Zack Melhus
RMH
🪼
occasionally subtle

⁂

Product Placement
Jules of Nature

blake kathryn
he wasn't even looking at me and he found me
taylor price
Three Goblin Art
let's talk about Bridgerton tea, my ask is open
Claire Keane

#extradirty

Andulka

Origami Around
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

tannertan36

Kaledo Art

PR's Tumblrdome
seen from Argentina
seen from Iraq
seen from United States
seen from United States

seen from Germany
seen from United States
seen from Greece

seen from Iraq

seen from Germany

seen from China
seen from Romania

seen from Iraq

seen from United States
seen from Switzerland
seen from United States

seen from Malaysia
seen from T1

seen from Indonesia

seen from United States
seen from Iraq
@megmurrayswrinkle
Zack Melhus
Cape. 1912, French.
House of Worth.
Source: Met Museum.
I know this is gonna piss off nerds but paperbacks are superior to hardbacks
Moodboard
Doorway to the past - Angkor Thom, Cambodia
Safe morning
Cary Grant by Mark Shaw, c. 1955
“People are always telling you that “we have always done thus,” and then you find that their “always” means a generation or two, or a century or two, at most a millennium or two. Cultural ways and habits are blips, compared to the ways and habits of the body, of the race. There really is very little that human beings on our plane have “always” done, except find food and drink, sleep, sing, talk, procreate, nurture the children, and probably band together to some extent. Indeed it can be seen as our human essence, how few behavioral imperatives we follow. How flexible we are in finding new things to do, new ways to go. How ingeniously, inventively, desperately we seek the right way, the true way, the Way we believe we lost long ago among the thickets of novelty and opportunity and choice…”
— Ursula K. Le Guin, The Seasons of the Ansarac
instagram | johnny_crows_garden
Source
A poem slightly inspired by Tamora Pierce.
Wild Magic
“Immortals and gods aren’t the same. They just live in the same place.” - Tamora Pierce
The mudroom’s humidity,
Legos laid out for later play, and
Lunch felt bountiful, even if spare,
Bountiful in that moment, bountiful
Like the work before the harvest -
Heavy and clean with time and dry heat.
A perpetually rising grass, itchy with stamens,
Exoskeletons clicking,
Moving forward, moving up
While the cicada screams.
The business of it all.
Here, a battlefield of birth and death
Compressed
Into a matter of minutes.
The hawk cries too,
A wolf in the sky and the hose,
It makes mud on children’s feet.
On my palm, a fine layer of dirt
Leavened with air.
Even in the wavering neighborhood’s howl
Meters of asphalt sing quietly
So we can stew in our own sweat,
The sheen verdant and constantly throbbing
The dance
And hum
And mushroom’s telepathy fragrant.
Patio shadows creep toward
The rubber of her tire.
The breath catches in my chest. Sudden.
It is swept away,
Atavistic suffering echoing through synapse offering wisdom
And the cheap ability to withstand.
The morning is spiced in grapefruit.
Songbirds praying to the sentience of rocks.
- RPJ
Worlds of Ursula K. Le Guin, 2018 #UrsulaKLeGuin
1920′s Fifth Avenue from Central Park by D.J. Ruzicka. From Liveauctioneers.
Chateau de Najac, France (by Jannes Jacobs)
Circe Invidiosa by John William Waterhouse // Circe by Beatrice Offor // Circe Offering the Cup to Odysseus by John William Waterhouse // Circe and the Companions of Ulysses by Briton Riviere // Circe by Jean Jules // The Circe by Katia Varvaki // Circe by Wright Barker