the regretful climb

past life sideblog 26 · he/it

[plastiboo]

[strathshepard]

Jeppe Hein: Bear Your Consequences, 2018, a subterranean reservoir turned exhibition space in Copenhagen. A small gas flame burns in the centre of a huge round mirror with a fragmented surface, growing warmer and brighter as the visitor approaches.

[luminous-void]

Denis Forkas, Chariot II: The Dead Laugh at the Living, 2022

[orchidboy]

THE CAVITY AND THE WOUND; THE OPENING AND THE EYE; THE CYCLE AND THE ANOMALY

[audientvoid13]

“Overthinker” – Nicolae Scarlat, 2020

[sevenmoths-deactivated20250325]

t shirt that says Only God Can Fuck Me

[blue--folder]

Our Wish for the End, Me, Digital Collage, 2020

[nemfrog]

Total eclipse.  Sunshine and moonlight. 1889. 

[salemwitchtrials-deactivated202]

[electripipedream]

James Gleeson, 1915-2008

[powerful-art]

© Daniel Arsham

[thingsmagazine]

Light Masonry, an installation by Jason Bruges Studio

[jamesusilljournal]

This is Where it Ends, Mats Tusenfot, 2012

[virulentvoid]

[strange-gods]

The penitent procession, a traditional painting commissioned by Mike Franchina for his Trench Crusade project.

This was an absolute pleasure to work on, the world he’s crafting here is absolutely amazing and it’s a pleasure to contribute to it.

Original up in the shop! 

[redlipstickresurrected]

Stephen Hannock (American, b. 1951,  Albany, NY, USA) - Incendiary Nocturne with Stormy Sea, 2016, Paintings: Oil on Canvas

[clawmarks]

Jakob Böhme - Aurora (cropped) - 1682 - via Getty Open Contact