Loie Hollowell (American, 1983), Milk Fountain, 2019. Oil, acrylic, sawdust and high density foam on linen mounted on panel, 71⅞ x 54 x 3¾ in.
Monterey Bay Aquarium

JVL
Today's Document
DEAR READER

shark vs the universe
Peter Solarz
sheepfilms

titsay

Love Begins
he wasn't even looking at me and he found me

Janaina Medeiros
Cosmic Funnies
almost home
Cosimo Galluzzi

#extradirty
Jules of Nature
let's talk about Bridgerton tea, my ask is open
will byers stan first human second
RMH
Show & Tell

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@mothercanon
Loie Hollowell (American, 1983), Milk Fountain, 2019. Oil, acrylic, sawdust and high density foam on linen mounted on panel, 71⅞ x 54 x 3¾ in.
'nun with deep sorrow on the left + with ecstatic joy on the right' + 'maternal happiness mixed with pain, a pscyhological and aesthetic study of the expression resulting from the conflict of joy + crying' by duchenne de boulogne, 1862 in ghost in the shell: photography + the human soul, 1850-2000 - robert a. sobieszek (1999)
there is no milk.
"There was something so valuable about what happened when one became a mother. For me it was the most liberating thing that ever happened to me. Liberating because the demands that children make are not the demands of a normal 'other.' The children's demands on me were things that nobody ever asked me to do. To be a good manager. To have a sense of humor. To deliver something that somebody could use. And they were not interested in all the things that other people were interested in, like what I was wearing or if I were sensual. Somehow all of the baggage that I had accumulated as a person about what was valuable just fell away. I could not only be me-whatever that was— but somebody actually needed me to be that. If you listen to [your children], somehow you are able to free yourself from baggage and vanity and all sorts of things, and deliver a better self, one that you like. The person that was in me that I liked best was the one my children seemed to want."
From Toni Morrison and Motherhood: A Politics of the Heart
Breasts and Eggs, Mieko Kawakami, 2020
Harry Harlow’s fake mother experiment
social skills training, solmaz sharif