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@theartofmadeline
ojovivo

titsay
he wasn't even looking at me and he found me
d e v o n
sheepfilms
occasionally subtle
noise dept.
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TVSTRANGERTHINGS
"I'm Dorothy Gale from Kansas"

❣ Chile in a Photography ❣
Sade Olutola

shark vs the universe

oozey mess
Alisa U Zemlji Chuda

Product Placement
cherry valley forever

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@metamorphiisis
Navigation.
[Rules]
[About & Verses]
[Blog is here for Halloween Season tbh]
The chromosomes, the colour bodies that build towards the cells of these walking bodies, have a god in them that doesn't care a damn for the howls of our brains.
Dylan Thomas, The Love Letters of Dylan Thomas; Pamela Hansford Johnson, 9th May 1934
you want empathy? see a therapist. i fix bodies, not feelings.
"My, does the woman costumed in a halo and Angel-wings bare her teeth? How charmingly intimidating, Dr. Ziegler."
Emil Cioran, A Short History of Decay
H.P. Blavatsky, from Isis Unveiled (Vol. 1 & 2): A Master-Key to the Mysteries of Ancient and Modern Science and Theology
Text ID: As above, so it is below. That which has been, will return again. As in heaven, so on earth.
vintage anatomical wax models
The Gross Clinic by Thomas Eakins, 1875 (detail). Oil on canvas
RE-ANIMATOR 1985・dir. Stuart Gordon
Moira prioritizes intelligence for those she'll consider as her "equals" or people she deems worth her time and energy investments. She's one of those academics who will snub you if she deems you of being incapable of being able to keep up.
@chronal-anomaly says: "that's a human life, it matters."
Such is the drivel one nurses and bleeds from an easily-bruised heart. Poise flattens her spine, laying out each vertebrae to her full one meter ninety-five height. "I fear what this means for your line of work in the military, Oxton," Moira's smile is stitched with a terse needle and thread, deliberate in the way it sharpens as she adds dryly, pointedly, "Or for your cohorts."
She clocks a dismissive half turn and rolls her wrist. The movement travels up a flourish into her fingers. Idly, she observes her nails and the way the flourescents notch a gleam along the keratin. "One cannot deny that life is a resource. Such things are quite limited in the world." She casts her eyes to where she'd left Oxton, to the side and floor-bound, as is granted by their height difference, and sneers, "One must be cautious of the costs when enacting such trades."
RE-ANIMATOR 1985・dir. Stuart Gordon
HELLO???? IS ANYONE OUT THERE??? H E L L O??
You have a lot of interesting parts inside you
On Not Wanting To Live, E. M. Cioran (translated by Ilinca Zarifopol-Johnston)
My latest cartoon for New Scientist