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noise dept.
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YOU ARE THE REASON
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Not today Justin
Keni

#extradirty
Misplaced Lens Cap
Sweet Seals For You, Always

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@midnght-sxn
My to do lists are out of control.
#dailydrawing
let it be known that i touch grass frequently and I’m still like this.
© plutoxoxi via x/twitter
my cuteness aggression has reached max levels
The fact that I haven’t reblogged this is a sin. He looks like a baby, I can’t with him.
i dont think straight people should be allowed to do "enemies to lovers" i think if a man is your enemy you need to trust that you were correct the first time and slay him in battle
artistic rendition of how my cat fell asleep this morning
i look in the mirror, i lose my mind a little, i cry on public transport, i walk through a fluorescent supermarket, i have slow and confusing dreams at night. you know how it is
when two musicians sing into the same microphone and lean in very close to each other… like omg are you guys gonna kiss now to relieve the homoerotic tension?😳
THIS IS NOT ABOUT ONE DIRECTION I DON’T KNOW WHO THIS “HARRY” PERSON IS GO WATCH BRUCE SPRINGSTEEN AND CLARENCE CLEMONS KISS ON STAGE RIGHT NOW
op is the only valid person i’ve ever met. everyone else needs to come to the light
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didn’t *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their ‘Murica Yes! brand, and he had to literally explain that that was not what he was about. He’s over here asking when we’re going to have jobs and heathcare, not stanning the politicians who weren’t helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jackson’s record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went “Racist homophobes? Not in our house!” And started the kissing then but then I actually looked it up and
https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons
It was a story where… we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldn’t have been such an exceptional thing. - Bruce Springsteen
It wasn’t about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that he’s been married twice, but he loved Clarence for the rest of Clarence’s life and will presumably love him the rest of his own
Clemons said in one interview. “Bruce and I looked at each other and didn’t say anything, we just knew. We knew we were the missing links in each other’s lives. He was what I’d been searching for.” In another version of the story, Clemons says “He looked at me, and I looked at him, and we fell in love.”
I’m having some emotions about it!
“He was elemental in my life,“ Springsteen adds, “and losing him was like losing the rain.”
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
God I’m not okay about it
Now I’m mad that this is not among any of the things I was ever told about this artist.
I knew about this in general (& via all those fabulous photos), but this just adds even more beautiful context <3
Just to add to the pile: this was the cover of Springsteen’s break-through album Born to Run, in 1975:
I mean, will you LOOK at this:
This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:
There’s a lot more online if you search. They’re all pretty amazing. But the photographer is right, the one chosen for the album cover just pops.
Good Fucking Design Advice
“That which we call a rose, by any other name would smell as sweet.”
Olivia Hussey as Juliet in Romeo and Juliet (1968) dir. Franco Zeffirelli
rose dragon
To get Caroline Bingley's character right, you have to understand that she is a foil for both the Bennet sisters and Mr. Darcy.
She is the more rational choice for Darcy vs. the Bennets. She has education, manners, a fortune, and clearly, relatives that he likes. So many fan fiction authors make her vulgar and/or unfashionable, but she isn't! That is why Darcy enjoys hanging out with her in the beginning; he would not have her at his house if she was embarrassing. Even when angry with Elizabeth, Caroline does not dare go further in attacking Elizabeth at Pemberley. She has self control. She understands boundaries, which Jane and Elizabeth mostly do, but the rest of the Bennet family struggles with. This is why she's a foil for them.
As for Darcy, at the beginning, Caroline is a nearly perfect mirror of his opinions and snobby attitude. She is doing this on purpose as a way of flirting, but it's probably pretty close to her real personality anyway. She's right that Darcy looks down on Elizabeth's uncle being a lower class lawyer. She's right that he finds the Bennet family intolerable to marry into. However, as Darcy falls in love with Elizabeth and then reforms, Caroline's mirror distorts. That shows his growth in the novel. She, like Elizabeth, fails to update her priors, though to be fair to Caroline, she didn't build her knowledge of Mr. Darcy on first impressions. It's harder to change her mind because she did once know him very well.
Side note: this is also why people woobyfying Darcy hurts Caroline as a rational character. They start in a very similar place and love mean girl gossiping together, then he changes. When Darcy's flaws are erased, it makes Caroline look super irrational and much crueller.
Lastly, Caroline is above all else, pragmatic and strategic. She does not hold grudges once it becomes more advantageous to drop them. She would never, ever, now that she is connected by marriage to the Bennets, mock them in public. Because that reflects on her! Caroline would be in London talking up that the Bennets are a very old gentry family with an ancient estate or something. She's going to be giving them a PR makeover to all her fancy friends because they are HERS now, for better or for worse and whether she likes any of them or not. Yes, in private she might be mean, as she is in the novel, but again, she's not vulgar and she has nothing to gain in public. She has manners, she has self-control; being a mean girl doesn't override that.