Hurlingham Books l possibly the oldest independent bookshop in South West London
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oozey mess
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occasionally subtle
Monterey Bay Aquarium
Peter Solarz
we're not kids anymore.

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$LAYYYTER

⣠Chile in a Photography âŁ

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Three Goblin Art

Love Begins

Origami Around
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@minuterie
Hurlingham Books l possibly the oldest independent bookshop in South West London
Source: http://www.jeffbridges.com/
Beatnik Glossary
Book Art Is Awesome
"I seem most instinctively to believe in the human value of creative writing, whether in the form of verse or fiction, as a mode of truth-telling, self-expression and homage to the twin miracles of creation and consciousness." âJohn Updike, who was born on this day in 1932
âA novel is a daily labor over a period of years. A novel is a job. But a story can be like a mad, lovely visitor, with whom you spend a rather exciting weekend.â âLorrie Moore
Weâre the echo of all the words we never said.
n.s. white (via nathanielstuart)
Absolutely brilliant cartoon by Randy Glasbergen, explaining in modern terms why we have books.Â
Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others.
Anne Lamott on writing (via explore-blog)
A haiku from the article: John Tavener Dies at 69; Composer With Eye on God
Reviewers always talk about great writers wrestling with their gifts. This is ridiculous. Writers â great or otherwise â do not wrestle with their gifts; writers wrestle with their limitations.
Brock Clarke, Book review: âEnonâ by Paul Harding, «The Boston Globe», 21 settembre 2013
1. Donât go out to lunch. 2. Donât go online until lunch. 3. Donât start writing your novel until you know your characters very, very well. What theyâd do if they saw somebody shoplifting. What they were like at school. What shoes they wear. Spend days â weeks, months â being them until they thicken up and start to breathe. VS Pritchett said, âThereâs no such thing as plot, only characters.â Once you know them well theyâll lead you into their stories. If you start too soon you wonât have a clue what theyâre going to do and all is chaos. 4. However hopeless and inadequate you feel, leave that self behind. Psych yourself up until youâre confident that the world will be interested in what happens to your characters. Confidence is key. 5. Donât âwriteâ. âWritingâ is about showing off, or imitating other writers. âWritingâ mistakes solemnity for seriousness. Just write. Have courage, be truthful, be true to your characters. 6. Donât be daunted. Writing a novel is a huge adventure; when itâs going well itâs more fun than fun. When it stutters to a halt put it aside. Go for a swim, go for a walk, take a week off. Donât panic or be afraid; you and your characters are in it together. Trust them to come to your rescue. Of course itâs a long haul, but you always knew that, didnât you? 7. If a character stubbornly refuses to come alive, switch to the first person. Suddenly theyâll be speaking to you. Later you can change it back again if you need to. 8. I have to know the ending before I can begin. Map out as much as you need but donât over-plot or you can constrict your characters. Let them change it as they go along. 9. You donât have to know the ending. 10. In other words, you donât have to listen to anyoneâs advice. There are no rules to break. Thatâs the pleasure of it. Read The Paris Review interviews with writers â everyone has their own methods and if a novel is truly alive it will break all their rules too. 11. Discover the times when youâre most creative â mornings, nights, afternoons â and clear the time to work then. Many writers find the mornings are best, and the afternoons are only good for editorial corrections, or getting the washing done. Others can only work through the night, drunk. 12. Sort out your priorities. Donât clean your home, other than as a displacement activity. There wonât be time. Youâll probably neglect your friends too, and even your personal hygiene. If you have children, however, try to keep them fed.
Deborah Moggachâs rules for writing. Complement with rule sets from Henry Miller, Margaret Atwood, Neil Gaiman, Helen Dunmore, Zadie Smith, Kurt Vonnegut, David Ogilvy, and John Steinbeck, and wash down with the essential collected wisdom of famous writers. (via explore-blog)
âWriting a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriageâone has to be cunning, devise compromises, and make sacrifices.â
Amos Oz (via theparisreview)
Alexi Zaitsev - La lectora (via Caballero Bonald, premio Cervantes, lee por razones estĂ©ticas ÂżPor quĂ© lee usted? >> Papeles Perdidos >> Blogs EL PAĂS)
Ann Hood, Beginnings, in AA.VV., Writer's Notebook II, Tin House, 2012 (via Facebook)