h
we're not kids anymore.

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Cosimo Galluzzi

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One Nice Bug Per Day
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Janaina Medeiros

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@millersrevolver
I poisoned myself again, somethin’ in the orange
Tells me you’re never comin’ home
If you recognize any of them please like the post❤️❤️
Commission for: @unforgivemn !!
Eric Bana as Kyle Turner || Untamed - A Celestial Event (1.01)
Warm morning.
Summary: On a rare peaceful morning, Joel Miller clings to you in bed, finding comfort and refusing to let go for anything, not even coffee. Pairing: Joel miller x Reader. Word count: 1k Warning: Nothing, just fluff.
: ̗̀➛ masterlist | navigation
The first thing you feel is warmth.
Not just from the sunlight spilling through the threadbare curtains, but from the heavy weight of Joel’s arm draped across your waist. He’s still asleep, breathing slow and steady, face buried somewhere in your shoulder like he’s trying to disappear into the blankets and you.
You try not to move. You’d rather stay here forever, tucked beneath the covers with the world shut out and Joel pressed against your back, solid and warm and so completely at peace that it makes your chest ache.
He doesn’t sleep much. Not really. So when he does, like this, you do everything you can not to break the moment.
Still, you can’t help the quiet smile tugging at your lips.
You shift slightly to glance at him, and that’s all it takes his arm tightens around you, pulling you even closer until your back is snug against his chest.
“Mm,” Joel grumbles, voice rough with sleep. “Where d’you think you’re goin’?”
“Didn’t say I was going anywhere,” you whisper, smiling into the pillow.
“Thought about it, though.” His voice is hoarse, slow, affectionate in that gruff, unmistakably Joel way. “Could feel it.”
You let out a soft laugh, hand reaching down to lace your fingers with his. “I was just trying to look at you. Thought you were still asleep.”
“Might’ve been,” he mumbles. “But then you moved.”
“You’re like a bear. One twitch and you wake up.”
“I ain’t that bad.”
You turn just enough to see him now his hair mussed from sleep, scruff rough along his jaw, eyes still half-lidded but warm and soft in a way he’d never admit to. You reach up and brush your fingers through his hair.
“You’re exactly that bad,” you tease gently. “But you’re cute when you’re sleepy, so I’ll allow it.”
Joel groans and presses his face into your shoulder again. “Don’t say shit like that. It’s too early.”
“You love it.”
He doesn’t answer, but you feel the smile against your skin.
The two of you stay like that for a long while, tangled in sheets, limbs knotted together like neither of you ever wants to move again. Outside, birds chirp faintly, and you hear someone shouting down the street, maybe traders setting up early. But none of it touches you here.
Here, in this bed, it’s just you and Joel. Eventually, you murmur, “You wanna get up? I could make coffee.”
He tightens his grip, pulling you impossibly closer. “Nope.”
“Joel—”
“Not movin’. Got you where I want you. Not givin’ that up for shitty instant coffee.”
You snort. “So you’re kidnapping me now?”
“Somethin’ like that.”
You shift to face him fully, your legs tangling with his, your hands resting on his chest. He lets you, watching you quietly, one hand drifting up to brush your cheek.
“Y’know,” he says after a moment, voice softer now, “never thought I’d get this again.”
You tilt your head. “What?”
“This. A bed. A quiet morning. Someone who makes me feel like…” He trails off, brow furrowing like the words are too big to say. “Like I ain’t just a survivor.”
You lean in and press a gentle kiss to his lips. It’s slow, warm, and easy the kind of kiss that says I’m here. I’m not going anywhere.
“You’re allowed to have good things, Joel.”
He blinks at you, then lets out a soft breath and kisses you again, this time a little deeper. His hands slide into your hair, and when he pulls back, he rests his forehead against yours.
“You’re the best thing I’ve had in a long time,” he murmurs.
Your heart swells, but you try to keep your voice light. “You saying I’m better than coffee?”
“Hell yes, you are.”
You both laugh quietly, and the world outside fades a little more. He pulls you back into his chest, and this time you don’t resist. You bury your face into the crook of his neck, inhaling his scent warm, earthy, familiar.
“Five more minutes,” you whisper.
“Take all the time you need.”
And in Joel’s arms, you do.
joel + text posts
XX JUDGEMENT
i had fully lost it at this point
So much of my impression of Reed Richards as autistic in the new Fantastic Four movie comes from Pedro Pascal's delivery. The way he chooses to say these lines makes such a difference--like "I am that smart" or "Anyone can build a crib, only I can build this" could EASILY have made him read as an a-hole, but Pedro's Reed says them with a sincerity that feels very autistic to me. He's not bragging or being snide, he's just stating the truth, and there's even a lot of gentleness in it. (And, I mean, come on, his confusion about the extra screws for the crib? "They included two extra...I have no idea why." He meant that!) His argument with Ben about how "cooking is more of an art than a math or a science" and how he failed his driver's test because of "poorly placed signage" (I love him) could have felt pedantic or prideful, but he says them with this sweet, almost abashed feeling that feels very genuine and familiar.
His reactions to Sue's pregnancy and the press post-Galactus excursion also read as autistic: he is clearly feeling a lot, but he isn't sure how to express it, so with Sue it comes out as immediately moving to problem-solving ("we'll have to design tests to account for our mutated DNA--") and with the press it shows up as reassurance-seeking: even though he's at the mic, he is constantly looking over at his family as if they could tell him what he should say. They even do end up answering some questions for him, and the most he says without a very long pause is his first comment: "I'm sorry we don't have a prepared statement" (which because of its delivery also feels very autistic).
