Cloud Dividers - Part 1
Please like and reblog if you use or save.
Requested by @i-simp-for-sundrop
Dividers List
art blog(derogatory)
Stranger Things
RMH
šŖ¼
"I'm Dorothy Gale from Kansas"
ojovivo
Sade Olutola

#extradirty

JVL
macklin celebrini has autism
cherry valley forever
No title available

No title available
tumblr dot com

Origami Around
Monterey Bay Aquarium
untitled
trying on a metaphor

bliss lane

tannertan36
seen from United States
seen from United States
seen from France
seen from United States

seen from Malaysia

seen from Malaysia
seen from Canada

seen from Türkiye
seen from Argentina
seen from Argentina
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from T1
seen from Australia

seen from Switzerland
seen from Belarus
seen from Russia
@merlinwinchesterinthetardis
Cloud Dividers - Part 1
Please like and reblog if you use or save.
Requested by @i-simp-for-sundrop
Dividers List
growing up I was always afraid of being Found Out. not sure what I was hiding. just my whole self I guess
in all seriousness when i sayĀ āqueerbaitingā i mean the phenomenon it actually refers to, this SPN nonsense of repeatedlyĀ manipulating the viewers - in an arguably deliberate way - into thinking queer stuff is going to be canonised and played out. and by that i mean having Cas tell Dean he loves him late enough in the game that they didnāt have to play it out, but early enough that they could wring in some more viewers for the finale - and then not acknowledging that moment at all. capitalising on the queer audienceās desire to be included and validated in order to up the success of their show, but not actually truly including or validating the queer audience.Ā
itās a very specific set-up ofĀ ābaitingā and then setting the goalposts back, or (at the end of the show) acting as though those scenes never happened in the first place. the homoerotic moments have no effect on the plot, the relationships, the arcs - they are not significant or meaningful, but narratively identical heterosexual/normative moments are treated as significant and meaningful.
i understand that what qualifies as ābaitingā is so subjective that people now overuse queerbaiting to mean āhomophobic writing of any kind,ā or even āpresence of any level of queer subtext without direct canonisationā - which is wider thing that queerbaiting exists as a subset of. and personally i think that that wider thing isnāt always bad, isnāt always good, whereas queerbaiting is by nature insidious and homophobic. but i thinkĀ āqueerbaitingā is a very useful word that describes a specificĀ phenomenon and itās good to remind ourselves what it actually means, so as not to lose the word all together.
one of the things that i find so fucking malicious is how they silenced deanās queerness so thoroughly that he wasnāt even allowed to speak.Ā
and i mean like literally.
when bobby tells him that cas helped jack fix heaven, dean doesnāt say anything. deanās only allowed to smile vaguely and look off into the distance. heās not allowed to utter a single word, right up from that moment until bobby starts talking again. heās not allowed to ask where cas is, or even utter something neutral likeĀ āthat sounds like something cas would do.ā instead we have to assume that deanās smile is for him. we have to assume that heās happy because cas fixed heaven, but we canāt even be sure because bobby muddles casā contribution with talk of so many other things while dean is kept mute. the only time deanās allowed to speak up is to express his fondness for his fatherās beer and his female-coded car.
they made cas inconsequential, sure, but whatās more is that they made dean even more inconsequential. 15 seasons of deanās voice leading us through thick and thin. 15 seasons of dean being the eyes and heart of the audience. 15 seasons of dean carrying the weight of the world on his shoulders, fighting tooth and nail to find freedom, only to be silenced completely because if he spoke, it would make him less straight, and frankly, i canāt find anything more despicable.
he loved a boy and for that, spn said he didnāt deserve to have a voice. he wanted something more and instead he wasnāt allowed to have love returned, happiness, or even a life. he was us, every queer fan who ever saw themselves in him, and spn said we were worth nothing because look, at the end of the day, a queer dean wasnāt worth anything either.
he got the heaven he deserved, bobby said, but that heaven was an empty soundless void. he got what he deserved but it was a quiet place that echoed the voice that he lost. he got what he deserved but casā very absence in his heaven told him that deserving something was very different from actually having it.Ā Ā
