@acesfading
meowdy
h

tannertan36
KIROKAZE
DEAR READER
Sade Olutola

❣ Chile in a Photography ❣
Three Goblin Art
almost home
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year

Origami Around
One Nice Bug Per Day
trying on a metaphor
No title available
dirt enthusiast
taylor price

Kiana Khansmith
Jules of Nature

⁂

if i look back, i am lost
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from Canada
seen from United States

seen from United States

seen from United States
seen from Türkiye
seen from Ukraine
seen from Sweden

seen from France
seen from Tunisia
seen from Lithuania

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
@moroz-kot
@acesfading
meowdy
@acesfading look, it's us :3
HELLO??? YOURE SUPPOSED TO BE DEAD
I neeeever died jess! I was just resting my eyes :3
Fucker couldn't even kill me if he tried
and he tried!
BITCH HOLD ONRNIMFUCIKBCRYONBG
see ya jesseeeeeeeeee :3
@acesfading look, it's us :3
HELLO??? YOURE SUPPOSED TO BE DEAD
I neeeever died jess! I was just resting my eyes :3
Fucker couldn't even kill me if he tried
and he tried!
Just think, someday we'll be buried here, side by side, six feet under in matching coffins.
The Addams Family (1991) dir. Barry Sonnenfeld
@acesfading look, it's us :3
@moroz-kot wiwiwi miau miau miau miau miau miau
FUCK OFF!!! I DO NOT SOUND LIKE THIS
Wonder Bar (1934) Money From Home (1953)
Boys will be boys! Whoo!
THE APARTMENT 1960 — dir. Billy Wilder
“What a wonderful next year it’s going to be. What fun we’ll have!”
An Affair to Remember (1957), After the Thin Man (1936), Carol (2015), Sunset Boulevard (1950), When Harry Met Sally... (1989), Penny Serenade (1941), The Holdovers (2023), Remember the Night (1940), Phantom Thread (2017), The Apartment (1960)
To Catch a Thief (1955) - dir. Alfred Hitchcock
Let’s go gambling! 🎰🍋💸🍒
I wish I could tell you
you don’t have to run—
that closeness won’t hold you captive,
that my love isn’t a contract,
that staying wouldn’t hinder your growth.
I wouldn’t ask you
to promise anything,
or to choose.
I would be with you
unconditionally—
asking nothing, only offering.
But some truths cannot be given;
they have to be discovered.
And by the time you learn
that safety doesn’t cage,
that connection doesn’t cost you yourself,
I may already be gone.
Not because I didn’t care,
but because waiting
was slowly teaching me
how to disappear.
Things will be right soon. I promise it.
Such words are meaningless. Fleeting dreams that can never come true. A lingering, bittersweet taste when you wake.
But it's a nice sentiment, regardless.
My dearest sweetheart, Klara, I can't stand it any longer. Take your key and open post office box 237 and take me out of my envelope... and kiss me.
THE SHOP AROUND THE CORNER 1940 • dir. Ernst Lubitsch