More than 5 Friday: Louis Andrews Fischer
More than 5 Friday is the backbone of this blog: a weekly feature that highlights an awe-inspiring woman in history who has yet to become as well known as she should.
Most of these posts so far have been hard to write because, with a small amount of Googling, you can find so much information about the women of the day, that the challenge is picking what to write about.
Today, however, is an exception, in that Googling reveals almost nothing about this artist extraordinaire, which makes her all that more relevant for this blog.
But first! Some background...
As most everyone in the world knows, New Orleans plays host to a hedonistic bacchanalia around February and March every year known as Mardi Gras.
Beer, booze, beads, boobs, crowds and crowds of people and parades of elaborate, over-the-top floats.
A small, understated float outside of its natural Mardi Gras habitat to highlight just how elaborate and fantastical these structures are.
Mardi Gras is a big party, but also a BIG business (it brings millions of dollars into Louisiana annually), BIG tradition and BIG ritual. In addition to the revelry, Mardi Gras has traditionally boasted social clubs, or Krewes, which create the floats and hold fancy-pants balls. The Krewes variously also do charity work throughout the year and elect a Rex and Queen of the ball. It's basically like the Kiwanis or Lions, if they included women AND went totally, insanely, beautifully nuts once a year.
And all of this has been happening for hundreds of years. For example, check out this Queen, circa 1929, a Miss Jane Westfeldt, of the Elves of Oberon Krewe:
Or this one, from five years earlier, Emily Haynes of the Comus Krewe:
All photos via me (hence the badness)
I love both these photos and what they reveal about the Queens: I love their bare shoulders, the short flapper 'dos and the fairy-realm crowns (especially that second one!). I love the way these socialites have strong stares and, lest you not know, the actual physical strength to carry a train that long! I guarantee you that under the dress in that first one is a special metal armature to hold up all that fabric, embroidery and beadwork.
In addition to the gowns and crowns, artists have annually designed scepters, robes, girdles, chest plates and those crazy, ever-elaborate floats.
And that is where today's artist comes in. Say hello to Louis Andrews Fischer:
Louis (named for her father, not actually a misspelling of "Louise") had one of the longest careers as a NOLA Mardi Gras artist. She started designed while still a student and, in addition to working at a design company for over 50 years (!), designed for the Hermes and Rex krewes.
One of Fischer's designs, via Tulane University's digital archives.
In addition to her fantastical and fantastic work on floats, Fischer was a pioneer of gender-bending, a painter who also created installations in houses and a bookstore owner with her husband.
Most of my info today (and the glare-ruined photos) come from visiting Louisiana State Museum Presbytere, which is in Jackson Square, the heart of the French Quarter in New Orleans. They've got a phenomenal exhibit on the history of Mardi Gras, as well as a temporary one about Katrina and its aftermath.
Luckily for y'all not in the area, they've got a great online companion.
You're on your own for po boys, though, I ain't sharin'.
(PS. Sorry for two weeks in a row of Nola-themed Fridays. I just moved down here and am SO excited to share my discoveries. Expect wider-reaching posts asap. :)