitled

Discoholic đȘ©
occasionally subtle
Mike Driver

#extradirty
Monterey Bay Aquarium
Noah Kahan
Sade Olutola
ojovivo

romaâ

PR's Tumblrdome
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
KIROKAZE
$LAYYYTER
NASA
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@marieowly
BOOTS | true detective edit
draakul
Ciriâs leaving Tir nĂĄ Lia
Yennefer & Ciri in the temple of Melitele
crazy fast panel, i'm not buying that remaster but seeing it around made me wanna draw these two :)
René Lalique Serpent Pectoral Pendant designed around 1899.
Though many lords and knights sought her favor, the princess had eyes only for Ser Criston Cole, the young champion of the Kingsguard and her constant companion. âSer Criston protects the princess from her enemies, but who protects the princess from Ser Criston?â Queen Alicent asked one day at court.
do you ever think about jae mistaking alicent as saera in his old age in the context of jae assaulting his daughters
Yes. This is part of why I don't love the nixed age gap between Rhaenyra and Alicent in the show because you lose the "Alicent reading to Jae who thinks she's his daughter Saera who he at best was really deranged towards sexually" aspect of Alicent that I find very fascinating (especially when you pair that with her initial distaste for the very normalized pedophilia shit going on at court). I believe @kingcunny has mentioned this several times in that context - Alicent essentially being set up for sexual assault during these "reading sessions" and finding some comfort with Viserys who also experienced some sexual weirdness from Jaehaerys. It's not something Aemma can relate to, because Jaehaerys was never interested in her the way he was in grooming Viserys to be his heir, and later mistaking Alicent for Saera. It's a trauma only they have experienced, feeling this sort of idolization and love for this aging old man who is not kind to them, and in fact actively helps ruin both their lives and their conception of safe sexual encounters.
Because...I just feel like there has to be something weird going on there. Why Saera of all daughters, is he mistaking Alicent for? Why not Alyssa or Daella? Why not Alysanne? Or even Rhaena? And why, when he's mistaking Alicent or Saera, do rumors of an affair start to spark? I think it's not unlikely that Alicent was sent into that room because of her beauty, maybe a superficial resemblance to Saera, and I think she knew exactly what was expected of her. The fact that it was all about Saera instead of Alysanne? I do wonder if it ever clicked in her head how odd that is, but I'd hazard a guess and say it did, and it's part of why she's so hostile to Daemon and initially so hostile to Criston Cole.
alicent and viserys developing a really unhealthy attachment with each other due to their shared sexual abuse from jae. theyre the only two that experienced that side of this âgreatâ âhonorableâ man that everyone in the realm loves. its maybe some sort of comfort while hes alive, some way for them to reclaim their autonomy. but after he dies their relationship just puts them back in the same headspace and scenario of their abuse. they cant heal from it cause viserys refuses to admit that anything bad even happened. (alicents distaste over the normalization of pedophilia, viserys refusal to do anything about the Rhaenyra Situation until Something Bad happens)
POV: Viserys is talking
« When his Grace under- stood that sorrowful heavy tidings, he sent for the Queen, saying that he and his Queen would take the painful sorrows together. »
doomed
Burden of Queen
Offer your sons, your father, your brother, your only daughter, surrender your own flesh and blood, and all the Isaacs you hold dear, to the pyre. For their deaths are no hollow sorrow, but the flames of vengeance.
â âHe has a song,â [Rhaegar] replied. âHe is the prince that was promised, and his is the song of ice and fire.â
âHe looked up when he said it and his eyes met Danyâs, and it seemed as if he saw her standing there beyond the door.â
- A Clash of Kings (George R. R. Martin)
Pekka Halonen (23 September 1865 Lapinlahti â 1 December 1933 Tuusula) Finnish
ErÀmaa ~ Wilderness 1899
Oil painting 110 cm Ă 55 cm
Art Museum of Tampere, Finland
Ryan Condal and his hatred of Alicent: constantly punishing her sexually.
Ryan Condal only does this specifically with Alicent. He doesnât subject the other female characters to the same kind of repeated sexual violence and humiliation - only Alicent.
Aliceny is SAâd by everyone, got incest SAâd by her own son and was sexually humiliated just to blame her for B&C (even Ryan Condal doesnât hide his bias toward the Blacks, saying that in the books Blood and Cheese is TG propaganda against Rhaenyra, which is why that scene was adapted the way it was.) Olivia Cooke talked in interviews about how heavy and uncomfortable some of Alicentâs sexual content has been to film. It really raises questions about how sexual violence is used in HotD, especially when it keeps happening to the same character in ways that can start to feel repetitive rather than narratively necessary.
Condal just hates Alicent because sheâs prudish. And I think that speaks the misogyny disguised as âcriticismâ of prudishness, religiousness, or traditional behavior in women by using their sexuality to punish them. So you hate Alicent because sheâs⊠religious? Because sheâs prudish? I know modern audiences, with 21st-century lenses and zero knowledge of history dislike women who donât express sexuality or power in a âliberatedâ way, but that doesnât justify sexually humiliating them this is very disturbing and disgusting.
At the same time, you have Rhaenyra, who is written with a much more openly âsexually liberatedâ energy and is written in a way where her sexuality is not used against her in the same punitive way. That contrast is what makes the treatment of Alicent stand out more.
And what makes Rhaenyra sexually liberated? Because her so called sexual freedom or extramarital affairs were literally the fallout of Daemonâs grooming? Isnât it true that he groomed her for his own ends, âliberatingâ her to sleep with him and others, and in doing so destroyed her own reputation & claim to the throne? And because it looks âexoticâ or âliberatedâ next to the fantasy Catholics coded Alicent?
Bk!Alicent is certainly written within a world that is hostile to women, especially women at court, but her arc is not around sexualized punishment or humiliation as a thematic goal. Sheâs actually one of the more politically respected women of her position.
Condal need to understand that for a noblewoman living in a quasi-medieval world chastity wasnât just a matter of personal morality it was political. Her reputation affected her familyâs standing, her husbandâs authority, and her childrenâs legitimacy. A scandal could damage her entire house, and even a rumor could cost her safety, influence, and dignity. Modesty wasnât simply âprudishnessâ in that world, it was a strategy for survival. So why punish that kind of character through sexual humiliation in the narrative?
When a character is repeatedly written through sexual punishment or humiliation while another is written through sexual empowerment, it just shows the biased written of who gets to be âliberatedâ and who gets to be degraded and humiliated.
Condal could easily make Alicent more sympathetic by showing how her religion functions as one of her few sources of identity and stability. As queen, her piety could also be shown through genuinely compassionate actions - like giving alms, supporting motherhouses, and helping women and children under the Faith - rather than relying so heavily on sexual humiliation to define her arc.