[rabittaphoto]

[theinternetarchive]

stairs in paris, eugéne atget c. 1890s-1900s.

[mayahart]

THE SOCIAL NETWORK (2010) dir. David Fincher I was your only friend. You had one friend.

[louisegluckpdf]

kind of obsessed with this hinge response

[atsev]

Daniela Garza for Mirror Palais

[fairuzfan]

Here's a website where Palestine GoFundMes are vetted and shared that you can send out to people. The url is gazafunds.com

Easy to use and simple. Just share the site whenever someone asks for GFMs for Palestine.

[enchantedbook]

'Bats' by Edward Gorey

[pneumaturgo]

Leonora Carrington (1917-2011), Tarot, Major Arcana.

[holly-warbs]

'tapestry'

monotype prints with oil paint and pastel.

[dabneycoleperson]

[groupieculture]

When summer evenings feel like this gif it’s beautiful and it’s worth it

[apocryphics]

thinking about how lana said that she’s not interested in writing; that writing is interested in her & how when she’s not writing all she does is sit at Starbucks and talk shit all day

[apocryphics]

[monstroushellbride]

you know you know where you are with you know where you are with floor collapsing floating bouncing back and one day i am gonna grow wings a chemical reaction (you know where you are) hysterical and useless (you know where you are) hysterical and (you know where you are) let down and hanging around crushed like a bug in the ground let down and hanging around

[farewell-to-lorien]

Scene study#7, by Thomas Ngan.

[idiosyncraticfreak]

One of my favourite photos I’ve ever taken. ^-^ 

[luthienne]

Anne Carson, from Nox

[kitchen-light]

“But so many women I know have their first book when they’re our age. I mean, I was 40, and I didn’t have my second book until I was 50. And then it was another five years before I had Four-Legged Girl. Maybe this is old school, but I think there is some worth in publishing when you really have something to say. And how do you have something to say? Well, you live a life. When I was 22, I wrote, but mostly reflections of certain kinds of emotional intensities, because that’s what I had. I hadn’t had time to really integrate those intensities or put them into a perspective that made a larger kind of sense, or connected outward, and who does? So that pressure to produce, to brand oneself, it has an impact on the landscape of poetry.”

— Diane Seuss, from “On Frank O’Hara And Marilyn Monroe: A Conversation Between Diane Seuss And Heidi Seaborn”, published in the Adroit Journal, August 9, 2021