well 🧍♀️ as a reminder this blog is NOT a safe space for trump supporters but it IS a safe place for women, queers, trans ppl, people of color, undocumented people, and any marginalized group.

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祝日 / Permanent Vacation

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shark vs the universe

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@theartofmadeline
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occasionally subtle

Origami Around

oozey mess
Xuebing Du

if i look back, i am lost
Show & Tell

roma★

★
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@midnight-mal
well 🧍♀️ as a reminder this blog is NOT a safe space for trump supporters but it IS a safe place for women, queers, trans ppl, people of color, undocumented people, and any marginalized group.
MY GOAT IS BACK
Consider this (based on a conversation I had with some friends a while ago): Pride and Prejudice and Zombies for people who actually like Pride and Prejudice. Look–I tried to read Pride and Prejudice and Zombies and I got about 20 pages in before I came to the conclusion that the person who wrote it did so out of the belief that the original Pride and Prejudice was stuffy and boring. There were out of character vulgar puns. And the trailer for the movie did not convince me that I had missed anything by cutting short my reading experience. So, what I’m talking about here is this premise: the world of Pride and Prejudice, but if you die, it’s highly likely, almost certain that your corpse will get up and try to eat people. But no one dies in Pride and Prejudice, you might say. In fact, few or no people die in any Jane Austen novel. This is true. But people do get sick with some regularity. Imagine the tension added to Jane getting sick after going to visit Bingley if there was the chance that she would become a zombie after she died. Becoming a zombie in an eligible bachelor’s house probably would have seriously wrecked any chances of any of the living sisters ending up with him. Imagine Mr. Collins, as a minister, having the duty upon someone’s death of severing their head with a ceremonial plate or something that would prevent the corpse from rising. Obviously important, but this only makes him more self-important and obnoxious. And dangerous. For you see, in this version, Mr. Bennett, who stays in his office all the time, whose life is the only thing allowing Mrs. Bennett and her daughters to stay in the house–Mr. Bennett is definitely a zombie. He died at home, and Mrs. Bennett decided that, no way were they dealing with this, and so…just started faking it. Jane and Elizabeth know. The younger sisters don’t. In this universe, I think we have to go with zombies that are not any faster or stronger than the humans they were, and in fact tend to get weaker as time passes because their flesh is rotting. And…hmm, okay, how about they are pretty violent upon rising, and for about a week afterward, trying to bite people and spread the infection (even though most people are carriers anyway, but getting a nasty bite from a corpse will give you other stuff that will have you die while carrying the virus). But then they calm down and basically just start sort of attempting to act like they did in life, that is, taking habitual actions with no consciousness, in a depressing and desiccated way. So Mr. Bennett is a zombie, and Mrs. Bennett’s number one goal is to get her daughters married before anyone finds that out. And this, actually, makes Elizabeth’s refusal of Mr. Collins more frustrating for Mrs. Bennett–obviously Mr. Bennett didn’t tell Elizabeth that she could refuse Mr. Collins, because Mr. Bennett is dead, but Mrs. Bennett can’t say anything or the game would be up. Another question in this version–does Mr. Darcy find out about Mr. Bennett being a zombie somehow? Does Elizabeth find out that he knows and didn’t say anything and this is something that helps repair his earlier actions? Anyway, this is the Pride and Prejudice and Zombies that I was looking for.
Okay also: in the original, when Elizabeth walks through the rain all the way to bingley’s to care for Jane while she’s sick, it’s a very dramatic expression of both Elizabeth’s love for her sister and her penchant for flamboyant rebellion, but consider, if there is a chance Jane will wake up a zombie and Elizabeth knows it, how does that change the dynamic? Elizabeth might be going to help take care of Jane, or to *take care* of Jane should things take a more morbid turn…by killing her zombie sister.
This works especially well if zombieism is communicable prior to death; if mr. Bennett is a zombie and only the elder Bennetts know, that means Jane has been pre-exposed and is almost certain to wake up as a zombie should she die in the Bingleys’ care— which the Bingleys do not know. Elizabeth has to forge through the rain to be there in case things get ugly, because she knows that the Bingleys aren’t prepared.
And I think you pretty much HAVE to make Mr. Bennett’s zombie status play a role in how and why Darcy separates Bingley from Jane—the heavy implication behind Darcy’s line about the want of propriety shown even by her father hits Elizabeth like a ton of bricks as she realizes he knows—he knows, and he thought Jane lying to Bingley about it was evidence that Jane didn’t love Bingley—but—but Darcy must not have told Bingley that part of it. Bingley couldn’t keep a secret on his life; if he knew, his sister would know, and word would already be out and they’d have been ruined by now—
