m

[adoringyouhxney]

close enough welcome back liam gallagher

[greenstripedcat]

Persuasion (1995)

— Anne? You want to marry Anne? Whatever for?

Source: https://british-cinema.livejournal.com/960771.html

[jaeausten]

JANEUARY-MONTH.

Day 3- Bath.

[molinaesque]

You pierce my soul. I am half agony, half hope. - Persuasion, Jane Austen

[chungmuros]

ONCE WE WERE US  만약에 우리 (2025, Kim Do-young)

[kvtnisseverdeen]

Jaafar Jackson on TODAY with Jenna & Sheinelle | April 2, 2026

[kvtnisseverdeen]

You’re confident. You’re strong. You’re beautiful. You’re the greatest of all time.

MICHAEL (2026) dir. Antoine Fuqua

[notonlymice]

REMEMBER ME (2010) dir. Allen Coulter

[derry-rain]

mary bennet just having the best time.

[theboyfromcork]

--

Thanks @lostgirl88!

[sophia-becketts]

DÓNAL FINN as TOM HAYWARD in

⏤ The Other Bennet Sister

[lizzybennets]

elizabeth being 100% done with her family

THE OTHER BENNET SISTER (2026)

[tomdayaland]

Charlie & Emma.

[emmaharwoods]

ZENDAYA as EMMA HARWOOD THE DRAMA — 2026, dir. Kristoffer Borgli

[filmgifs]

All right, so, before we got married, we did this thing where we said the worst thing we've ever done.

THE DRAMA 2026 — dir. Kristoffer Borgli

[godsmonsterskryptonians-deactiv]

Oh wow, Rob and Zendaya have an amazing on-screen chemistry!

Imagine Rob meeting Tom, those two would just as be funny chaotic in real life 😂😂

[rogerdeakinsdp]

Academy Award Winners for Best Cinematography: 2001 — Peter Pau, HKSC 臥虎藏龍 / Crouching Tiger, Hidden Dragon (2000) Directed by Ang Lee Aspect Ratio: 2.39 : 1

"We make a lot of period action films in Hong Kong, and we generally use hard light and a full range of colors. We control them very carefully, often using extreme blacks and pure whites and mixing deep reds and blues with lots of fog and smoke effects. But that dynamic approach did not work for Crouching Tiger, because the storytelling approach was very dramatic; using those techniques would have overdramatized the film and taken the audience out of the story and away from the characters. Instead, we wanted a look that was realistic and comfortable, so the first thing I discussed with Ang was using a low-contrast visual approach with desaturated colors."— Peter Pau for The American Society of Cinematographers, January 2001

[herheartwasintherightplace]

“I wish, as well as everybody else, to be perfectly happy; but, like everybody else, it must be in my own way.” Jane Austen, Sense and Sensibility.