
tannertan36
almost home
cherry valley forever
Sweet Seals For You, Always
đȘŒ
sheepfilms
he wasn't even looking at me and he found me
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
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NASA
TMBGareOK. The Official They Might Be Giants tumblr
Lint Roller? I Barely Know Her
occasionally subtle

No title available
untitled

Andulka
noise dept.
todays bird

bliss lane
One Nice Bug Per Day
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@metamorphosis-000
by Tanya Chulkova
René Gruau (1909-2004) Le Masque
Christieâs Interiors â Style & Spirit
Munich, 2002. Photo by Bernd Becher and Hilla Becher.
Frank Frazetta âLeopardâ (c.1950s) Source
Quarry Bay, Hong Kong Photograph: William Shun
Paradise Lost - art by Gustave Doré (1866)
The German actor on why he keeps saying yes to Nazis, what Klaus Barbie taught him about empathy and how he ended up as the villain in James
I believe the figure of the classic hero is actually a far less realistic figure â itâs a pure fiction. And you engage with it differently, because the hero creates distance: You feel you canât identify, you look up to this figure. Thereâs a quote from Charles Manson â the serial killer â who said: âLook down at me and you see a fool, look up at me and you see a god, look straight at me and you see yourself.â Obviously, itâs always a little piquant to quote a serial killer â but the thought itself is interesting: You recognize yourself in the figure. And thatâs the highest ambition of art: to confront people with themselves. Being liked isnât really a criterion. I pursue figures â or they pursue me â that I feel bring out certain parts of myself, and of the viewer, that perhaps they werenât consciously aware of but can discover there. Itâs always a form of reflection, of self-examination. The antihero, in my experience, is a far better vehicle for identification than the classic hero.Â
SORAYAMA: Light, Reflection, TransparencyăâTOKYOâ
Fantask
Related: One of the World's Oldest Comic Shops, Fantask, Saved From Closure
The Entrance - Stone Gate by Vo Huu Linh Architects
Dita Von Teese and Alexia Sinclair have teamed up to create an incredible set of photographs that pay homage to the glamour of the Rococo era.
Source: Beautiful Bizarre Magazine
Alexander Acquah & Michael Chima by Clay Stephen Gardner for Esquire UK Magazine March 2026
Xie Chaoyu by Leslie Zhang for W Magazine China January 2026
A tropical estate
Bruno Dayan for Balenciaga Fall
Lâofficiel n°828, 1998