“Have you come willingly?” The Woman’s Journey to Sexual Maturity in the Fairy Tale | Chapter 4: They Come Willingly
“True love” is a phrase often used in the discussion on fairy tales, but I believe it is truly rare in the fairy tale. The King’s Daughter in The Frog-King violently threw her soon-to-be mate against a wall. Snow-white and Rose-red were both fond of the bear but only one could have him. The king’s son in Rapunzel was the first man she ever saw and a convenient marriage to him represented freedom from her cage-tower. Little Snow-white was dead when her prince saw her for the first time, and the taming of the shrew tales are so full of shaming that it is hard to regard either of these stories as “true love” stories. However, the beast tales, Beauty and the Beast and White-Bear-King-Valemon are some of the most-beloved stories of true love and sexual maturation. The women in these tales come willingly.
In Madame Leprince de Beaumont’s story, Beauty and the Beast, a merchant has three sons and three pretty daughters—the youngest, Beauty, the most beautiful of all. Beauty is her father’s favorite, and only requests a rose from him on one of his merchant travels. Unbeknownst to him, satisfying his daughter’s request of a rose brought about her sexual maturation. In a large forest, he plucks a rose from the Beast’s grounds. Bettleheim analyzed in The Uses of Enchantment, “His doing so symbolizes both his love for her and also an anticipation of her losing her maidenhood, as the broken flower—particularly the broken rose—is a symbol for the loss of virginity”(Bettleheim 306). The price for this offense is either his death or a daughter in exchange. Out of love for her father, and a brave determination, Beauty takes her father’s place. In Madame de Villeneuve’s tale[1], once at the Beast’s palace the following scene unfolds:
“Good evening, old man. Good evening, Beauty.”
The merchant was too terrified to reply , but Beauty answered sweetly, “Good evening, Beast,”
“Have you come willingly?” asked the Beast. “Will you be content to stay here when your father goes away?”
Beauty answered bravely that she was quite prepared to stay.
The Beast, pleased, sent the merchant away with chest of gold (a bride price).
Even though Beauty came willingly, she went on to gently reject the Beast’s nightly marriage proposals, still pining away for her father. Only after the Beast releases her for a week’s time to see her father, does Beauty realize her love for the Beast and how “she can no longer live without it and wants to marry it” (Bettleheim 306). The Beast nearly dying of heartbreak (since her wicked sisters detain her for longer than a week) is transformed into a Prince, and they happily celebrate her marriage.
As Beauty reached the point of sexual maturation she had to make a choice between childhood and womanhood. Although she initially wavered, she came to realize how satisfying it is to come willingly to a man she loves.
The White-Bear-King-Valemon illustrates the transformation of a girlish princess dreaming of her wedding day to a devoted wife and mother. The King’s Daughter dreamed of a golden wreath. In Norwegian culture, virginal brides wore this gold wreath. She pined away for the particular wreath she dreamed of so much that the wreaths her doting father had made for her (naturally) would not suffice. She was not satisfied with what her father could give her, but what a white bear possessed: the exact golden wreath. She wished to purchase it but “No! It wasn’t to be had for money, but only in return for herself.” The King’s Daughter believed that her life was not worth living without the wreath and giving herself to him would at least satisfy her in getting what she wanted.
The King’s Daughter was ready for marriage, and when the bear came to collect her, her father sent his other daughters first. When her sisters sat on the bear’s back on the way to the wood where he lived, he asked, “Have you ever sat softer, have you ever seen clearer?” They childishly responded, “Yes, on my mother’s lap I sat softer, in my father’s court I saw clearer,” and the Bear-king returned them back to their parents. Only the “fair and sweet” King’s Daughter exclaimed in response to his question, “No, never!”  The satisfied bear-king took her, and although a bear by day, he conveniently transformed into a handsome man at night to be with his sexually-ready bride. The story does not end there.
Over the next three years of marriage, she bore three children that the Bear-king took away from her promptly after their births. Depressed, she wished to return to her parents, and unknowingly, began a quest to rescue her husband from the curse that trapped him within a bear’s body. As she searched for her husband, the King’s Daughter was determined to find him—even when those she met on the road told her that, “You’ll never catch up with him again.” But, she does, aids in his escape, and reunites with the children her husband hid away so that they could help her find him. (Research this story! I leave a lot of details out!)
In both Beauty and the Beast and White-Bear-King-Valemon, the girls and their fathers realize according to Bettleheim, that through marriage to a “beast” they didn’t have to suffer some beastly experience. Bettleheim claimed that, “The story tells that their anxieties are unfounded. What was feared to be a beastly experience turns out to be one of deep humanity and love”(Bettleheim, 306). Growing up can be a frightening reality for children, but these beast tales demonstrate that all though relationships change, growth can also be beautifully satisfying.
[1] Story taken from this edition: http://humanitiesresource.com/ancient/articles/beauty_and_beast-final.pdf