#and so much for speaking truth huh? #that thereās happiness just in saying it? #he wasnāt allowed to say shit (via @casthewise)
supernaturalās queerbaiting game is so strong they tricked people who stopped watching 7 years ago into tuning in just to see tvās original bisexual get hate crimed by a bunch of clowns and tetanus
Hereās why the Supernatural Series Finale Sucked
(AND IT REALLY ISNāT JUST BECAUSE CAS/MISHA WASNāT IN IT)
First of all, Iād like to state, that this perspective is coming from someone who has watched, invested in, and dissected this show for 15 years. Iāve tried to rationalize and justify every single decision each of the main characters made throughout the years, and Iāve always tried to make sense of each of their story arcs from a ābigger pictureā standpoint as each season progressed.
Anyway, before I can properly explain why the finale sucked, let me quickly take you through 15 seasons by segregating them into 3 eras, because you canāt really comprehend what Supernatural is about and what itās become without going through how it tried to expand its universe.
SEASONS 1-5: THE KRIPKE ERA
Now, we all know that Kripke was always set in wrapping up Sam and Deanās story in 5 seasons, and he did just that.
So, in this era, Supernatural is about two brothers who set out on a journey to fulfill āthe family businessā. They hunt mythical monsters that terrorize the world, while battling the monsters within themselves. Their ultimate ābig badā is an apocalypse.
Towards the end of this era, we find out that Sam and Dean are actually a parallel to Biblical characters who are brothers turned rivals. And that Sam and Deanās destiny is to go up against each other.
However, as a dynamic, they have always been about making their own choices, choosing free will, and having a brotherly bond that can power through against any obstacle at any given day.
So, this era is neatly wrapped up with its finale. The characters grow, and get justified endings.
Dean, a man who thinks of himself as two things: 1. Samās older brother and protector; and 2. Daddyās blunt little instrument.
Heās spent his whole life believing that that was his only purpose, and he knew that the only ending heāll get would either be a bloody death fulfilling his duty to the family business; or laying his life on the line to save his brother.
Dean gets the ending he thought was never possible for him, something he thought he could never deserve. After years of living and dying for his family, he gets a shot at having an apple pie lifeāto settle down with a nice girl, raise a kid in a house with a white picket fence. With Sam gone, Deanās responsibility now is to himself.
Sam, on the other hand, never wanted any part of it, because he wasnāt groomed the way Dean was, and because thanks to Dean, Sam wasnāt traumatized or forced into growing up too quickly the way Dean was.
So Sam aspires for a normal life, and works the cases with Dean so he can maybe get some semblance of it, when everything they set out to kill are laid to rest.
Ultimately, Sam performs a selfless act for his brother, who has given up everything for him, and for their causeāto save the world.
The journey is this: Dean sacrifices everything to save Sam, and Sam sacrifices himself so Dean could live.
Apart from being Deanās āsaviorā and guardian angel, Castielās role in this era is to serve as a mirror to Deanās journey. Castiel goes from being heavenās foot soldier, following āGodās ordersā; to an angel who learns to choose and feel for the first time in his existence.
After they realize that theyāre both daddyās blunt instruments, Dean starts choosing his own path for himself, and convinces Castiel to join him. Castiel stops following heaven, and starts following Dean.
In the end, with his newfound understanding of the world thanks to Dean, Castiel goes back to heaven to reform it.
Weāve resolved the biblical arc, and the character journeys.
SEASONS 6-10: THE SPIN-OFF ERA
So this is where the show realizes how vast its universe can be, so it tries to expand it by tapping into uncharted lands and experimenting with it.
They take on heaven, reform hell, explore purgatory, have the angels fall, turn Dean into a demon, and kill Death.
Dean and Sam recognize their codependency, and try to rise above it.
They go back and forth between which brother will risk it all for the greater good every other season.
Dean and Cas strengthen their relationship by recognizing the impact they have on each otherās lives.
Cas structures his life and decisions around Dean (Seasons 6-7), and Dean learns to trust and fight for Cas (Seasons 8-9).
Sam and Cas bond (mostly over Dean) because of their shared rationales in decision-making.
Dean, Sam, and even Cas also forge relationships with the people they work with. The concept of āfound familyā is introduced here.
