Hamburg, Elbstrand // Coming Home // 2026

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ojovivo

blake kathryn
Monterey Bay Aquarium
dirt enthusiast

Andulka
occasionally subtle
Sade Olutola
One Nice Bug Per Day
I'd rather be in outer space 🛸

@theartofmadeline
Lint Roller? I Barely Know Her
h

PR's Tumblrdome
will byers stan first human second
todays bird
Sweet Seals For You, Always

Origami Around
Show & Tell

JBB: An Artblog!

seen from Malaysia
seen from T1
seen from United States
seen from Australia

seen from Malaysia

seen from United States

seen from Germany

seen from Israel

seen from Australia
seen from United States

seen from Italy
seen from Australia
seen from India
seen from Canada
seen from United States
seen from United States

seen from Malaysia
seen from Netherlands

seen from Australia

seen from United States
@mincement
Hamburg, Elbstrand // Coming Home // 2026
biographie
laub gefriert in kühlen sinnen,
morgenstunden, süßer tau.
wirst auch du mich wieder finden,
asche zu asche, doch staub zu kaum.
brich mein schweigen,
finster, dunkel.
sturm verfliege, werde schwach.
finde mich im sternenfunkel,
wo einigkeiten tief verbunden,
sich still halten, dünkel brach.
sukkuba,
die du mir lüstern zwischenweltlich dann erscheinst.
wenn meine sinne träume wandeln,
und du mich meines fluchs entreißt.
wenn bitter heiße tränen fließen,
sukkuba, dann klag ich an!
auf dass du mich,
sekundenschnellen schrittes,
auf deinen schoß verbannst!
mich eingräbst und mich nimmer wieder,
immer wieder laufen lässt.
auf dass sich deine süße fratze
sich auf meine niederpresst!
und dass wir dann mit raben fliegen,
waffe corvus - niedergang!
möcht’ ich mich mit dir vereinen -
still, amön der werdegang.
m.e. // biographie // verfasst 2019 // memories
if your heart's broken, mine is shredded
Lebanon Hanover // Torture Rack // Asylum Lullabies // 2025
When I was a teen in my emo/edgy german music phase (yes this a thing in France check it up) I was a fan of LaFee. Anyway I kinda lost track after Ring Frei album and the musical direction she took. But today I've been informed that she released a new album and out of curiosity I'm listening to it. And turns out it's a banger, I'm afraid I will have to stan again 😌
🖤🤍 forever a stan
morrisey will never understand how joan of arc felt bye
I traveled to a mystical time zone
and I missed my bed
Oh, but don't mention love
Your youth may be gone
But you're still a good man
So phone me, phone me, phone me
A Rush and a Push and the Land Is Ours // The Smiths // Strangeways, Here We Come // 1987
All das Glück der Welt nutzt mir nichts,
was ich brauche, ist Gleichgewicht.
Mich im Spiegel sehen und mich wiedererkennen,
weiter nach vorne gehen, meinen Weg anerkennen.
Mich wieder lebendig fühlen,
ein warmes Licht im Innern.
Eine Hand, die meine hält,
ohne dieses nächtliche Flimmern.
Keine Limerenz, keine großen Gefühle,
nur ein fester Boden unter meinen Füßen.
m.e. // (f)roh
How I wish, how I wish you were here We′re just two lost souls swimming in a fishbowl Year after year Running over the same old ground What have we found? The same old fears Wish you were here
I miss you, mama.
night walk with mama
wish you were here;
Spirit of the past
Triadisches Ballett (Triadic Ballet) is a ballet developed by Oskar Schlemmer. It premiered in Stuttgart, on 30 September 1922, with music composed by Paul Hindemith. The ballet became the most widely performed avant-garde artistic dance and while Schlemmer was at the Bauhaus from 1921 to 1929, the ballet toured, helping to spread the ethos of the Bauhaus.
The idea of the ballet was based on the principle of the trinity. It has 3 acts, 3 participants (2 male, 1 female), 12 dances and 18 costumes. Each act had a different colour and mood. The first three scenes, against a lemon yellow background to affect a cheerful, burlesque mood; the two middle scenes, on a pink stage, festive and solemn and the final three scenes, on black, were intended to be mystical and fantastic.
He saw the movement of puppets and marionettes as aesthetically superior to that of humans, as it emphasised that the medium of every art is artificial. This artifice could be expressed through stylised movements and the abstraction of the human body. His consideration of the human form (the abstract geometry of the body e.g. a cylinder for the neck, a circle for head and eyes) led to the all important costume design, to create what he called his ‘figurine’. The music followed and finally the dance movements were decided.
Schlemmer saw the modern world driven by two main currents, the mechanised (man as machine and the body as a mechanism) and the primordial impulses (the depths of creative urges). He claimed that the choreographed geometry of dance offered a synthesis, the Dionysian and emotional origins of dance, becomes strict and Apollonian in its final form.
Bowie's amazing optical jumpsuit, inspired by Schlemmer's "Das Triadische Ballett" on his World Tour in 1973 was designed by Kansai Yamamoto and exhibited few years ago, at the Victoria & Albert Museum in London.
Triadisches Ballett von Oskar Schlemmer - Bauhaus (Rekonstruktion)
Bavarian Junior Ballet performing with Oskar Schlemmer's conceptions on the Bauhaus Movement translated into these costumes.
Haruki Murakami | Nitch
“No matter how much he loved someone, he still couldn’t share his life with them. He needed solitary time every day to concentrate, and he couldn’t stand it when someone’s presence threw off his concentration. If he lived with someone he knew he would end up detesting them. Whether it was his parents, a wife, or children. He feared that above all. He wasn’t afraid of loving someone. What he feared was growing to hate someone.”
— Haruki Murakami, Killing Commendatore
Unique footage! This pack of 11 wolves appeared in front of a wildlife camera in the Southwest Veluwe in the Netherlands last week. These recordings are made with fixed cameras that are triggered by movement.
🎥 Natuurmonumenten forest ranger Frank Theunissen