This was overlooked in the wake of everything and I refuse to let the reunion of these two friends go without notice! Screengrab Redraw!

Kiana Khansmith
Cosimo Galluzzi
Not today Justin
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n
Game of Thrones Daily
trying on a metaphor
taylor price
Alisa U Zemlji Chuda

Origami Around
I'd rather be in outer space 🛸

祝日 / Permanent Vacation
$LAYYYTER
Jules of Nature
2025 on Tumblr: Trends That Defined the Year

if i look back, i am lost
almost home

Love Begins
PUT YOUR BEARD IN MY MOUTH
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@mewlouf
This was overlooked in the wake of everything and I refuse to let the reunion of these two friends go without notice! Screengrab Redraw!
HERE HE COMES
HERE HE COMES
HERE HE COMES
HERE HE COMES
HERE HE COMES
HE HAS ARRIVED
me watching monsters inc as a kid: how did it take so long for anyone to figure out that human child laughter not only produced energy like screams, but was more effective, and that children aren’t actually dangerous at all?
me watching monsters inc now: monsters incorporated, a multi-billion dollar corporate giant, stood to make extra profits off a scream shortage because low supply with high demand makes it possible to charge a fortune for a necessary commodity and everyone has no choice but to pay the high prices because they can’t go without electricity. Therefore Monsters Inc, as well as any other major powers that may have existed at the start of the era of using scream energy, fabricated the idea that only screams could generate sustainable energy sources in order to create artificial scarcity, because laugh energy was far easier to obtain and far more efficient, and therefore stood to lower the value of energy due to surplus. They also fabricated the idea that human children were toxic, in order to a) make other monsters too afraid to go near them to do research and possibly discover the secret of laugh energy, and b) to make monsters so afraid of going near them that there is a shortage of scarers, making it harder for rival companies to rise up and create competition. Even in the monster world, capitalism is based on lies, greed and cruelty, and even monster companies have no qualms about using and abusing children to maximize profits.
Reblogs > Likes | It truly does make a difference for us
This is true.
Please reblog. Share share share share share
yeah, please reblog my work uvu
I don’t reblog NSFW art and it’s depend also depend on the blog asthetic but anyway, reblog is good. Whenever someone reblog my art I will crawl into their blog like a spider and read their tags.
Reblog > follower count sometimes esp of those followers have gone inactive
I don’t know if any of you guys feel like you’re annoying me or something by reblogging my writing or anything, but I promise you you’re not. I always check tags. Also, the comment system’s a great way to leave feedback too.
Be careful in what you wish for…
HAPPY BIRTHDAY PHICHIT CHULANONT, a.k.a my baby, my sunshine, i express my love for you through instagram shitpost
This was fun :)
KFC can stuff my biscuit
.
She wasn’t kidding.
baz: *gives his vows to simon on their wedding day*
simon: *sniffling, wiping a tear from his eye* plotting
THIS ONLY HAPPENS ONCE EVERY FEW YEARS, REBLOG WHILE YOU CAN
i just thought i’d leave this tweet here
Emma Watson, an actress who got famous on one series and modeled a few times (not well, I may add), was given creative control over a gown that was suppose to mimic what it was remaking. Not only does this dress look absolutely hideous it completely fails to mimic Belle’s gown from the movie, Beauty and the Beast. Emma Watson had refused to wear the corset because it wasn’t feminist–to be restricted like that. I’m neutral on that, but maybe if she didn’t want to wear a corset, she shouldn’t have taken a role that dates in 17th century France, where corsets are prominent.
I refuse to blame the costume department for this, because Emma had went in there and ultimately, was given creative control. She has spoken about working with the head designer, Jacqueline Durran, on the gown. From they way she spoke about it, it seemed like Emma was given more creative control than what she lets on. It’s unfair that an actress with no costume designing background was given control of her gown. Complaints and adjustments are okay and are actually apart of the costuming process, not giving the lead role complete control over their outfit.
Instead of a corset, Emma gave herself a bodice that has some sort of tinseled plastic mesh underneath it.
Over a 300 million dollar budget and they used glitter glue (in a striped pattern) on a delicate fabric.
It’s obvious that while the dress could be pretty for literally anything but a movie, it doesn’t work in a live action remake. It’s unfair to Durran that her job was taken over by someone who doesn’t know anything about costume design and they decided to blow their money redesigning the dress until it fit Emma, not Belle.
Ultimately, the dress was made for Emma, not the character she plays. In a fit of glitter glue and hatched hems, this gown that is suppose to be for a dated French movie turned into some girls prom dress that she got for 100$. Emma Watson clearly doesn’t know this, but usually you’re not suppose to have creative control of the costumes when you’re the actress. Unfortunately, this is actually a rookie mistake in the film industry, and very disappointing that it happened. Once you give too much power to the actors/actress’ this is what happens. Let’s hope that next Disney live action remake, they don’t give the actress complete creative control of her dress.
Can’t believe that someone cares this much lmfao
Yeah! I can’t believe someone (particularly me, who went to school for costume design and works in film) would CARE so much about someone whose career and passion is in design having to cater to a self-righteous diva and be forced to squander a HUGE million-dollar opportunity to work with one of the greatest story telling corporations of our time only to have HER name forever tied to such a trainwreck after over a decade of working to build it up. Can’t believe someone actually cares that a mediocre white girl who has made herself the very face of feminism literally took the creative reigns from a female creative who already works in one of the most undervalued fields of film just to take a timeless classic and turn it into a lackluster facsimile of the original. WOW! Get a life, am I right? It’s not like anyone’s passion is film or design and this is the exact thing they’re terrified of happening to them as their career grows….
@mewlouf
so it was part of the prophecy
Before / After