And there's also his face, which is highlighted as very expressive in contrast to his fairly monotone voice. "I finally crossed it off the list," is said very simply and without context (true autistic information-sharing lol) but when Johnny jokes with him afterwards about taking back all the bad things he's said, Reed's face is telegraphing that he doesn't know how much of it is a joke. And at the start of the film, it's joked that his face is what gives away the pregnancy. (Not to mention Ben's joke about being surprised Reed isn't in panic-induced sweats and his reply that "I had that scheduled for later"...sir. You're not dodging the allegations)
Even in his fight with Sue the entirety of what he says is just so autistic to me. "I don't dream, I don't wonder. I let all of the worst things into my head, because it's my job to think of the bad things so that we can do them to them before they do them to us!" and Sue responds, "It's not your job, it's you." And he immediately agrees. And when Sue says "Sometimes, you being you hurts me," he can only pause and say "I don't mean to..." And Sue responds, "I know." And both of them feel so honest in how they say these lines! Reed really doesn't mean to hurt her, of course he doesn't, but he also doesn't know any other way to be, and he doesn't know how to make it hurt her less, and you can feel that he's really at a loss for what to do. Thankfully he is met with understanding, but the experience of the way you are and how you function being something that can hurt other people without your intending to or being able to help it is extremely relatable to autistic people. On top of this interaction, Reed feels like his whole family's pain is his fault, because he "should have known" that the suits "were...inadequate"--self-blame which makes him even more relatable.
And then there's the heartbreaking scene with him and Franklin where he quietly tells him, "I hope you're not like me. There's something wrong with me...always has been." It wasn't just the mutated DNA that made Reed feel wrong. He says he's always felt that way. There's nothing more autistic than that.
Anyway yeah I'm used to Reed feeling like a colder, less-emotional version of Tony Stark, but Pedro Pascal really breathes new life into this character. He is anxious and particular and warm and very, very autistic.
ohh joel miller the man you are
if you were a fictional character
take this quiz & make this picrew of yourself
obsessed with this so please do it bc i wanna see your results
The thing that absolutely breaks me about the Last of Us is that they were so close. So close. To having it all. Cure or no cure, they made it out alive. Ellie said she wanted to forgive Joel, and he was willing to wait for her. They were in Jackson, they had a house, and a life. They had found the closest thing to a happy ending that you could ever get in a world like that. Joel had found his second chance, and he kept her alive the only way he knew how. Ellie found someone who was willing to put her above everything else, cure included, not because of her immunity but because they loved her. She found someone who was never going to leave her behind (by choice).
And then in the blink of an eye, they lost it. Joel died and they never got to fix things, and Ellie was left behind and never truly able to find closure in their relationship. She was the survivor, the one who has to live on with that grief, yet again. Joel loved her so much, in a way he hadn't loved anyone since he'd lost Sarah 20 fucking years ago. He loved her so much it killed him.
They both found their second chance in each other, a second chance at family, and they lost it. They were so close.
Pedro and Lux at the after party of ‘THE FANTASTIC FOUR: FIRST STEPS’
Hello? Just a minute. What's the score? Lakers up big. Damn.
PEDRO PASCAL as CLINT FLOOD Freaky Tales (2025) dir. Ryan Fleck & Anna Boden
[girl who would like to take a break from being a person voice] yeah no I'm just a little tired today
First post on Tumblr. My Dear Arthur 💔
do you think that when mary read the paper celebrating that arthur was likely dead that she combed new hanover, desperately trying to find a gang member who could tell her that it was a lie and arthur was fine
do you think she ran around saint denis, intentionally putting herself in danger to try to find a lead. that she saw charles and recognized him from the papers as one of the gang and despite being scared, asked him about arthur and pressed when he refused to answer
do you think she had to tell stories of their time together to prove she was who she said. and that she couldn’t take it when charles offered to show her where he’d been buried.
do you think they sat on that mountain and talked about arthur like he was there, both reminiscing on the love of their life, no jealousy to be had, just solace in being able to grieve with someone who understood.
do you think they kept in touch, an odd friendship formed over the shared love of a dead man.
because i do. i think that for as long as they could, they sent letters back and forth, making sure someone was always there maintaining the area around the grave marker and ensuring that there was always something there. be it a bouquet of flowers that arthur would have said he wasn’t a good enough man for or one of those cigarette cards that he swore he only collected for the money (even though he never turned in the completed sets).
i think they would work together to make sure that the last remaining piece of the best man they’d ever met never went forgotten
(i think mary moved to live closer to the grave, put as much love she had left in each petal of each flower on each bouquet. a belated way of apologizing to him that would never be enough)