260325 - swim alternate covers version
Claire Keane

@theartofmadeline
DEAR READER
RMH
Xuebing Du
Jules of Nature
Today's Document
Monterey Bay Aquarium
No title available

Janaina Medeiros
hello vonnie
ojovivo
Lint Roller? I Barely Know Her
Alisa U Zemlji Chuda
almost home

Product Placement
let's talk about Bridgerton tea, my ask is open
No title available

Kiana Khansmith
i don't do bad sauce passes

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@maroonmerlin
260325 - swim alternate covers version
BTS + SWIM
“The feeling that she had never really lived in this world caught her by surprise. It was a fact. She had never lived. Even as a child, as far back as she could remember, she had done nothing but endure. She had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. Her devotion to doing things the right way had been unflagging, all her successes had depended on it, and she would have gone on like that indefinitely. She didn’t understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived.”
— Han Kang, The Vegetarian
“Life is such a strange thing, she thinks, once she has stopped laughing. Even after certain things have happened to them, no matter how awful the experience, people still go on eating and drinking, going to the toilet and washing themselves—living, in other words. And sometimes they even laugh out loud.”
— han kang, the vegetarian
250701 - bts' live thumbnail on weverse
“Cold water added to cold water, makes no disturbance. Error added to error causes no jar. Selfishness and selfishness walk together in peace, because they are agreed; but when fire is brought in direct contact with water, when flaming truth grapples with some loathsome error, when the clear and sweet current of benevolence sets against the foul and bitter stream of selfishness, when mercy and humanity confront iron-hearted cruelty, and ignorant brutality, there cannot fail to be agitation and excitement.”
— Frederick Douglass, “The American Apocalypse (1861)”
i want to go to the other side of earth, holding your hand to put an end to this winter
how much should my longings fall like snow before the days of spring return, friend? // spring 2024
the black cat that won the oscar
Kids Who Die
by Langston Hughes
This is for the kids who die, Black and white, For kids will die certainly. The old and rich will live on awhile, As always, Eating blood and gold, Letting kids die.
Kids will die in the swamps of Mississippi Organizing sharecroppers Kids will die in the streets of Chicago Organizing workers Kids will die in the orange groves of California Telling others to get together Whites and Filipinos, Negroes and Mexicans, All kinds of kids will die Who don’t believe in lies, and bribes, and contentment And a lousy peace.
Of course, the wise and the learned Who pen editorials in the papers, And the gentlemen with Dr. in front of their names White and black, Who make surveys and write books Will live on weaving words to smother the kids who die, And the sleazy courts, And the bribe-reaching police, And the blood-loving generals, And the money-loving preachers Will all raise their hands against the kids who die, Beating them with laws and clubs and bayonets and bullets To frighten the people — For the kids who die are like iron in the blood of the people — And the old and rich don’t want the people To taste the iron of the kids who die, Don’t want the people to get wise to their own power, To believe an Angelo Herndon, or even get together
Listen, kids who die — Maybe, now, there will be no monument for you Except in our hearts Maybe your bodies’ll be lost in a swamp Or a prison grave, or the potter’s field, Or the rivers where you’re drowned like Leibknecht But the day will come — You are sure yourselves that it is coming — When the marching feet of the masses Will raise for you a living monument of love, And joy, and laughter, And black hands and white hands clasped as one, And a song that reaches the sky — The song of the life triumphant Through the kids who die.
The more things change, the more they stay the same.
(Quote from Ursula Le Guin:)
All times are changing times, but ours is one of massive, rapid moral and mental transformation…. It’s unsettling. For all our delight in the impermanent, the entrancing flicker of electronics, we also long for the unalterable…. So people turn to the realms of fantasy for stability, ancient truths, immutable simplicities.
And the mills of capitalism provide them. Supply meets demand. Fantasy becomes a commodity, an industry.
Commodified fantasy takes no risks; it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action to violence, their actors to dolls, and their truth-telling to sentimental platitude. Heroes brandish their swords, lasers, wands, as mechanically as combine harvesters, reaping profits. Profoundly disturbing moral choices are sanitized, made cute, made safe. The passionately conceived ideas of the great story-tellers are copied…advertised, sold, broken, junked, replaceable, interchangeable.
What the commodifiers of fantasy count on and exploit is the insuperable imagination of the reader, child or adult, which gives even these dead things life-- of a sort, for a while.
Imagination like all living things lives now, and it lives with, from, on true change. Like all we do and have, it can be co-opted and degraded; but it survives commercial and didactic exploitation. The land outlasts the empires. The conquerors may leave desert where there was forest and meadow, but the rain will fall, the rivers will run to the sea. The unstable, mutable, untruthful realms of Once-upon-a-time are as much a part of human history and thought as the nations in our kaleidoscopic atlases, and some are more enduring.
We have inhabited both the actual and the imaginary realm for a long time. But we don't live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age.
We know a dozen different Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo's lifetime. Don Quixote went riding out to Argentina and met Jorge Lois Borges there. Plus c'est la même chose, plus ça change.
-Forward to Tales from Earthsea, by Ursula Le Guin
Mary Oliver, Swan: Poems and Prose Poems
"Look, everyone! This is what hatred looks like! This is what it does when it catches hold of you! It's eating me alive, and very soon now it will kill me! Fear and anger only make it grow faster!"
- Prince Ashitaka (Princess Mononoke)
To Begin With, The Sweet Grass by Mary Oliver
Burden
Mahmoud Darwish- memory of forgetfulness
(recalling a conversation with Faiz Ahmad Faiz amidst the Israeli invasion of Lebanon)
what’s left behind
the ever after buy a wallpaper or leave a tip / twitter / instagram / shop