This era was heavy on the plot while establishing, reinforcing, and solidifying relationships and dynamics.
At this point, it wasnāt just about the brothers anymore.
If Supernatural had ended in Season 10, the logical finale wouldāve been Team Free Will, along with the family that theyāve found, going up against the latest big bad (Death or whoever). Maybe they lose them along the way, maybe they all make it out alive, or maybe they go down swinging, but at least the show recognizes and supports the message they keep saying, āFamily donāt end with bloodā
SEASONS 11-15: THE REWRITE ERA
This is where the show runs out of ideas and decides to invalidate the seasons that came before it.
From bringing Mary back (basically rendering their whole journey pointless because theyāve literally started hunting because of her death), to changing the stipulations in being Michael and Luciferās vessels (another character struggle rendered useless), to God himself breaking the fourth wall by saying that the Winchesters get away with everything because ātheyāre the main characters in his story and everything theyāve been through was just part of a badly written narrativeā.
But what weāre getting from this era is that Sam and Dean, along with Cas (who has also deviated from the story) ARE trying to escape a badly written narrative.
Thatās the ābig badā in this era. The writer.
At this point, the characters have picked up so many strays (including those from alternate universes), and have settled into their roles in their āfound familyā. Dean, Sam, and Cas all become surrogate dads and uncles.
Theyāve also graduated from the whole āweāre on different sidesā and āgoing behind each otherās backsā drama. And they just want the whole family together.
Theyāve all resigned themselves to the cause, but theyāre also tired. Dean allows himself to contemplate about wanting more out of life or at least getting a vacation. Sam, on the other hand, realizes his capabilities as an effective leader. Castiel learns to love another being that isnāt Dean (spoiler: itās Jack).
However, they also realize that theyāve just been puppets on a string all this time.
So what they want now, is to write their own story, and make their own choices knowing that God/the writer isnāt the one fueling their narrative.
So hereās why the finale sucks:
Andrew Dabb, the current showrunner, said that there would be two finales.
15x19 - The finale to wrap up Season 15, and 15x20 - The finale to wrap up the series by āresolving the charactersā journeyā
In 15x19 the boys find a way to de-power God/the writer. For the first time in their whole lives, they are free from the story. Their lives are completely theirs now. They can make their own decisions. There are no more ābig badsā to fight
And hereās what happens in 15x20:
Immediately after being freed from their story arc, Dean and Sam go back to hunting the monster of the week.
Dean eats pie, gets nailed (literally), makes a 10-minute speech to Sam because he knows heās dying, then he goes to heaven.
Dean is greeted by Bobby, his surrogate Dad who he hasnāt seen (fully alive) since Season 7. Bobbyās expository dialogue comprises of him explaining that he got out of heavenās jail, that John and Mary are next door, and that Jack and Cas fixed the dynamics of heaven off-screen.
The first thing Dean decides to do is go for a long drive in his Impala (as if he hasnāt done enough of that already).
Meanwhile, Sam decides to stop hunting after Dean dies, he gets the apple pie life he hadnāt wanted since Season 8 (while Dean was in Purgatory), and names his kid āDeanā for effect. He grows old and dies.
Dean drove around in heaven for so long that Sam catches up to him.
They hug. The end.
Great, right?
After 15 years of struggling to battle their own respective destinies, going up against big bads and even bigger bads, then finally being able to take charge of their own stories, Dean and Sam regress to hunting the monster of the week, and get killed off by a nail and old age. Okay.
Sam gets to retire and have a family, sure, but they still focus on him and the kid he named after his dead brother. Still just āSam and Deanā through and through. Nothing to do with found family. Just lineage. Just blood. And it ends there.
See, the problem here is that this ending wouldāve been passable in The Kripke Era. But weāre 10 years down the road since, and while Sam and Dean are the original main characters, the show isnāt just about them and their codependent relationship anymore.
So you see, even if you take out the whole āCastiel deserves to be in the finale because heās also a main character with an unfinished story arcā argument, the finale still does no justice to the series it tried to āwrap upā.