And of course, not only does the fact that Darcy, who owes their family nothing, has kept and continues to keep this secret for them even after Elizabeth’s refusal deepen the gratitude she begins to feel for him after the letter of explanation, but it also liberates Elizabeth to fall in love with him. Because Elizabeth-who-wants-to-marry-for-love would never be happy marrying someone who didn’t know the family secret in advance. She had resigned herself to spinsterhood because she couldn’t be satisfied with having to hoodwink someone to have their hand, but also couldn’t put her family at risk by trusting someone who wasn’t bound to them by more than an engagement. (Maybe she was even tempted to confide in Wickham at one point, and hasn’t Darcy’s letter proven she was absolutely right not to yield to that passing thought.) But Darcy figured it out himself, and he’s kept her trust, and she could fall in love with him without guilt—if she hadn’t already turned him down.
AND THEN LYDIA HAPPENS. And Darcy realizes immediately that Mr. Bennett can’t do anything to recover her—and if Mr. Bennett doesn’t do anything about Lydia, Mr. Collins might become suspicious, or even just officously involve himself, so find out the while thing. When Darcy blames himself for not revealing Wickham’s character, it’s with a much more immediate sense of urgency. It’s not that the other sisters’ marriage prospects being ruined may impoverish them down the road—it might immediately drag them all into destitution. That’s why he rushes off to go look for Lydia himself.
is jake gyllenhaal gay??
why would you ask us, a narnia blog, this
happy pride month to this post specifically
old friends
Brushbuddy TEEFS! Witch Hat Atelier (2026) — 1x09 Kamome Shirahama
first step✒️🌟
Happy witch hat day!
(print)
sketch
to celebrate season 1 of the anime
Allow me to introduce you to my all-time favorite hidden gem of any Star Wars soundtrack. One that is rarely ever mentioned or noticed because it resides at the very end of the end credits of Attack of the Clones.
Don’t worry, you don’t have to listen to the entire 6-minute masterpiece. Most of you already know how the end credits typically go in a Star Wars film. The Rebel Alliance fanfare is played before John Williams delves into what he most likely considers to be the most important theme of the film. In this case, it was Across the Stars because…love story.
Now…just for reference, I need to make sure you know some themes in order for this to be as powerful as it can be. Those being:
The Imperial March which I’m sure all of you are quite familiar with. If you are new here or confused by the name, it is also commonly referred to as “Darth Vader’s Theme”.
Across the Stars is Anakin and Padme’s love theme throughout the Prequel Trilogy. If you can’t seem to remember or haven’t listened to it in a while but want to, just start the video from the 0:50 mark.
Anakin’s Theme is lesser known and also harder for people to remember since it’s not played very often. Don’t worry, I’ll let you know when it happens so you know you’re hearing it.
Now…onto the reason I’m here…
https://youtu.be/1bfeiggOubY
If you skip to 4:25, you will hear a breathtaking rendition of the spectacular love theme played on a harp.
What happens after that is pure magic and pure genius on John Williams part.
At 4:55, we hear Anakin’s Theme. Though it doesn’t quite evoke childhood innocence as much as it did in the orchestral recording for The Phantom Menace. Now, it’s more distraught, more disjointed, more melancholy, and overall much more haunting.
At 5:13, we hear Across the Stars, a theme that is nothing short of beautiful every time it’s played…but listen to what’s happening underneath it.
At 5:18, while Across the Stars is still heard, we hear an undertone of The Imperial March. It interrupts the beauty of the love theme and lets you know of the darkness that surrounds that love.
At 5:25, John Williams takes that love theme to incredibly chilling heights.
At 5:35, the end credits close with a very foreboding rendition of The Imperial March. A rendition that is so gut-wrenching and stomach-churning even for the short 10-seconds that it plays and you’re almost begging the music to return to it’s happier, higher tone…but it doesn’t. That’s how it ends.
The end credits of The Phantom Menace ended with Vader too but that was only because Anakin’s Theme actually ends with a small snippet of it. This particular piece of music heard at the very, very end of Attack of the Clones is not featured anywhere else in any other Prequel Film as it’s written here. John Williams didn’t have to do that, he didn’t have to go that hard when it was the last few minutes of, not just the film, but the end credits. But…he did and I am oh, so glad he did because it gives me chills and makes me want to cry every time I hear it.
In short, that small piece of music magic, starting from Anakin’s Theme, manages to tell you the entire story of the Prequel Trilogy in less than 2-minutes and all through the power of music.
Ep. 2 ➸ The School of the Grassland
we could sit together and do nothing all day—i'd still be the happiest
May the 4th be with you ✨
Babies,,
Evening coffee ☕🌌
Begging for Oru and Qifrey to catch a break PLEASEEE the last chapters made me go insane. insane !!! It's been so long since I last drew WHA fanart but I'm participating in a fan event so I've been cooking up stuff for months hehehe..
a special ink and a set of casting seals. that's all anyone needs to use magic. it's the one great rule of witches. and now that you've found out, i must erase your memories.
TONGARI BOUSHI NO ATELIER (2026) episode 01 ✴ the magic that started everything created by shirahama kamome