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@mountains-beyondmountains
Yoko Ono's Cleaning Pieces
CLEANING PIECE I Write down a sad memory. Put it in a box. Burn the box and sprinkle the ashes in the field. You may give some ashes to a friend who shared the sadness. CLEANING PIECE II Make a numbered list of sadness in your life. Pile up stones corresponding to those numbers. Add a stone, each time there is sadness. Burn the list, and appreciate the mount of stones for its beauty. Make a numbered list of happiness in your life. Pile up stones corresponding to those numbers. Add a stone, each time there is happiness. Compare the mount of stones to the one of sadness. CLEANING PIECE III Try to say nothing negative about anybody. a) for three days b) for forty-five days c) for three months See what happens to your life. CLEANING PIECE IV Write down everything you fear in life. Burn it. Pour herbal oil with a sweet scent on the ashes. CLEANING PIECE V Let a list of arbitary names come into your mind as you go to sleep. Say “bless you” after each name. Do this with speed, by keeping a constant rythm, so, in no way, you would hesitate to bless them.
a concept: we are smoking on our back porch. you’re smiling. a dog sleeps at our feet. the ocean is 2 blocks away. bernie sanders is president. the bees are alright.
We’re asleep until we love. We’re children of dust… But fall in love —and you’re god, you’re pure as on the first day of creation.
Leo Tolstoy, War and Peace (via wethinkwedream)
plants on my camera roll that make me tear up, 2013 — 2015
Kids in Love
Twenty year old Olivia Bee is a self-taught photographer and director based in Brooklyn, New York. She’s shot assignments for The New York Times and VICE as well as campaigns for Hermès, in which she cast herself as one of the models. She was fifteen years old when she shot her first advertising campaign—for Converse. Her work features her friends, doing what teenagers and young adults do, but in a well-composed, beautiful way.
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Because I wanted to write a poem that would make me push away from the table & say Damn, & turn my face, even though I never say that word. Say Look, this is your saddest thing. That’s all. Your first & only saddest thing. This is the hole that never closed. This is your father’s face becoming small in the window. Here is your first question to the gods. Here is your day of the week: your house is the chicken on the butcher-table: hacked. This is your five year-old wishbone gut; your heart is a wishbone, your blood is a wishbone. See, here is your Friday shuffle up the freeway in a borrowed, rust-colored Monte Carlo because your mom’s brakes went out on Mother’s Day & she hit a wall, & when you hear her tell the story it makes you angry that she says Praise God the kids weren’t with me & I was alone, cause she was all alone. See, you do not ever want your mother to be alone. Here is your father, alone. Here is your mother, alone. Here is the deep seat of the Monte Carlo. Here are the refinery torch-lights through the window. Here, your Saturday, your Sunday afternoon. Here is the laundromat; lint-screen in your hand. Here are the laundry-cart’s squeaky wheels, your 25-cent grocery-store book. Here is the swapmeet. Here are your batteries for your mechanical dog. Here is your father & the bag of goldfish, & the muted leaves of goldfish flakes. Here is your hand. Here is the smell of dirt. Here are your father’s soccer games. The blue & yellow oil drums for goal posts. Here is the sound of the kick; so, so high of the spinning ball across the whole Los Angeles sky. Here is your father running. Here is your proud heart. Here is your ride home; walk up to the third floor past the small, small man’s door with the peephole you put your eye to, maybe twice. Here is the clock & its thin, red thermometer line. Here is Helen Keller. Here is early, ugly dinner. Here are your clothes back in the bags. Here is the hole where your mother was. Here is your brother connecting yellow strips of his Hot Rod track. Here is Minnie Riperton. Here is Jacques Cousteau. Here is your 5 o’clock & saddest show. Here is your Dad’s We should go. Here are the sharks & fins & whales. Here is your saddest blue. Here is Jacques Cousteau’s white hair. Here is the knot like a submarine in your small, red throat. Here is your I am so worried for Jacques Cousteau. Here is the buckle of the seat belt, your face to the cold, cold window. Here is your face. Here is the submarine again, breaking your voice-box. Here are your eyes. Here are your eyes like tanks filling with water. Here is your way home. Here is your father trying to tell jokes. Here is your brother in the backseat, sounding like he is drowning. Here is his face pressed to the window. Here is his wet face. Here is the near-quiet of the car. Here is your stomach filled up with ocean. Here is your Jurassic sadness. That’s all. Here are your small lavender feet. Here is your hand becoming a windshield wiper across your small face. Here is your father saying Don’t cry, haneyay, why are you crying? Here is you saying I am so worried for Jacques Cousteau. I do not want him to get eaten. Here is the engine whirring. Here are your tears eating the day like silkworms eating mulberry leaves in the tank near your classroom desk. Here is your sadness that your dad will be alone. You do not want him to get eaten. Here are your birds. Here is your heart, a red bicycle without a kickstand, in the rain. Here is your plain & famous pain. Here are blue skies you would have traded. Flowers. Here are one thousand of your days you would’ve given back for your parents to stay with it, little, little girl, put them down, all their hawks & quiet weeds, look those long days in the eyes, see their sleepless flash & royal, the hard, hard suffocating days, the days you danced in wildly, even in your sleep. Here. & do not ever say again that you don’t know what it is to stay or to be stayed with, that you don’t get love & maybe couldn’t do it, not like that, when, in fact, that’s all you’ve ever known. Day after day, after day, here is your love, your love that has gone nowhere away from you. Here is a blue sky. Here is the smell of grass on your fingers. Here is a flower. A road, a shoreline. Here are kites rising. Here is breath. Here are your saints, your father’s heart, here is love to believe in, your mother’s cheek. Here is an airplane’s lights, here is a new, white hook of moon, a tiger’s tooth. Here is your mother’s perfume. Here is the ocean, your brother’s shoes. Here is an electric, church organ & a flock of birds outside the window doing their glide & switch, glide & switch, like flags or fish or two-eyed angels. Here is the parking lot where Lucinda slaps hands with bow-legged Small. Here is old Mother Trottie whose foot grew back in church, don’t shake your head, you saw it. Here is the miracle. Here are your dresses & blue jeans. Here are your days, days, days, their black & blue. Here are your bruises, your back & forth. Here is the crow that circles your heart. Here are your seesaw years. Here are all the things you prayed for. Where do they go? Here is the yellow, yellow day. Here is the black, black night. Here is breath. Here is a love you have not had to leave, not yet, not yesterday, not this morning, who knows, oh, terrible & beautiful & giant, hibiscus here, is a fruit tree, a day, a god who looks you in the face despite your fifty heartbreaks, now, Here is a god to make you sing & pray to, oh, good & wrecked & here & here & here.
Aracelis Girmay, “Here” (via pigmenting)
as the street sang up to me from below, Go on, & my hairs stood up like switchgrass atop the gold fields of my skin, bless this holy, holy chance to move above the ground like this.
Aracelis Girmay, from “For Patrick Rosal Who Wore a Dress & Said,” in Kingdom Animalia (via a-pair-of-ragged-claws)
Andy Goldsworthy
Dandelion and Hyacinth
Gouache on paper, 2016
by Kelly Louise Judd
Jenny Holzer
Sunflowers and Sun-Crossed Sky in Summer John Bratby, 1968