But anyway, now Iāll make the case for the problem with Castiel not being in the finale:
In 15x18, we get a 5-minute rushed confession from Castiel to Dean. The context of which are as follows:
1. Earlier in the episode, Dean had wounded Death with her scythe. We later find out that this wound is fatal.
2. Their friends start to āblip outā in a Thanos-like snap, and Dean thinks that Death is causing it, so Dean seeks her out, and Cas goes with him.
3. Dean and Cas anger Death, apparently for no reason because she didnāt even do the thing they thought she did. She chases them to try to kill them
4. Dean and Cas lock themselves in a room. Dean starts a pity party.
5. As Dean goes through hating himself out loud, Cas decides to inform Dean of the deal he made with The Empty. He then proceeds to explain the stipulation of the deal (that he would get taken once he experiences a moment of true happiness), then discusses his newfound happiness philosophy. Dean is getting whiplash.
6. Cas goes on to imply that the one thing that he wanted that he knew he couldnāt have is Dean Winchester reciprocating his romantic feelings for him. (Donāt even try to fight me on this because Cas already has Deanās platonic love, and he knows that Dean thinks of him as a brother, so if he really meant this in a āfamilialā way, then why would he think that he couldnāt have the thing that would make him happy?) So Casā realization is that telling Dean about his feelings is enough to make him happy.
7. Cas tells Dean all the reasons why he loves him (thereby combating Deanās self-deprecation tirade), and all the reasons why heās worthy of his love. Meanwhile, Dean is still winded from the fact that Cas is about to sacrifice himself for him again.
8. Dean never gets to process anything, because Cas is shoving him out of the way, as he and Death (who busts through the door) get taken by The Empty.
After this episode, Dean never speaks of it. Misha Collins supposes that Dean doesnāt reciprocate. Jensen Ackles says that Dean didnāt really get to process it because it was too much, too fast, and that Dean, still dense as ever, thinks that Cas, a celestial being, doesnāt interpret human feelings the same way.
So what was the point of this confession?
Politics and sensitivities of a 2005 network television aside, what does this do for the story?
Cas proclaims his romantic feelings to Dean, but Dean never acknowledges it, doesnāt even give it a passing thought afterwards. So Casā big declaration goes unheard.
Cas cashes in on his Empty deal to kill Death (who was dying anyway), in order to save Dean who dies two episodes after.
Dean makes no effort to save Cas (despite being really broken up about his previous deaths, or even spending a whole year in Purgatory looking for him), even after theyāve beaten God, not even asking Jack (who has all the power in the universe) to bring him back (when Jack has already done it before, with less mojo).
Dean moves on to fight the monster of the week. Somewhere off-screen, Jack rescues Cas from The Empty, but Cas uncharacteristically doesnāt even bother to go to Dean? (Every single time he comes back, Deanās always the first person he goes to)
And Cas, who apparently helped craft and reform the new heaven, isnāt the one who welcomes Dean and explains the new dynamics of it?
Sure, Jan.
Supernatural, youāve created a finale that only your casual viewers and people who dipped out after Season 5 can appreciate.
Just goes to show how much you actually valued the people who actually invested in your story and characters, and consistently helped keep your show on the air.
[RT this on Twitter]
And we be so widdit like āYaas heās so right! She never could!ā
TAKE THIS DOWN IMMEDIATELY
lmfaooooĀ
Donāt know why vegans have to tell us every meal they eat is vegan like youād think people would get it donāt you
Because when we donātā¦
āHey is that vegan tho.ā āHahaha you canāt have that it isnāt vegan.ā āWait is that cheese? Hypocrite.ā āIS THAT VEGAN.ā
I really wish nonvegans knew how annoying they really are.
^^ ^^
the all-knowing woofular unitĀ
Weāve all been there..
(Via vegansidekick)
getting up at 6 am by choice: wow what a beautiful sunrise! the house is so peaceful and quiet. i feel really tired but i don't have to do anything but just sit here and enjoy the morning. what a pleasant feeling
getting up at 6 am because you have to: these covers draped upon my mortal coil have become the dirt above my casket. my corpse refuses to unsettle the earth to rise from its grave. i have been dead for centuries and have no intentions to assimilate once more into the tragic world of the living
when i was in 10th grade i worked at subway and hated it so i made a bunch of hate URLs